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  1. Museums and Philosophy – Of Art, and Many Other Things Part I.Ivan Gaskell - 2012 - Philosophy Compass 7 (2):74-84.
    This two‐part article examines the very limited engagement by philosophers with museums, and proposes analysis under six headings: cultural variety, taxonomy, and epistemology in Part I, and teleology, ethics, and therapeutics and aesthetics in Part II. The article establishes that fundamental categories of museums established in the 19th century – of art, of anthropology, of history, of natural history, of science and technology – still persist. Among them, it distinguishes between hegemonic and subaltern museums worldwide. It argues that relations between (...)
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  2. Do Subaltern Artifacts Belong in Art Museums?Ivan Gaskell, A. W. Eaton, James O. Young & Conrad Brunk - 2009 - In James O. Young & Conrad Brunk (eds.), The Ethics of Cultural Appropriation. Wiley.
     
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  3.  3
    Race, Aesthetics, and Shelter: Toward a Postcolonial Historical Taxonomy of Buildings.Ivan Gaskell - 2019 - Journal of Aesthetics and Art Criticism 77 (4):379-390.
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  4.  15
    Ethical Judgments in Museums.Ivan Gaskell - 2008 - In Garry Hagberg (ed.), Art and Ethical Criticism. Blackwell. pp. 229--242.
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  5. Recollections of Rembrandt's Jeremiah.Ivan Gaskell, Michael Ann Holly & Keith Moxey - 2002 - In Michael Ann Holly & Keith P. F. Moxey (eds.), Art History, Aesthetics, Visual Studies. Sterling and Francine Clark Art Institute.
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  6.  37
    Being True to Artists.Ivan Gaskell - 2003 - Journal of Aesthetics and Art Criticism 61 (1):53–60.
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  7.  25
    Patterns of Intention: On the Historical Explanation of Pictures. [REVIEW]Ivan Gaskell & Salim Kemal - 1987 - British Journal of Aesthetics 27 (2):188-190.
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  8.  6
    A World Art History and Its Objects by Carrier, David.Ivan Gaskell - 2010 - Journal of Aesthetics and Art Criticism 68 (1):65-68.
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  9.  2
    Book Reviews. [REVIEW]Ivan Gaskell - 1985 - British Journal of Aesthetics 25 (1):79-81.
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  10.  2
    Book Reviews. [REVIEW]Ivan Gaskell - 1991 - British Journal of Aesthetics 31 (2):79-81.
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  11.  4
    Being True to Artists.Ivan Gaskell - 2003 - Journal of Aesthetics and Art Criticism 61 (1):53-60.
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  12.  6
    Cultural Heritage Ethics: Between Theory and Practice. [REVIEW]Ivan Gaskell - 2015 - Philosophical Quarterly 65 (260):564-567.
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  13. David Carrier, A World Art History and its Objects, 2008.Ivan Gaskell - forthcoming - Journal of Aesthetics and Art Criticism 68 (1).
     
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  14.  17
    Diptychs—What's the Point?Ivan Gaskell - 2006 - Journal of Aesthetics and Art Criticism 64 (3):325–332.
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  15.  17
    The Eloquence of Symbols: Studies in Humanist Art. [REVIEW]Ivan Gaskell - 1985 - British Journal of Aesthetics 25 (1):79-81.
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  16.  13
    MARTINON, JEAN‐PAUL, Ed. The Curatorial: A Philosophy of Curating. London: Bloomsbury, 2013, Xix + 255 Pp., 5 B&W Illus., £65.00 Cloth. [REVIEW]Ivan Gaskell - 2015 - Journal of Aesthetics and Art Criticism 73 (2):208-210.
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  17. "The End of the History of Art?": Hans Belting. [REVIEW]Ivan Gaskell - 1989 - British Journal of Aesthetics 29 (2):182.
     
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  18. "The Eloquence of Symbols: Studies in Humanist Art": Edgar Wind. [REVIEW]Ivan Gaskell - 1985 - British Journal of Aesthetics 25 (1):79.
     
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  19.  15
    The Museum of Big Ideas.Ivan Gaskell - 2016 - Royal Institute of Philosophy Supplement 79:55-75.
    Although museums of all kinds continue to proliferate, they have lost the capacity to generate big ideas that characterize epistemic shifts, such as evolution, the labour theory of value, or relativity. They have become mere echo chambers for ideas proposed elsewhere. How might museums regain their capacity to generate big ideas? The development of a Tangible Turn in scholarly thinking is leading to a reinvigoration of knowledge claims derived from material things. Museums are well placed to participate in such a (...)
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  20.  15
    Transformations of Cervantes's 'la Gitanilla' in Dutch Art.Ivan Gaskell - 1982 - Journal of the Warburg and Courtauld Institutes 45:263-270.
  21. The Oxford Handbook of History and Material Culture.Ivan Gaskell & Sarah Anne Carter (eds.) - 2020 - Oxford University Press.
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  22. The Riddle of a Riddle.Ivan Gaskell - 2008 - Contemporary Aesthetics 6.
     
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  23.  11
    Works of Art and Mere Real Things—Again.Ivan Gaskell - 2020 - British Journal of Aesthetics 60 (2):131-149.
    Citing works by Marcel Duchamp and others, this article argues that the transformation of what Danto termed a mere real thing into an artwork, and of an artwork into a mere real thing, are not symmetrical operations. It argues that mere real things and artworks not only belong to different categories, but that these categories are themselves of different kinds—the former being closed, and the latter open. Viewing mere real things through the lens of art leads to confusion. Amending Goodman’s (...)
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  24.  31
    Book Reviews. [REVIEW]Salim Kemal & Ivan Gaskell - 1987 - British Journal of Aesthetics 27 (2):183-184.
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  25.  26
    Explanation and Value in the Arts.Salim Kemal & Ivan Gaskell (eds.) - 1993 - Cambridge University Press.
    Explanation and Value in the Arts offers penetrating studies by art historians, literary theorists and philosophers, of issues central to explaining works of literature and painting. The first chapters look at the sources of interest in the fine arts and point to the intimate relation between aesthetic and other values. The following contributions develop the interaction between value and explanation by examining the construction of value in the study of the arts, including considerations of the nature of creativity and the (...)
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  26. Interests, Values and Explanations.Salim Kemal & Ivan Gaskell - 1993 - In Salim Kemal & Ivan Gaskell (eds.), Explanation and Value in the Arts. Cambridge University Press. pp. 1--42.
     
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  27.  62
    Landscape, Natural Beauty and the Arts.Salim Kemal & Ivan Gaskell (eds.) - 1993 - Cambridge University Press.
    In Landscape, Natural Beauty, and the Arts, a distinguished group of scholars probes the complex structure of aesthetic responses to nature. Each of the chapters refines and expands the terms of discussion, and together they enrich the debate with insights from art history, literary criticism, geography and philosophy. To explore the interrelation between our conceptions of nature, beauty and art, the contributors consider the social construction of nature, the determination of our appreciation by artistic media, and the duality of nature's (...)
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  28. Landscape, Natural Beauty and the Arts.Salim Kemal & Ivan Gaskell (eds.) - 1995 - Cambridge University Press.
    Landscape, Natural Beauty and the Arts offers probing studies of the complex structure of aesthetic responses to nature. Each chapter refines and expands the terms of discussion, and together they enrich the debate with insights from art history, literary criticism, geography and philosophy. To explore the interrelation between our conceptions of nature, beauty and art, the contributors consider the social construction of nature, the determination of our appreciation by artistic media, and the duality of nature's determining in gardening. Showing that (...)
     
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  29. Landscape, Natural Beauty and the Arts.Salim Kemal & Ivan Gaskell - 1995 - Environmental Values 4 (1):88-89.
     
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  30.  22
    Nietzsche, Philosophy and the Arts.Salim Kemal, Ivan Gaskell & Daniel W. Conway (eds.) - 1998 - Cambridge University Press.
    Nietzsche's writings have shaped much contemporary reflection on the relation between philosophy and art. This book brings together a number of distinguished contributors to examine his aesthetic account of the origins and ends of philosophy. They discuss the transformative power which Nietzsche ascribes to aesthetic activity, including his aesthetic justification of existence and its fusion of social and personal existence, and they investigate his experiments with an 'aesthetic politics' and a politicisation of aesthetics. Together their essays set out the ground (...)
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  31. Nietzsche, Philosophy and the Arts.Salim Kemal, Ivan Gaskell & Daniel W. Conway - 1999 - Journal of Nietzsche Studies 17:82-84.
     
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  32. Nietzsche, Philosophy and the Arts.Salim Kemal, Ivan Gaskell, Daniel W. Conway, Alexandre Kostka & Ivan Wohlfarth - 2002 - Journal of Aesthetics and Art Criticism 60 (1):101-103.
     
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  33. Nietzsche, Philosophy and the Arts.Salim Kemal, Ivan Gaskell, Daniel W. Conway, Alexandre Kostka & Ivan Wohlearth - 2001 - Journal of Aesthetics and Art Criticism 59 (1):106-108.
     
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  34. Performance and Authenticity in the Arts.Salim Kemal & Ivan Gaskell (eds.) - 1999 - Cambridge University Press.
    This book brings together a distinguished group of scholars from music, drama, poetry, performance art, religion, classics and philosophy to investigate the complex and developing interaction between performance and authenticity in the arts. The volume begins with a perspective on traditional understandings of that relation, examining the crucial role of performance in the Poetics, the marriage of art with religion, the experiences of religious and aesthetic authenticity, and modernist conceptions of authenticity. Several essays then consider music as a performative art. (...)
     
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  35.  28
    Politics and Aesthetics in the Arts.Salim Kemal & Ivan Gaskell (eds.) - 2000 - Cambridge University Press.
    This volume brings together essays from distinguished scholars in a variety of disciplines - philosophy, history, literary studies, art history - to explore various ways in which aesthetics, politics and the arts interact with one another. Politics is an elastic concept, covering an oceanic breadth of mechanisms for conducting relations between empowered groups, and these essays offer a range of perspectives, including nations, classes, and gendered subjects, which examine the imbrication of politics with arts. Together they demonstrate the need to (...)
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  36. The Language of Art History.Salim Kemal & Ivan Gaskell (eds.) - 1992 - Cambridge University Press.
    The first volume in the series Cambridge Studies in Philosophy and the Arts offers a range of responses by distinguished philosophers and art historians to some crucial issues generated by the relationship between the art object and language in art history. Each of the chapters in this volume is a searching response to theoretical and practical questions in terms accessible to readers of all human science disciplines. The editors, one a philosopher and one an art historian, provide an introductory chapter (...)
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  37. Three Heraclitean Elements.John Stathatos & Ivan Gaskell - 1991
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