Results for 'Ivete F. R. Caldas'

999 found
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  1.  8
    The Socio-Communicative Development of Preterm Infants Is Resistant to the Negative Effects of Parity on Maternal Responsiveness.Ivete F. R. Caldas, Marilice F. Garotti, Victor K. M. Shiramizu & Antonio Pereira - 2018 - Frontiers in Psychology 9.
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  2.  49
    Aristotle on the Best Life for a Man: W. F. R. Hardie.W. F. R. Hardie - 1979 - Philosophy 54 (207):35-50.
    Does Aristotle in the Nicomachean Ethics give one consistent answer to the question what life is best or two mutually inconsistent answers? In the First Book he says that we can agree to say that the best life is eudaimonia or eupraxia but must go on to say in what eudaimonia consists . By considering the specific nature of man as a thinking animal he reaches a conclusion: eudaimonia , the human good , is the activity of soul in accordance (...)
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  3.  27
    J. B. Reade, F.R.S., And The Early History Of Photography: Part I. A Re-Assessment on the Discovery of Contemporary Evidence. [REVIEW]R. Derek Wood - 1971 - Annals of Science 27 (1):13-45.
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  4. Historical Representation F.R. Ankersmit.F. R. Ankersmit - 2001
  5.  20
    Archaic Sculpture in Boeotia. By F. R. Grace. Pp. Vii + 86; 36 Pls. Harvard University Press: Cambridge, Mass.; Humphrey Milford. 1940. 26s. 6d. [REVIEW]S. Benton & F. R. Grace - 1940 - Journal of Hellenic Studies 60:106-107.
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  6.  18
    The Style of Aeschylus. By F. R. Earp. Pp. 175. Cambridge: University Press, 1948. 12s. 6d.Edward S. Forster & F. R. Earp - 1947 - Journal of Hellenic Studies 67:139-139.
  7.  21
    The Antigone of Sophocles. [REVIEW]F. R. Eaep - 1939 - The Classical Review 53 (5-6):216-217.
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  8.  21
    An Introduction to Sophocles. [REVIEW]F. R. Earp - 1936 - The Classical Review 50 (5):171-172.
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  9.  44
    Die Nomina des Sophokleischen Wortschatzes. [REVIEW]F. R. Earp - 1950 - The Classical Review 64 (3-4):152-152.
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  10.  29
    Greek Ideals and Modern Life. [REVIEW]F. R. Earp - 1936 - The Classical Review 50 (1):11-12.
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  11.  33
    Greek Verse in Translation. [REVIEW]F. R. Earp - 1938 - The Classical Review 52 (5):174-176.
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  12.  24
    In Honour of Gilbert Murray. [REVIEW]F. R. Earp - 1936 - The Classical Review 50 (4):122-124.
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  13.  25
    Milton's Debt to Greek Tragedy in Samson Agonistes. [REVIEW]F. R. Earp - 1938 - The Classical Review 52 (1):38-38.
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  14.  23
    Nausihaa. A Love Story From Homer Done Into English Verse. [REVIEW]F. R. Earp - 1939 - The Classical Review 53 (2):86-87.
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  15.  35
    Studies and Diversions. [REVIEW]F. R. Earp - 1938 - The Classical Review 52 (1):10-11.
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  16.  25
    The Agamemnon and the Bacchae in English Verse. [REVIEW]F. R. Earp - 1937 - The Classical Review 51 (4):119-120.
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  17.  32
    The Marriage of Peleus and Thetis. By A. K. Clarke. Pp. 33. Cambridge: Heffer, 1937. Cloth, 2s. 6d. - Persephone and Other Poems. By J. Slingsby Roberts. Pp. 96. Hove : Combridges, 1937. Grey Board, 5s. [REVIEW]F. R. Earp - 1938 - The Classical Review 52 (2):88-88.
  18.  18
    The Seven Against Thebes in English Verse. [REVIEW]F. R. Earp - 1935 - The Classical Review 49 (4):130-131.
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  19.  32
    E. S. Barlow: The Trachiniae of Sophocles Translated Into English Verse. Pp. 47. Manchester: University Press, 1938. Paper, 1s. [REVIEW]F. R. Earp - 1939 - The Classical Review 53 (2):86-86.
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  20.  29
    Versions of Euripides. [REVIEW]F. R. Earp - 1937 - The Classical Review 51 (5):171-172.
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  21.  1
    Towards a Cybernetic-Constructivist Understanding of Painting.F. R. Galuszka - 2009 - Constructivist Foundations 5 (1):1-18.
    Problem: This paper argues for the inclusion of a cybernetic -constructivist approach to the art of painting and for an understanding of principles that coincide with constructivism that operate within the creation of paintings and other works of art. It argues that an understanding of cybernetic -constructivist principles improves creative practice rather than merely analyzes outcomes. Method: Written from the point of view of a longtime practitioner rather than from the point of view of an academic proponent of art theory (...)
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  22.  37
    Baebii Italici Ilias Latina. Introduzione, Edizione Critica, Traduzione Italiana E Commento. [REVIEW]F. R. D. Goodyear - 1986 - The Classical Review 36 (2):317-318.
  23.  19
    Cicero, Ad Familiares. [REVIEW]F. R. D. Goodyear - 1986 - The Classical Review 36 (2):241-243.
  24.  31
    Cicéron, Aratea, Fragments Poétiques. [REVIEW]F. R. D. Goodyear - 1978 - The Classical Review 28 (1):31-33.
  25.  18
    Continued Contributions. [REVIEW]F. R. D. Goodyear - 1978 - The Classical Review 28 (1):139-140.
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  26.  30
    Hirtengedichte Aus Neronischer Zeit. [REVIEW]F. R. D. Goodyear - 1974 - The Classical Review 24 (2):297-298.
  27.  27
    Not a Very New Velleius. [REVIEW]F. R. D. Goodyear - 1984 - The Classical Review 34 (2):196-197.
  28.  36
    P. Vergili Maronis Libellus Qui Inscribitur Catalepton Conspectu Librorum Et Commentationum, Notis Criticis, Commentario Exegetico Instructus. [REVIEW]F. R. D. Goodyear - 1964 - The Classical Review 14 (2):219-220.
  29.  31
    Rudiments of Latin Metre. [REVIEW]F. R. D. Goodyear - 1966 - The Classical Review 16 (1):76-78.
  30.  50
    Saggio di Commento a Lucano Pharsalia VI 118–260; l'Aristia di Sceva. [REVIEW]F. R. D. Goodyear - 1977 - The Classical Review 27 (1):113-114.
  31.  39
    Seneca, Natural Questions, Book 2. [REVIEW]F. R. D. Goodyear - 1984 - The Classical Review 34 (1):44-45.
  32.  23
    Salvatore on the Catalepton. [REVIEW]F. R. D. Goodyear - 1964 - The Classical Review 14 (3):284-285.
  33.  34
    Two Editions of Gellius. [REVIEW]F. R. D. Goodyear - 1971 - The Classical Review 21 (3):385-390.
  34.  17
    The Tragedies of Ennius. [REVIEW]F. R. D. Goodyear - 1969 - The Classical Review 19 (2):168-171.
  35.  24
    Vigiliae Tullianae. Emendationen Zu den Texten Vorwiegend der Briefe von Und an M. Tullius Cicero. Vol. 1. [REVIEW]F. R. D. Goodyear - 1981 - The Classical Review 31 (2):294-295.
  36.  34
    Art and Religion in Ancient Italy. [REVIEW]F. R. Serra Ridgway - 1993 - The Classical Review 43 (2):389-391.
  37.  33
    Bucchero Pottery From Southern Etruria. [REVIEW]F. R. Serra Ridgway - 1980 - The Classical Review 30 (2):310-311.
  38.  44
    Le Antichità di Orte. Esame Del Territorio E Dei Materiali Archeologici. [REVIEW]F. R. Serra Ridgway - 1982 - The Classical Review 32 (1):110-111.
  39.  26
    Le Ciste Prenestine I. Corpus 1. [REVIEW]F. R. Serra Ridgway - 1981 - The Classical Review 31 (2):323-324.
  40.  24
    Museo Civico di Velletri. [REVIEW]F. R. Serra Ridgway - 1991 - The Classical Review 41 (1):262-263.
  41.  46
    More Etruscan Mirrors. [REVIEW]F. R. Serra Ridgway - 1995 - The Classical Review 45 (2):390-391.
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  42.  35
    More Material From Tarquinia. [REVIEW]F. R. Serra Ridgway - 1985 - The Classical Review 35 (1):166-169.
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  43.  28
    Strade Romane: Ponti E Viadotti. [REVIEW]F. R. Serra Ridgway - 1998 - The Classical Review 48 (1):231-232.
  44.  24
    Timmari: L'Abitato, le Necropoli, la Stipe Votiva. [REVIEW]F. R. Serra Ridgway - 1993 - The Classical Review 43 (1):204-205.
  45.  27
    F. R. D. Goodyear's Classical Papers. [REVIEW]Michael Winterbottom - 1994 - The Classical Review 44 (1):196-198.
  46.  16
    Sublime Historical Experience.F. R. Ankersmit - 2005 - Stanford University Press.
    Why are we interested in history at all? Why do we feel the need to distinguish between past and present? In this book, the author argues that the past originates from an experience of rupture separating past and present. Think of the radical rupture with Europe's past that was effected by the French and the Industrial Revolutions. Sublime Historical Experience investigates how the notion of sublime historical experience complicates and challenges existing conceptions of language, truth, and knowledge. These experiences of (...)
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  47.  4
    Intuitionistic Logic Model Theory and Forcing.F. R. Drake - 1971 - Journal of Symbolic Logic 36 (1):166-167.
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  48. Aesthetic Politics Political Philosophy Beyond Fact and Value.F. R. Ankersmit - 1996
  49.  47
    Historical Representation.F. R. Ankersmit - 1988 - History and Theory 27 (3):205-228.
    The vocabulary of representation is better suited to an understanding of historiography than the vocabularies of description and interpretation. Since both art and historiography represent the world, they are closer to science than are criticism and the history of art because the interpretation of meaning is the specialty of the latter two fields. Historiography is less secure in its attempt to represent the world than art is; historiography is more artificial, more an expression of cultural codes than art itself. Historiography (...)
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  50.  8
    Has Mendel's Work Been Rediscovered?F. R. S. ScD. - 1936 - Annals of Science 1 (2):115-137.
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