In the course of the Complaint, which Thomas Hoccleve composed, probably in 1420, as the first part of his so-called Series, the poet claims to have derived comfort from a certain “lamentacioun of a woful man” which he found in a book. There he read of a dialogue between the woeful man and Reason; and he reports the lamentations of the one and the good advice of the other up to the point at which, he says, the owner of the (...) book asked for it back. This text remained a mystery until, in the 1970 volume of this journal, A. G. Rigg identified it as a work of Isidore of Seville, the Synonyma, commonly subtitled De lamentatione animae peccatricis. This Latin treatise of moral advice and spiritual consolation, though now commonly overshadowed by the same author's Etymologiae, was a work widely read and admired in the Middle Ages. Professor Rigg was assisted in his identification by the fact that five of the six surviving copies of the Complaint accompany the English verse with a series of Latin glosses evidently taken from Hoccleve's source. Consulting the Patrologia Latina text of the Synonyma, Rigg found that these glosses could be matched there more or less exactly, scattered over the first twenty-four paragraphs of that edition. (shrink)

In an updated edition of his hugely successful student introduction to English literature from 1100 to 1500, J. A. Burrow takes account of scholarly developments in the the field, most notably devoting a final chapter to the impact of historicism on medieval studies. Full of information and stimulating ideas, and a pleasure to read, Burrow's book deals with circumstances of composition and reception, the main genres, 'modes of meaning', and medieval literature's afterlife in modern times. It shows that the literature (...) of authors such as Chaucer, Gower, and Langland is more readily accessible than usually imagined, and well worth reading too. By placing medieval writers in their historical context - the four centuries between the Norman Conquest and the Renaissance - Professor Burrow explains not only how they wrote, but why. (shrink)

The basic idea of his Origin of Species is that in nature there is a process similar to what goes on in the breeding of domestic plants and animals. If a breeder wants to produce a variety with certain characteristics, he/she keeps an eye out for individuals that have some approximation to those characteristics and breeds from them and not from individuals that do not have something like the desired characteristics. The other individuals may be destroyed, or they may just (...) be segregated; at any rate they are not allowed to breed with the selected stock. The breeder follows this policy also with the second generation of the offspring of the selected individuals of the first generation; those that after all do not have the desired characteristics are rejected, those that do are selected to produce the third generation, and so on. The whole process presupposes some degree of variability within the plant or animal being bred from. There have to be spontaneously produced individuals with something like the desired characteristics for the breeder to select. What can be accomplished by selection breeding depends of the range of variation that occurs spontaneously. (Hence the topic of Darwin's book of 1868, Variation of Plants and Animals under Domestication.) See in the Readings book the picture of the different breeds of pigeons from the Illustrated London News, 1864; Darwin was a pigeon fancier. (shrink)