55 found
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  1.  45
    Deconstruction and Criticism.Harold Bloom, Paul de Man, Jacques Derrida, Geoffrey Hartman & J. Hillis Miller - 1979 - Journal of Aesthetics and Art Criticism 39 (2):219-221.
  2. Literature Matters Today.J. Hillis Miller - 2013 - Substance 42 (2):12-32.
    "Matters"! This is an odd word when used as a verb. Of course we know what it means. The verbal form of "matter" means "count for something," "have import," "have effects in the real world," "be worth taking seriously." Using the word as a noun, however, someone might speak of "literature matters," meaning the whole realm that involves literature. The Newsletter of the Maine Chapter of the Appalachian Mountain Club is called Wilderness Matters, punning on the word as a noun (...)
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  3.  61
    For Derrida.J. Hillis Miller - 2009 - Fordham University Press.
    1. A Profession of Faith -- 2. Who or What Decides, for Derrida : A Catastrophic Theory of Decision -- 3. Derrida's Destinerrance -- 4. The Late Derrida -- 5. Derrida's Remains -- 6. Derrida Enisled -- 7. Derrida's Special Theory of Performativity --8. "Don't Count Me In" : Derrida's Refraining -- 9. Derrida's Ethics of Irresponsibilization ; or, How to Get Irresponsible, in Two Easy Lessons -- 10. Derrida's Politics of Autoimmunity -- 11. Touching Derrida's Touching Nancy -- 12. (...)
  4.  7
    On First Looking Into Derrida'sGlas.J. Hillis Miller - 2016 - Paragraph 39 (2):129-148.
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  5.  17
    How to Read the Derridas: Indexingmoi Et Moi, Der Und Der, Me and Me, This One and That One.J. Hillis Miller - 2015 - Derrida Today 8 (1):2-17.
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  6.  33
    The Ethics of Reading: Kant, de Man, Eliot, Trollope, and Benjamin.J. Hillis Miller - 1987 - Journal of Aesthetics and Art Criticism 46 (2):312-314.
  7.  46
    The Critic as Host.J. Hillis Miller - 1977 - Critical Inquiry 3 (3):439-447.
    At one point in "Rationality and Imagination in Cultural History" M.H. Abrams cites Wayne Booth's assertion that the "deconstructionist" reading of a given work "is plainly and simply parasitical" on "the obvious or univocal reading."1 The latter is Abrams' phrase, the former Booth's. My citation of a citation is an example of a kind of chain which it will be part of my intention here to interrogate. What happens when a critical essay extracts a "passage" and "cites" it? Is this (...)
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  8. 1. Barthes's Punctum Barthes's Punctum (Pp. 539-574).Michael Fried, Robert Pippin, Michel Chaouli, Stefan Andriopoulos, Richard Menke, Carlo Ginzburg, Dragan Kujundzic, Jacques Derrida & J. Hillis Miller - 2005 - Critical Inquiry 31 (3).
  9. 12 the Stone and the Shell.J. Hillis Miller - 1981 - In Robert Young (ed.), Untying the Text: A Post-Structuralist Reader. Routledge & Kegan Paul. pp. 244.
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  10. Derrida and Literature.J. Hillis Miller - 2001 - In Tom Cohen (ed.), Jacques Derrida and the Humanities: A Critical Reader. Cambridge University Press. pp. 58--81.
     
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  11. Don't Count Me In' : Derrida's Refraining.J. Hillis Miller - 2007 - In Simon Wortham & Allison Weiner (eds.), Encountering Derrida: Legacies and Futures of Deconstruction. Continuum.
     
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  12.  42
    The Disarticulation of the Self in Nietzsche.J. Hillis Miller - 1981 - The Monist 64 (2):247-261.
  13.  5
    The Medium is the Maker: Browning, Freud, Derrida, and the New Telepathic Ecotechnologies.J. Hillis Miller - 2008 - Oxford Literary Review 30 (2):161-179.
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  14.  8
    The University of Dissensus1.J. Hillis Miller - 1995 - Oxford Literary Review 17 (1):121-144.
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  15.  39
    Ariadne's Thread: Repetition and the Narrative Line.J. Hillis Miller - 1976 - Critical Inquiry 3 (1):57-77.
    The story of Ariadne has, as is the way with myths, its slightly asymmetrical echoes along both the narrative lines which converge in her marriage to Dionysus. Daedalus it was who told Ariadne how to save Theseus with the thread. Imprisoned by Minos in his own labyrinth, he escapes by flight, survives the fall of Icarus, and reaches Sicily safely. Daedalus is then discovered by Minos when he solves the puzzle posed publicly by Minos, with the offer of a reward (...)
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  16.  2
    Derrida Enisled.J. Hillis Miller - 2007 - In W. J. T. Mitchell & Arnold I. Davidson (eds.), The Late Derrida. University of Chicago Press. pp. 248-276.
  17.  8
    Differences in the Discipline of Literary Study.J. Hillis Miller - 2017 - Symploke 25 (1-2):529.
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  18. History, Narrative, and Responsibility: Speech Acts in'The Aspern Papers'.J. Hillis Miller - 1997 - In Gert Buelens (ed.), Enacting History in Henry James: Narrative, Power, and Ethics. Cambridge University Press. pp. 193--210.
     
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  19.  22
    Literary Study Among the Ruins.J. Hillis Miller - 2001 - Diacritics 31 (3):57-66.
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  20.  5
    How to Read the Derridas: Indexingmoi Et Moi,Der Und Der.J. Hillis Miller - 2014 - Oxford Literary Review 36 (2):269-273.
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  21.  5
    The ‘Quasi-Turn-of-Screw Effect’: How To Raise a Ghost with Words.J. Hillis Miller - 2003 - Oxford Literary Review 25 (1):121-137.
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  22.  16
    Index to Volume XVII.J. Hillis Miller - 1965 - Renascence 17 (4):223-224.
  23.  4
    Humanizing de ManThe Ethics of Reading: Kant, de Man, Eliot, Trollope, James, and BenjaminPaul de Man: Deconstruction and the Critique of Aesthetic Ideology.Marc W. Redfield, J. Hillis Miller & Christopher Norris - 1989 - Diacritics 19 (2):35.
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  24.  1
    Deconstructing the Deconstructers. [REVIEW]J. Hillis Miller - 1975 - Diacritics 5 (2):24.
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  25.  14
    How To (Un) Globe the Earth in Four Easy Lessons.J. Hillis Miller - 2012 - Substance 41 (1):15-29.
  26.  3
    Deconstructing the DeconstructersThe Inverted Bell: Modernism and the Counterpoetics of William Carlos Williams.J. Hillis Miller & Joseph N. Riddel - 1975 - Diacritics 5 (2):24.
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  27.  3
    The Ambivalence of ReadingThe Act of Reading: A Theory of Aesthetic ResponseThe Implied Reader: Patterns of Communication in Prose Fiction From Bunyan to Beckett"Indeterminacy and the Reader's Response in Prose Fiction," in Aspects of Narrative.John Paul Riquelme, Wolfgang Iser & J. Hillis Miller - 1980 - Diacritics 10 (2):75.
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  28.  3
    The Ethics of Hypertext.J. Hillis Miller - 1995 - Diacritics 25 (3):27-39.
  29.  12
    Literature and a Woman's Right to Choose -- Not to Marry.J. Hillis Miller - 2005 - Diacritics 35 (4):42-58.
    A woman's right to say no to a proposal of marriage, in defiance of her family and friends, was an essential feature of Victorian middle- and upper-class ideology, as it is represented in novels of the time. This right was based on the assumptions that falling in love is to some degree fortuitous, but that it is a permanent ontological change of selfhood. A good woman is justified in saying no even to an advantageous marriage proposal if she does not (...)
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  30.  7
    Derrida Enisled.J. Hillis Miller - 2007 - Critical Inquiry 33 (2):248-276.
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  31.  7
    Zero Among the Literary Theorists.J. Hillis Miller - 2004 - Journal for Cultural Research 8 (2):165-181.
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  32.  6
    Baird's IshmaelIshmael.J. Hillis Miller & James Baird - 1956 - Journal of the History of Ideas 17 (4):555.
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  33.  2
    Tradition and Difference. [REVIEW]J. Hillis Miller - 1972 - Diacritics 2 (4):6.
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  34.  5
    The History of 0.J. Hillis Miller - 2004 - Journal for Cultural Research 8 (2):123-139.
  35.  4
    Who or What Decides for Derrida: A Catastrophic Theory of Decision.J. Hillis Miller - 2009 - In Dominiek Hoens, Sigi Jottkandt & Gert Buelens (eds.), The Catastrophic Imperative: Subjectivity, Time and Memory in Contemporary Thought. Palgrave-Macmillan.
    This chapter addresses the question: Who or what decides? How, for Derrida, does a bona fide decision take place? Decision is analyzed in many places in Derrida's work, particularly in the late work. The chapter focuses “micrologically” on what seems to be Derrida's fullest and most elaborate expression of what he means by “decision.” This is an intricate sequence in “Force of Law”. It begins with an apparently peripheral subquestion. Can a decision be a catastrophe? If so, in what sense?
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  36.  7
    Theory and Practice: Response to Vincent Leitch.J. Hillis Miller - 1980 - Critical Inquiry 6 (4):609-614.
    Leitch speaks of his procedure with my work as employing an "abrupt asyndetic format" and as being "a metonymic montage in which themes and citations are playfully and copiously combined." One form of this playfulness is the panoply of figures he uses to describe me and my criticism. The need to use figures for this is interesting, as is their incoherence, though the figures can be shown to fall into a rough antithetical pattern. At one moment the deconstructive critic is (...)
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  37.  6
    12 Fate ('Schicksal') in Walter Benjamin's' Zur Kritik der Gewalt'.J. Hillis Miller - 2004 - In Sinkwan Cheng (ed.), Law, Justice, and Power: Between Reason and Will. Stanford University Press. pp. 231.
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  38.  12
    Book Review: Illustration. [REVIEW]J. Hillis Miller - 1995 - Philosophy and Literature 19 (1).
  39.  4
    What Is a Kiss? Isabel’s Moments of Decision.J. Hillis Miller - 2005 - Critical Inquiry 31 (3):722-746.
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  40.  1
    "Beginning with a Text"Beginnings: Intention and Method.J. Hillis Miller & Edward W. Said - 1976 - Diacritics 6 (3):2.
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  41.  1
    "Beginning with a Text". [REVIEW]J. Hillis Miller - 1976 - Diacritics 6 (3):2.
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  42.  3
    Boundaries in Beloved.J. Hillis Miller - 2007 - Symploke 15 (1):24-39.
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  43.  3
    Fiction and Repetition.J. Hillis Miller - 1983 - Journal of Aesthetics and Art Criticism 41 (4):452-454.
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  44.  3
    MovingCritical InquiryOn.J. Hillis Miller - 2004 - Critical Inquiry 30 (2):414-420.
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  45.  3
    Taking Up a Task.J. Hillis Miller - 2004 - In Simon Critchley & Oliver Marchart (eds.), Laclau: A Critical Reader. Routledge. pp. 216--24.
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  46.  3
    What Do Stories About Pictures Want?J. Hillis Miller - 2008 - Critical Inquiry 34 (S2):S59 - S97.
  47. Fusion Approach: Theory, Contestation, Limits.Vikram Chandra, J. Hillis Miller, Gayatri Chakravorty, Ben Baer, Homi Bhabha, Grant Farred, Paul Jahshan, Bill Ashcroft, Stephen Morton, Dorota Kolodziejczyk, Adam Muller, Claire Chambers, James M. Ivory, David Lorne Macdonald, Sangeeta Ray, Pushpa N. Parekh, Maria Sofia Pimentel Biscaia, David Mesher, Cara Cilano, Dora Sales Salvador, Ryan Mowat, Joanne Trevenna, Amy Lee & Sumana Roy - 2006 - Upa.
    fusion theory challenges efforts to see theory as inhibiting by presenting an approach that is innovative, eclectic, and subtle in order to draw out competing and constellating ideas and opinions. This collected volume of essays examines fusion theory and demonstrates how the theory can be applied to the reading of various works of Indian English novelists.
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  48. 10. Theory's Hope Theory's Hope (Pp. 374-378).Stanley Fish, Peter Galison, Sander L. Gilman, Miriam Hansen, Harry Harootunian, Fredric Jameson, Jerome McGann, J. Hillis Miller, Robert Morgan & Robert Pippin - 2004 - Critical Inquiry 30 (2).
     
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  49. Baird's Ishmael.J. Hillis Miller & The Editors - 1956 - Journal of the History of Ideas 17 (4):555.
  50. Books Received. [REVIEW]J. Hillis Miller & The Editors - 1956 - Journal of the History of Ideas 17 (4):561.
     
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