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  1. The Ignorant Schoolmaster: Five Lessons in Intellectual Emancipation.Jacques Rancière - 1991 - Stanford University Press.
     
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  2.  71
    Dissensus: On Politics and Aesthetics.Jacques Rancière - 2010 - Continuum.
    Translator's introduction -- Preface -- Part I: The aesthetics of politics -- Ten theses on politics -- Does democracy mean something? -- Who is the subject of the rights of man? -- Communism : from actuality to inactuality -- The people or the multitudes -- Bio-politics or politics -- September 11 and afterwards : a rupture in the symbolic order -- Of war as the supreme form of advanced plutocratic consensus -- Part II: The politics of aesthetics -- The aesthetic (...)
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  3. On the Shores of Politics.Jacques Rancière - 2007 - Verso.
  4. The Politics of Aesthetics: The Distribution of the Sensible.Jacques Rancière - 2006 - Continuum.
    The Politics of Aesthetics rethinks the relation between art and politics, reclaiming 'aesthetics' from its current narrow confines to reveal its significance ...
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  5. [Liminaire sur l'ouvrage d'Alain Badiou “L'etre et l'evenement”].Philippe Lacoue-Labarthe, Jacques RanciÈre, Jean-franÇois Lyotard & Alain Badiou - 1989 - le Cahier (Collège International de Philosophie) 8:201-268.
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  6. Ten Theses on Politics.Jacques Rancière, Davide Panagia & Rachel Bowlby - 2001 - Theory and Event 5 (3).
  7. Aesthetics and its Discontents.Jacques Ranciere - 2009 - Polity.
    Only yesterday aesthetics stood accused of concealing cultural games of social distinction. Now it is considered a parasitic discourse from which artistic practices must be freed. But aesthetics is not a discourse. It is an historical regime of the identification of art. This regime is paradoxical, because it founds the autonomy of art only at the price of suppressing the boundaries separating its practices and its objects from those of everyday life and of making free aesthetic play into the promise (...)
     
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  8. The Philosopher and His Poor.Jacques Rancière - 2004 - Duke University Press.
  9. The Future of the Image.Jacques Rancière - 2009 - Verso.
  10. The Politics of Literature.Jacques Rancière - 2004 - Substance 33 (1):10-24.
  11. Dissenting Words: A Conversation with Jacques Rancière.Davide Panagia & Jacques Ranciére - 2000 - Diacritics 30 (2):113-126.
  12.  33
    The Aesthetic Dimension: Aesthetics, Politics, Knowledge.Jacques Rancière - 2009 - Critical Inquiry 36 (1):1-19.
  13. Thinking Between Disciplines: An Aesthetics of Knowledge.Jacques Rancière - 2006 - Parrhesia 1 (1):1-12.
     
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  14. The Sublime From Lyotard to Schiller-Two Readings of Kant and Their Political Significance.Jacques Rancière - 2004 - Radical Philosophy 126:8-15.
  15.  36
    IMAGES RE-READ: The Method of Georges Didi-Huberman.Laura Katherine Smith, Stijn De Cauwer, Jorge Rodriguez Solorzano, Elise Woodard & Jacques Rancière - 2018 - Angelaki 23 (4):11-18.
    In this text, Jacques Rancière critically discusses the work of Georges Didi-Huberman on images. He disagrees with various claims seemingly made by Didi-Huberman about images, such as that they can “take position” or that they are “active.” Rancière argues that Didi-Huberman adds another form of dialectics to the simpler form of dialectics adopted by Bertolt Brecht and Harun Farocki in their works, namely one that also involves a layering of different temporalities. However, both in Brecht’s War Primer and in Didi-Huberman’s (...)
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  16. The Ethical Turn of Aesthetics and Politics.Jacques Rancière - 2006 - Critical Horizons 7 (1):1-20.
    The ethical turn that affects artistic and political practices today should not be interpreted as their subjection to moral criteria. Today, the reign of ethics leads to a growing indistinction between fact and law, between what is and what ought to be, where judgement bows down to the power of the law imposing itself. The radicality of this law is that it leaves no choice, and is nothing but the simple constraint stemming from the order of things. This brings about (...)
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  17. Introducing Disagreement.Jacques Rancière - 2004 - Angelaki 9 (3):3 – 9.
  18. Why Emma Bovary Had to Be Killed.Jacques Rancière - 2008 - Critical Inquiry 34 (2):233-248.
  19. Notes on the Photographic Image.Jacques Rancière - 2009 - Radical Philosophy 156:8-15.
     
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  20.  45
    Auerbach and the Contradictions of Realism.Jacques Rancière - 2018 - Critical Inquiry 44 (2):227-241.
  21. Democracy, Republic, Representation.Jacques Ranciere - 2006 - Constellations 13 (3):297-307.
  22.  51
    Aesthetics Against Incarnation: An Interview by Anne Marie Oliver.Jacques Rancière - 2008 - Critical Inquiry 35 (1):172-190.
  23.  42
    Comment and Responses.Jacques Ranciere - 2003 - Theory and Event 6 (4).
  24.  39
    Chronicles of Consensual Times.Jacques Rancière - 2010 - Continuum.
    The head and the stomach January 1996 -- Borges in Sarajevo March 1996 -- Fin de siècle and new millenarium May 1996 -- Cold racism July 1996 -- The last enemy November 1996 -- The grounded plane January 1997 -- Dialectic in the dialectic August 1997 -- Voyage to the country of the last sociologists November 1997 -- Justice in the past April 1998 -- The crisis of art or a crisis of thought July 1998 -- Is cinema to blame (...)
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  25. The Aesthetic Unconscious.Jacques Ranciere - 2010 - Polity.
    This book is not concerned with the use of Freudian concepts for the interpretation of literary and artistic works. Rather, it is concerned with why this interpretation plays such an important role in demonstrating the contemporary relevance of psychoanalytic concepts. In order for Freud to use the Oedipus complex as a means for the interpretation of texts, it was necessary first of all for a particular notion of Oedipus, belonging to the Romantic reinvention of Greek antiquity, to have produced a (...)
     
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  26. Jacques Rancière: Literature, Politics, Aesthetics (Interviewed by S Guénoun and JH Kavanagh).Jacques Rancière - 2000 - Substance 29 (2):3-24.
     
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  27.  26
    From Politics to Aesthetics?Jacques Rancière - 2005 - Paragraph 28 (1):13-25.
  28.  10
    The Flesh of Words: The Politics of Writing.Jacques Ranciere - 2004 - Stanford University Press.
    This new collection of challenging literary studies plays with a foundational definition of Western culture: the word become flesh.
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  29.  11
    II.“Relatively Blunt” Critical Response.Jacques Rancière, Marie‐José Mondzain, Wendy Grace, Robert Morris, Mark Seltzer, Franco Moretti & Katie Trumpener - 2009 - Critical Inquiry 36 (1):134-158.
  30. Lire le Capital.Louis Althusser, Etienne Balibar, Roger Establet, Pierre Macherey & Jacques Rancière - 1968 - F. Maspero.
  31.  52
    Democracy in What State?Giorgio Agamben, Alain Badiou, Daniel Bensaïd, Wendy Brown, Jean-Luc Nancy, Jacques Rancière, Kristin Ross & Slavoj Zizek - 2011 - Columbia University Press.
    "Is it meaningful to call oneself a democrat? And if so, how do you interpret the word?" -/- In responding to this question, eight iconoclastic thinkers prove the rich potential of democracy, along with its critical weaknesses, and reconceive the practice to accommodate new political and cultural realities. Giorgio Agamben traces the tense history of constitutions and their coexistence with various governments. Alain Badiou contrasts current democratic practice with democratic communism. Daniel Bensaid ponders the institutionalization of democracy, while Wendy Brown (...)
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  32. The Aesthetic Heterotopia.Jacques Rancière - 2010 - Philosophy Today 54 (Supplement):15-25.
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  33. On the Theory of Ideology.Jacques Rancière - 1974 - Radical Philosophy 7:96-101.
     
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  34.  33
    Cinema, Scenes, Aesthetics: An Interview with Jacques Rancière.Mozelle Foreman, Bécquer Seguín & Jacques Rancière - 2014 - Diacritics 42 (3):22-35.
  35.  43
    The Order of the City.Jacques Rancière - 2004 - Critical Inquiry 30 (2):267.
  36. A Poetics of Dissent; or, Pantisocracy in America Colin Jager.Jacques Ranciere & Walter Benjamin - 2007 - Theory and Event 10 (1).
     
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  37.  11
    The Intellectual and His People.Jacques Rancière - 2012 - Verso.
    The people's theatre : a long drawn-out affair -- The cultural historic compromise -- The philosopher's tale : intellectuals and the trajectory of Gauchisme -- Joan of Arc in the Gulag -- The inconceivable revolution -- Factory nostalgia (notes on an article and various books) -- The ethics of sociology.
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  38.  15
    Rethinking Modernity.Jacques Rancière - 2014 - Diacritics 42 (3):6-20.
  39.  26
    Le travail de l'image.Jacques Rancière - 2007 - Multitudes 1 (1):195-210.
    To represent is to stand for something else, it is thus to lie about the truth of thing. The work of Esther Shalev-Gerz doubly refutes this presupposition : on the one hand, the thing itself is never there, there is only representation : words borne by bodies, images which present to us, not what words say but what these bodies do ; on the other hand, there is never any representation, one is always confronted with presence : things, the hands (...)
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  40.  29
    Politique et esthétique.Jacques Rancière - 2006 - Actuel Marx 1 (1):193-202.
    In this dialogue Jacques Rancière addresses the following questions : how Marx. can be used today ; utopian socialism ; the manifestations of hatred towards democracy ; relations between democracy and the idea of the Republic ; the complexity of the relations between art and politics, with particular reference to the œuvre of Jean-Luc Godard. Rancière also addresses recent issues in critical theory, notably the theses put forward by Negri and Hardt in Empire, and in politics, evoking alterglobalisation movements and (...)
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  41.  26
    Art, Life, Finality: The Metamorphoses of Beauty.Jacques Rancière - 2017 - Critical Inquiry 43 (3):597-616.
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  42.  87
    After What.Jacques Rancière - 1988 - Topoi 7 (2):181--185.
  43. The Janus-Face of Politicized Art.Jacques Rancière - 2010 - In Christopher Want (ed.), Philosophers on Art From Kant to the Postmodernists: A Critical Reader. Columbia University Press.
  44.  28
    Le Voile Ou la Confusion des Universels.Jacques Rancière - 2004 - Rue Descartes 44 (2):124.
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  45. La haine de la démocratie Paris: La Fabrique (El odio a la democracia. Buenos Aires: Amorrortu editores. Traducción de Irene Agoff 2006).Jacques Rancière - 2012 - Enrahonar 48:161.
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  46.  40
    Jacques Ranciere: A Bibliography.Jacques Rancière - 2004 - Substance 33 (1):141-141.
  47. On the Theory of Ideology–Althusser's Politics'.Jacques Rancière - 1994 - In Terry Eagleton (ed.), Ideology. Longman. pp. 141--161.
     
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  48.  12
    Literary Misunderstanding.Jacques Rancière - 2005 - Paragraph 28 (2):91-103.
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  49.  27
    Rethinking R.G. Collingwood: Philosophy, Politics and the Unity of Theory and Practice.Jacques Rancière - 2006 - Contemporary Political Theory 5 (2):215-217.
  50.  6
    Teaching Reading: The Case of Marx in FranceLire le Capital, Chapter III"Mode d'Emploi Pour Une Reedition de Lire le Capital"La Lecon D'Althusser. [REVIEW]Jeffrey Mehlman & Jacques Ranciere - 1976 - Diacritics 6 (4):10.
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