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  1.  3
    The Ignorant Schoolmaster: Five Lessons in Intellectual Emancipation.Jacques Rancière - 1991 - Stanford University Press.
    "Recounts the story of Joseph Jacotot" -- vii.
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  2.  93
    Dissensus: On Politics and Aesthetics.Jacques Ranciere - 2010 - Continuum.
    Translator's introduction -- Preface -- Part I: The aesthetics of politics -- Ten theses on politics -- Does democracy mean something? -- Who is the subject of the rights of man? -- Communism : from actuality to inactuality -- The people or the multitudes -- Bio-politics or politics -- September 11 and afterwards : a rupture in the symbolic order -- Of war as the supreme form of advanced plutocratic consensus -- Part II: The politics of aesthetics -- The aesthetic (...)
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  3.  4
    On the Shores of Politics.Jacques Rancière - 2007 - Verso.
    Gives politics the following meaning: the organization of dissent.
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  4. The Politics of Aesthetics: The Distribution of the Sensible.Jacques Ranciere - 2006 - Continuum.
    The Politics of Aesthetics rethinks the relation between art and politics, reclaiming 'aesthetics' from its current narrow confines to reveal its significance ...
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  5. [Liminaire sur l'ouvrage d'Alain Badiou “L'etre et l'evenement”].Philippe Lacoue-Labarthe, Jacques RanciÈre, Jean-franÇois Lyotard & Alain Badiou - 1989 - le Cahier (Collège International de Philosophie) 8:201-268.
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  6.  6
    Aesthetics and its Discontents.Jacques Ranciere - 2009 - Polity.
    Only yesterday aesthetics stood accused of concealing cultural games of social distinction. Now it is considered a parasitic discourse from which artistic practices must be freed. But aesthetics is not a discourse. It is an historical regime of the identification of art. This regime is paradoxical, because it founds the autonomy of art only at the price of suppressing the boundaries separating its practices and its objects from those of everyday life and of making free aesthetic play into the promise (...)
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  7. Ten Theses on Politics.Jacques Ranciere, Davide Panagia & Rachel Bowlby - 2001 - Theory and Event 5 (3).
  8.  6
    The Philosopher and His Poor.Jacques Rancière - 2004 - Duke University Press.
    What has philosophy to do with the poor? If, as has often been supposed, the poor have no time for philosophy, then why have philosophers always made time for them? Why is the history of philosophy—from Plato to Karl Marx to Jean-Paul Sartre to Pierre Bourdieu—the history of so many figures of the poor: plebes, men of iron, the demos, artisans, common people, proletarians, the masses? Why have philosophers made the shoemaker, in particular, a remarkably ubiquitous presence in this history? (...)
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  9.  5
    The Future of the Image.Jacques Ranciere - 2009 - Verso.
    A leading philosopher presents a radical manifesto for the future of art andfilm.
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  10. Dissenting Words: A Conversation with Jacques Rancière.Davide Panagia & Jacques Ranciére - 2000 - Diacritics 30 (2):113-126.
  11.  7
    Lire le Capital.Louis Althusser, Etienne Balibar, Roger Establet, Pierre Macherey & Jacques Rancière - 1968 - F. Maspero.
  12.  40
    The Aesthetic Dimension: Aesthetics, Politics, Knowledge.Jacques Rancière - 2009 - Critical Inquiry 36 (1):1-19.
  13. The Politics of Literature.Jacques Rancière - 2004 - Substance 33 (1):10-24.
  14. Thinking Between Disciplines: An Aesthetics of Knowledge.Jacques Rancière - 2006 - Parrhesia 1 (1):1-12.
     
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  15. Introducing Disagreement.Jacques Rancière - 2004 - Angelaki 9 (3):3 – 9.
  16. The Ethical Turn of Aesthetics and Politics.Jacques Rancière - 2006 - Critical Horizons 7 (1):1-20.
    The ethical turn that affects artistic and political practices today should not be interpreted as their subjection to moral criteria. Today, the reign of ethics leads to a growing indistinction between fact and law, between what is and what ought to be, where judgement bows down to the power of the law imposing itself. The radicality of this law is that it leaves no choice, and is nothing but the simple constraint stemming from the order of things. This brings about (...)
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  17.  50
    Chronicles of Consensual Times.Jacques Ranciere - 2010 - Continuum.
    The head and the stomach January 1996 -- Borges in Sarajevo March 1996 -- Fin de siècle and new millenarium May 1996 -- Cold racism July 1996 -- The last enemy November 1996 -- The grounded plane January 1997 -- Dialectic in the dialectic August 1997 -- Voyage to the country of the last sociologists November 1997 -- Justice in the past April 1998 -- The crisis of art or a crisis of thought July 1998 -- Is cinema to blame (...)
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  18.  25
    Un-What?Jacques Rancière - 2016 - Philosophy and Rhetoric 49 (4):589-606.
    “Pedagogics of Unlearning”: this phrase obviously echoes a notion and a figure that I had set up in my own way when I published a book entitled The Ignorant Schoolmaster with the subtitle “Five Lessons in Intellectual Emancipation”.1 Both entail the idea of a specific form of learning, which is a negative one: learning how to unlearn, teaching as an ignoramus, learning the emancipatory virtue of ignorance. This idea raises two interrelated problems. First, how are we to understand the type (...)
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  19. Why Emma Bovary Had to Be Killed.Jacques Rancière - 2008 - Critical Inquiry 34 (2):233-248.
  20. Democracy, Republic, Representation.Jacques Ranciere - 2006 - Constellations 13 (3):297-307.
  21.  48
    From Politics to Aesthetics?Jacques Rancière - 2005 - Paragraph 28 (1):13-25.
  22.  53
    Comment and Responses.Jacques Ranciere - 2003 - Theory and Event 6 (4).
  23. Notes on the Photographic Image.Jacques Rancière - 2009 - Radical Philosophy 156:8-15.
     
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  24.  58
    Aesthetics Against Incarnation: An Interview by Anne Marie Oliver.Jacques Rancière - 2008 - Critical Inquiry 35 (1):172-190.
  25.  1
    The Aesthetic Unconscious.Jacques Ranciere - 2009 - Polity.
    This book is not concerned with the use of Freudian concepts for the interpretation of literary and artistic works. Rather, it is concerned with why this interpretation plays such an important role in demonstrating the contemporary relevance of psychoanalytic concepts. In order for Freud to use the Oedipus complex as a means for the interpretation of texts, it was necessary first of all for a particular notion of Oedipus, belonging to the Romantic reinvention of Greek antiquity, to have produced a (...)
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  26.  12
    The Flesh of Words: The Politics of Writing.Jacques Rancière - 2004 - Stanford University Press.
    This new collection of challenging literary studies plays with a foundational definition of Western culture: the word become flesh.
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  27.  63
    Democracy in What State?Giorgio Agamben, Alain Badiou, Daniel Bensaïd, Wendy Brown, Jean-Luc Nancy, Jacques Rancière, Kristin Ross & Slavoj Zizek - 2011 - Columbia University Press.
    "Is it meaningful to call oneself a democrat? And if so, how do you interpret the word?" -/- In responding to this question, eight iconoclastic thinkers prove the rich potential of democracy, along with its critical weaknesses, and reconceive the practice to accommodate new political and cultural realities. Giorgio Agamben traces the tense history of constitutions and their coexistence with various governments. Alain Badiou contrasts current democratic practice with democratic communism. Daniel Bensaid ponders the institutionalization of democracy, while Wendy Brown (...)
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  28. The Sublime From Lyotard to Schiller-Two Readings of Kant and Their Political Significance.Jacques Rancière - 2004 - Radical Philosophy 126:8-15.
  29.  54
    IMAGES RE-READ: The Method of Georges Didi-Huberman.Laura Katherine Smith, Stijn De Cauwer, Jorge Rodriguez Solorzano, Elise Woodard & Jacques Rancière - 2018 - Angelaki 23 (4):11-18.
    In this text, Jacques Rancière critically discusses the work of Georges Didi-Huberman on images. He disagrees with various claims seemingly made by Didi-Huberman about images, such as that they can “take position” or that they are “active.” Rancière argues that Didi-Huberman adds another form of dialectics to the simpler form of dialectics adopted by Bertolt Brecht and Harun Farocki in their works, namely one that also involves a layering of different temporalities. However, both in Brecht’s War Primer and in Didi-Huberman’s (...)
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  30.  60
    Auerbach and the Contradictions of Realism.Jacques Rancière - 2018 - Critical Inquiry 44 (2):227-241.
  31.  10
    Jacques Rancière: Literature, Politics, Aesthetics (Interviewed by S Guénoun and JH Kavanagh).Jacques Rancière - 2000 - Substance 29 (2):3-24.
  32.  14
    II.“Relatively Blunt” Critical Response.Jacques Rancière, Marie‐José Mondzain, Wendy Grace, Robert Morris, Mark Seltzer, Franco Moretti & Katie Trumpener - 2009 - Critical Inquiry 36 (1):134-158.
  33. On the Theory of Ideology.Jacques Rancière - 1974 - Radical Philosophy 7:96-101.
     
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  34.  20
    The Intellectual and His People.Jacques Rancière - 2012 - Verso.
    The people's theatre : a long drawn-out affair -- The cultural historic compromise -- The philosopher's tale : intellectuals and the trajectory of Gauchisme -- Joan of Arc in the Gulag -- The inconceivable revolution -- Factory nostalgia (notes on an article and various books) -- The ethics of sociology.
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  35. Proletarian Nights.Jacques Rancière & Noel Parker - 1982 - Radical Philosophy 31:11.
     
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  36.  38
    Art, Life, Finality: The Metamorphoses of Beauty.Jacques Rancière - 2017 - Critical Inquiry 43 (3):597-616.
  37. Biopolitics or Politics?Jacques Rancière - 2000 - Multitudes 1.
    According to Jacques Rancière, the «police» regulates relations between bodies, and Foucault is concerned only with it, biopower being its most modern form. Rancière opposes to the hypothesis of biopolitics of subjects his conception of politics of equality.
     
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  38.  53
    The Order of the City.Jacques Rancière - 2004 - Critical Inquiry 30 (2):267.
  39.  35
    Cinema, Scenes, Aesthetics: An Interview with Jacques Rancière.Mozelle Foreman, Bécquer Seguín & Jacques Rancière - 2014 - Diacritics 42 (3):22-35.
  40. Bela Tarr, the Time After.Jacques Ranciere - 2013 - Univocal Publishing.
    From Almanac of Fall to The Turin Horse, renowned Hungarian filmmaker Béla Tarr has followed the collapse of the communist promise. The “time after” is the time when we are less interested in histories and their successes or failures than we are in the delicate fabric of time from which they are carved.
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  41. The Aesthetic Heterotopia.Jacques Rancière - 2010 - Philosophy Today 54 (Supplement):15-25.
  42.  5
    Does Communist Art Exist?Jacques Rancière, Matthew Scully, Nell Wasserstrom & Carolyn Shread - 2022 - Critical Inquiry 48 (3):459-474.
  43.  21
    Rethinking Modernity.Jacques Rancière - 2014 - Diacritics 42 (3):6-20.
  44.  10
    An Interview with Jacques Rancière: Playing Freely, From the Other, to the Letter.Joseph R. Shafer & Jacques Rancière - 2021 - Substance 50 (2):173-191.
    When I first contacted Jacques Rancière in March 2017, nearly three-and-a-half years before the completion of this interview, a few basic questions were growing heavy. Questions limited to current political climates, trending philosophical systems, specific literary works, designated historical shifts, or particular Rancièrean terms would be reluctantly put aside in pursuit of certain elemental distinctions that might better inform the rest. The original proposal was to work around such slippery paradoxes as resistance, and to readdress tangible material like the letter, (...)
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  45. A Poetics of Dissent; or, Pantisocracy in America Colin Jager.Jacques Ranciere & Walter Benjamin - 2007 - Theory and Event 10 (1).
     
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  46.  18
    Anachronism and the Conflict of Times.Jacques Rancière - 2020 - Diacritics 48 (2):110-124.
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  47. The Janus-Face of Politicized Art.Jacques Rancière - 2010 - In Christopher Want (ed.), Philosophers on Art From Kant to the Postmodernists: A Critical Reader. Columbia University Press.
  48. La haine de la démocratie Paris: La Fabrique (El odio a la democracia. Buenos Aires: Amorrortu editores. Traducción de Irene Agoff 2006).Jacques Rancière - 2012 - Enrahonar 48:161.
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  49.  89
    After What.Jacques Rancière - 1988 - Topoi 7 (2):181--185.
  50.  49
    Jacques Ranciere: A Bibliography.Jacques Rancière - 2004 - Substance 33 (1):141-141.
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