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  1. Perceptual Pluralism.Jake Quilty‐Dunn - 2020 - Noûs 54 (4):807-838.
    Perceptual systems respond to proximal stimuli by forming mental representations of distal stimuli. A central goal for the philosophy of perception is to characterize the representations delivered by perceptual systems. It may be that all perceptual representations are in some way proprietarily perceptual and differ from the representational format of thought (Dretske 1981; Carey 2009; Burge 2010; Block ms.). Or it may instead be that perception and cognition always trade in the same code (Prinz 2002; Pylyshyn 2003). This paper rejects (...)
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  2. Is Iconic Memory Iconic?Jake Quilty‐Dunn - 2020 - Philosophy and Phenomenological Research 101 (3):660-682.
    Short‐term memory in vision is typically thought to divide into at least two memory stores: a short, fragile, high‐capacity store known as iconic memory, and a longer, durable, capacity‐limited store known as visual working memory (VWM). This paper argues that iconic memory stores icons, i.e., image‐like perceptual representations. The iconicity of iconic memory has significant consequences for understanding consciousness, nonconceptual content, and the perception–cognition border. Steven Gross and Jonathan Flombaum have recently challenged the division between iconic memory and VWM by (...)
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    Attention and Encapsulation.Jake Quilty‐Dunn - 2020 - Mind and Language 35 (3):335-349.
    The question of whether perception is encapsulated from cognition has been a major topic in the study of perception in the past decade. One locus of debate concerns the role of attention. Some theorists argue that attention is a vehicle for widespread violations of encapsulation; others argue that certain forms of cognitively driven attention are compatible with encapsulation, especially if attention only modulates inputs. This paper argues for an extreme thesis: no effect of attention, whether on the inputs to perception (...)
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  4. Concepts and Predication From Perception to Cognition.Jake Quilty‐Dunn - 2020 - Philosophical Issues 30 (1):273-292.
  5.  12
    Stand‐Up Comedy, Authenticity, and Assertion.Jesse Rappaport & Jake Quilty‐Dunn - 2020 - Journal of Aesthetics and Art Criticism 78 (4):477-490.
    Stand‐up comedy is often viewed in two contrary ways. In one view, comedians are hailed as providing genuine social insight and telling truths. In the other, comedians are seen as merely trying to entertain and not to be taken seriously. This tension raises a foundational question for the aesthetics of stand‐up: Do stand‐up comedians perform genuine assertions in their performances? This article considers this question in the light of several theories of assertion. We conclude that comedians on stage do not (...)
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