17 found
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  1. What is the Relationship Between Synaesthesia and Visuo-Spatial Number Forms?Noam Sagiv, Julia Simner, James Collins, Brian Butterworth & Jamie Ward - 2006 - Cognition 101 (1):114-28.
  2.  19
    Lexical-Gustatory Synaesthesia: Linguistic and Conceptual Factors.Jamie Ward & Julia Simner - 2003 - Cognition 89 (3):237-261.
  3.  86
    Visual Experiences in the Blind Induced by an Auditory Sensory Substitution Device.Jamie Ward & Peter Meijer - 2010 - Consciousness and Cognition 19 (1):492-500.
    In this report, the phenomenology of two blind users of a sensory substitution device – “The vOICe” – that converts visual images to auditory signals is described. The users both report detailed visual phenomenology that developed within months of immersive use and has continued to evolve over a period of years. This visual phenomenology, although triggered through use of The vOICe, is likely to depend not only on online visualization of the auditory signal but also on the users’ previous (albeit (...)
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  4.  17
    Enhanced Associative Memory for Colour (but Not Shape or Location) in Synaesthesia.Jamie Pritchard, Nicolas Rothen, Daniel Coolbear & Jamie Ward - 2013 - Cognition 127 (2):230-234.
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  5.  6
    Consciously Feeling the Pain of Others Reflects Atypical Functional Connectivity Between the Pain Matrix and Frontal-Parietal Regions.Thomas Grice-Jackson, Hugo D. Critchley, Michael J. Banissy & Jamie Ward - 2017 - Frontiers in Human Neuroscience 11.
  6.  27
    Coloured Letters and Numbers (CLaN): A Reliable Factor-Analysis Based Synaesthesia Questionnaire.Nicolas Rothen, Elias Tsakanikos, Beat Meier & Jamie Ward - 2013 - Consciousness and Cognition 22 (3):1047-1060.
    Synaesthesia is a heterogeneous phenomenon, even when considering one particular sub-type. The purpose of this study was to design a reliable and valid questionnaire for grapheme-colour synaesthesia that captures this heterogeneity. By the means of a large sample of 628 synaesthetes and a factor analysis, we created the Coloured Letters and Numbers questionnaire with 16 items loading on 4 different factors . These factors were externally validated with tests which are widely used in the field of synaesthesia research. The questionnaire (...)
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  7.  10
    An Extended Case Study on the Phenomenology of Sequence-Space Synesthesia.Cassandra Gould, Tom Froese, Adam B. Barrett, Jamie Ward & Anil K. Seth - 2014 - Frontiers in Human Neuroscience 8.
  8.  60
    “That’s Not a Real Body”: Identifying Stimulus Qualities That Modulate Synaesthetic Experiences of Touch.Henning Holle, Michael Banissy, Thomas Wright, Natalie Bowling & Jamie Ward - 2011 - Consciousness and Cognition 20 (3):720-726.
    Mirror-touch synaesthesia is a condition where observing touch to another’s body induces a subjective tactile sensation on the synaesthetes body. The present study explores which characteristics of the inducing stimulus modulate the synaesthetic touch experience. Fourteen mirror-touch synaesthetes watched videos depicting a touch event while indicating whether the video induced a tactile sensation, on which side of their body they felt this sensation and the intensity of the experienced sensation. Results indicate that the synaesthetes experience stronger tactile sensations when observing (...)
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  9.  4
    Neuroanatomical Substrates for the Volitional Regulation of Heart Rate.Catherine L. Jones, Ludovico Minati, Yoko Nagai, Nick Medford, Neil A. Harrison, Marcus Gray, Jamie Ward & Hugo D. Critchley - 2015 - Frontiers in Psychology 6.
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  10.  9
    Can Grapheme-Color Synesthesia Be Induced by Hypnosis?Hazel P. Anderson, Anil K. Seth, Zoltan Dienes & Jamie Ward - 2014 - Frontiers in Human Neuroscience 8.
  11.  9
    Associative Memory Advantage in Grapheme-Color Synesthetes Compared to Older, but Not Young Adults.Gaby Pfeifer, Nicolas Rothen, Jamie Ward, Dennis Chan & Natasha Sigala - 2014 - Frontiers in Psychology 5.
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  12.  5
    Individual Differences in Vicarious Pain Perception Linked to Heightened Socially Elicited Emotional States.Vanessa Botan, Natalie C. Bowling, Michael J. Banissy, Hugo Critchley & Jamie Ward - 2018 - Frontiers in Psychology 9.
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  13.  9
    The Role of Visual Experience in the Emergence of Cross-Modal Correspondences.Giles Hamilton-Fletcher, Katarzyna Pisanski, David Reby, Michał Stefańczyk, Jamie Ward & Agnieszka Sorokowska - 2018 - Cognition 175:114-121.
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  14.  19
    Principle Component Analyses of Questionnaires Measuring Individual Differences in Synaesthetic Phenomenology.Hazel P. Anderson & Jamie Ward - 2015 - Consciousness and Cognition 33:316-324.
  15.  4
    The Prevalence and Cognitive Profile of Sequence-Space Synaesthesia.Jamie Ward, Alberta Ipser, Eva Phanvanova, Paris Brown, Iris Bunte & Julia Simner - 2018 - Consciousness and Cognition 61:79-93.
  16.  2
    Subjective Embodiment During the Rubber Hand Illusion Predicts Severity of Premonitory Sensations and Tics in Tourette Syndrome.Charlotte L. Rae, Dennis E. O. Larsson, Jessica A. Eccles, Jamie Ward & Hugo D. Critchley - 2018 - Consciousness and Cognition 65:368-377.
  17. Varieties of Grapheme-Colour Synaesthesia: A New Theory of Phenomenological and Behavioural Differences.Jamie Ward, Ryan Li, Shireen Salih & Noam Sagiv - 2006 - Consciousness and Cognition 16 (4):913-931.
    Recent research has suggested that not all grapheme-colour synaesthetes are alike. One suggestion is that they can be divided, phenomenologically, in terms of whether the colours are experienced in external or internal space. Another suggestion is that they can be divided according to whether it is the perceptual or conceptual attributes of a stimulus that is critical. This study compares the behavioural performance of 7 projector and 7 associator synaesthetes. We demonstrate that this distinction does not map on to behavioural (...)
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