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Jan J. Koenderink [6]Jan Koenderink [5]
  1. Visual Discrimination of Spectral Distributions.Susan F. te Pas & Jan J. Koenderink - 2004 - In Robert Schwartz (ed.), Perception. Malden Ma: Blackwell. pp. 1483-1497.
  2. Light Direction From Shad (Ow) Ed Random Gaussian Surfaces.Jan J. Koenderink, Andrea J. van Doorn & Sylvia C. Pont - 2004 - In Robert Schwartz (ed.), Perception. Malden Ma: Blackwell. pp. 1405-1420.
     
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  3.  11
    Measures of Prägnanz?Baingio Pinna, Andrea van Doorn & Jan Koenderink - 2018 - Gestalt Theory 40 (1):7-28.
    Summary Prägnanz was suggested by Max Wertheimer in the 1920s as subsuming all “Laws of Gestalt” as they apply to visual awareness. Thus, it assumes a prominent position in any account of Gestalt phenomena. From a phenomenological perspective, some visual stimuli evidently “have more Prägnanz” than others, so Prägnanz seems to be an intensive quality. Here, we investigate the intricacies that need to be faced on the way to a definition of formal scales. Such measures naturally depend both upon the (...)
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  4.  48
    “Towards a New Theory of Vision” Revisited.Jan Koenderink - 2016 - Topoi 35 (2):571-581.
    I consider the geometrical structure of the apparent visual field. Although the optics of vision is well understood, the nature of visual awareness remains largely in the dark. A famous attempt at a formal description of the apparent visual field was by Helmholtz, in the late nineteenth century. It purportedly explains the phenomenon of the subjective curvatures often reported when viewing objectively straight lines of great extent. I consider the general problem, and suggest an alternative formal account. On phenomenological grounds (...)
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  5.  12
    Ecological Optics and the Creative Eye.Jan J. Koenderink, Andrea J. Van Doorn, Larry Arend & Heiko Hecht - 2002 - In Dieter Heyer & Rainer Mausfeld (eds.), Perception and the Physical World. Wiley.
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  6.  20
    The Phenomenology of the Invisible: From Visual Syntax to “Shape From Shapes”.Baingio Pinna, Jan Koenderink & Andrea van Doorn - 2015 - Philosophia Scientae 19:127-151.
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  7. Haptic Aftereffect of Curved Surfaces.Ingrid Maria Laurentia Cornelia Vogels, Astrid Ml Kappers & Jan J. Koenderink - 1996 - In Enrique Villanueva (ed.), Perception. Ridgeview. pp. 109-119.
     
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  8.  14
    Picasso in the Mind’s Eye of the Beholder: Three-Dimensional Filling-in of Ambiguous Line Drawings.Jan Koenderink, Andrea van Doorn & Johan Wagemans - 2012 - Cognition 125 (3):394-412.
  9.  5
    Plerosis and Atomic Gestalts.Baingio Pinna, Andrea van Doorn & Jan Koenderink - 2017 - Gestalt Theory 39 (1):30-53.
    Summary Franz Brentano, 1838–1917, introduced the intriguing concept of “plerosis” in order to account for aspects of the continuum that were “explained” by formal mathematics in ways that he considered absurd from the perspective of intuition, especially visual awareness and imagery. In doing this, he pointed in directions later developed by the Dutch mathematician Luitzen Brouwer. Brentano’s notion of plerosis involves distinct though coincident points, which one might call “atomic entities with parts”. This notion fits the modern concepts of “receptive (...)
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  10. Haptic Unilateral and Bilateral Discrimination of Curved Surfaces.Astrid Ml Kappers & Jan J. Koenderink - 1996 - In Enrique Villanueva (ed.), Perception. Ridgeview. pp. 739-749.
     
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  11.  9
    Parcellation: A Reflection of the Structure of the Animal's World.Jan J. Koenderink - 1984 - Behavioral and Brain Sciences 7 (3):343-344.