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  1.  9
    Cycling as Reading a Cityscape: A Phenomenological Approach to Interface-Shaped Perception.Janez Strehovec - 2010 - Indo-Pacific Journal of Phenomenology 10 (2):1-11.
    This essay attempts to assess whether the perceptual issues posed by the contemporary interface culture, and the constant attitude shift demanded by the new media between the “natural” and the “as if” modes, might be considered a significant challenge for phenomenological aesthetics as understood in terms of Merleau-Ponty’s phenomenology of perception. To demonstrate how the use of a particular interface profoundly shapes the form and structure of an activity as well as enabling perception of a particular kind, the author does (...)
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  2.  39
    New Media Art as Research: Art-Making Beyond the Autonomy of Art and Aesthetics.Janez Strehovec - 2009 - Technoetic Arts 6 (3):233-250.
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  3.  7
    Digital Art in the Artlike Culture and Networked Economy.Janez Strehovec - 2016 - Cultura 13 (2):137-152.
    Contemporary art based on new media is situated at the intersection of art-as-we-know-it, smart technologies, digital and algorithmic culture, networked economy, politics, as well as bio and techno sciences. Contemporary art enters into intense relations with these fields, including interactions, adoption of methodological devices and approaches, changes of the areas of activity, hybridization and amalgamation. This text explores those features of contemporary life and culture which are affected by digital art and the recombination, appropriation, remediation, reusing, repurposing, and transfer of (...)
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  4.  7
    Algorithmic Culture and E-Literary Text Semiotics.Janez Strehovec - 2013 - Cultura 10 (2):141-156.
    This paper aims to explore the notion of algorithmic culture in relation to new media and electronic literature. Such a culture considers human as being immersed in smart technology, which with its code and algorithms defines individual’s behaviour and decision-making, modes of socializing and participation, experiencing and perception. The following lines unveil the paradigm shift that involves semiotic crossings between human and machine languages. In order to do so, it addresses some crucial particularities of the emerging field of electronic literature.
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