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Jaś Elsner [11]Jas' Elsner [8]
  1.  52
    The Genesis of Iconology.Jaś Elsner & Katharina Lorenz - 2012 - Critical Inquiry 38 (3):483-512.
    Erwin Panofsky explicitly states that the first half of the opening chapter of Studies in Iconology—his landmark American publication of 1939—contains ‘the revised content of a methodological article published by the writer in 1932’, which is now translated for the first time in this issue of Critical Inquiry.1 That article, published in the philosophical journal Logos, is among his most important works. First, it marks the apogee of his series of philosophically reflective essays on how to do art history,2 that (...)
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  2.  41
    A. Billault: L’Univers de Philostrate. Pp. 144. Brussels: Latomus Revue D’Études Latines, 2000. Paper. ISBN: 2-87031-193-1. [REVIEW]Jas Elsner - 2001 - The Classical Review 51 (2):392-393.
  3. Art and Religion - (T.J.) Smith Religion in the Art of Archaic and Classical Greece. Pp. XVI + 451, Ills, Colour Pls. Philadelphia: University of Pennsylvania Press, 2021. Cased, £72, Us$89.95. Isbn: 978-0-8122-5281-1. [REVIEW]Jaś Elsner - 2022 - The Classical Review 72 (1):277-279.
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  4.  8
    Saints: Faith Without Borders.Françoise Meltzer & Jas Elsner (eds.) - 2011 - University of Chicago Press.
    Populated with the likes of Francis of Assisi, Teresa of Avila, and Padre Pio, this book is a fascinating inquiry into the status of saints in the modern world.
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  5.  29
    From Empirical Evidence to the Big Picture: Some Reflections on Riegl’s Concept of Kunstwollen.Jas' Elsner - 2006 - Critical Inquiry 32 (4):741.
  6.  23
    The Life of Apollonius (K.) Demoen, (D.) Praet (Edd.) Theios Sophistes. Essays on Flavius Philostratus' Vita Apollonii. (Mnemosyne Supplementum 305.) Pp. Xvi + 405, Ills. Leiden and Boston: Brill, 2009. Cased, €135, US$200. ISBN: 978-90-04-17109-. [REVIEW]Jas' Elsner - 2010 - The Classical Review 60 (1):77-.
  7.  23
    (F.) Ghedini, (I.) Colpo, (M.) Novello with (E.) Avezzù Le Immagini di Filostrato Minore. La prospettiva dello storico dell'arte. (Antenor Quaderni 3). Rome: Edizioni Quasar 2004. Pp. 207, illus. €72. 8871402707. [REVIEW]Jas' Elsner - 2006 - Journal of Hellenic Studies 126:200-.
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  8.  23
    Beyond Compare: Pagan Saint and Christian God in Late Antiquity.Jas' Elsner - 2009 - Critical Inquiry 35 (3):655-683.
  9.  19
    A. Chaniotis Ed. Ritual Dynamics in the Ancient Mediterranean: Agency, Emotion, Gender, Representation . Stuttgart: Franz Steiner Verlag, . Pp. 390, Illus. €62. 9783515099165. [REVIEW]Jas' Elsner - 2014 - Journal of Hellenic Studies 134:221-222.
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  10.  18
    Modes of Viewing in Hellenistic Poetry and Art (Review).Jas Elsner - 2005 - American Journal of Philology 126 (3):461-463.
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  11.  17
    Hahn, Emmel and Gotter Eds. From Temple to Church: Destruction and Renewal in Local Cultic Topography in Late Antiquity . Leiden: Brill, 2008. Pp. Xi + 378, Illus. €133/$198. 9789004131415. [REVIEW]Jas' Elsner - 2010 - Journal of Hellenic Studies 130:293-294.
  12.  28
    Osborne (R.), Tanner (J.) (Edd.) Art's Agency and Art History. Pp. Xiv + 226, Ills. Malden, MA and Oxford: Blackwell Publishing, 2007. Paper, £24.99, US$39.95, Aus$82.50 (Cased, £50, US$89.95, Aus$165). ISBN: 978-1-4051-3538-2 (978-1-4051-3537-5 Hbk). [REVIEW]Jas Elsner - 2008 - The Classical Review 58 (1):268-270.
  13.  9
    Emily J. Levine. Dreamland of Humanists: Warburg, Cassirer, Panofsky, and the Hamburg School. Chicago: University of Chicago Press, 2013. 464 Pp. [REVIEW]Jas' Elsner - 2016 - Critical Inquiry 42 (2):417-417.
  14.  3
    S. Rebecca Martin and Stephanie M. Langin-Hooper. The Tiny and the Fragmented: Miniature, Broken or Otherwise Incomplete Objects From the Ancient World. New York: Oxford University Press, 2018. 248 Pp. [REVIEW]Jaś Elsner - 2021 - Critical Inquiry 47 (2):410-410.
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  15.  1
    Visual Culture and Ancient History.Jaś Elsner - 2015 - Classical Antiquity 34 (1):33-73.
    Through a specific example, this paper explores the problems of empiricism and ideology in the uses of material-cultural and visual evidence for the writing of ancient history. The focus is on an Athenian documentary stele with a fine relief from the late fifth century bc, the history of its publications, and their failure to account for the totality of the object's information—sculptural and epigraphic—let alone the range of rhetorical ambiguities that its texts and images implied in their fifth-century context. While (...)
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  16.  12
    Framing the Objects We Study: Three Boxes From Late Roman Italy.Jaś Elsner - 2008 - Journal of the Warburg and Courtauld Institutes 71:21 - 38.
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