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  1. Hegel and Deleuze: Together Again for the First Time.Karen Houle, Jim Vernon & Jean-Clet Martin (eds.) - 2013 - Northwestern University Press.
    _Hegel and Deleuze_ cannily examines the various resonances and dissonances between these two major philosophers. The collection represents the best in contemporary international scholarship on G. W. F. Hegel and Gilles Deleuze, and the contributing authors inhabit the as-yet uncharted space between the two thinkers, collectively addressing most of the major tensions and resonances between their ideas and laying a solid ground for future scholarship. The essays are organized thematically into two groups: those that maintain a firm but nuanced disjunction (...)
     
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  2.  21
    The Image of Thought.Jean-Clet Martin - 2009 - Deleuze and Guatarri Studies 3 (1):1-25.
    The image of thought that Rembrandt proposes with his Philosopher in Meditation still wears the mask of the old philosophical pedagogy based on ascent and the heights, but it ushers in new percepts and affects corresponding to the philosopher's concept, fold, that Leibniz elevates to the status of the principle of Baroque variation. The fold unleashes a power that carries forms and statements over a variety of disjunctive statements.
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  3.  27
    D'une valse de la mort avec la vie. Autour de Françoise Proust.Jean-Clet Martin - 2001 - Rue Descartes 33 (3):57.
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  4.  35
    Forma y objeto. Un tratado de las cosas.Tristan Garcia & Jean-Clet Martin - 2012 - Escritos 20 (44):207-219.
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  5. La escoba de la bruja.Jean-Clet Martin - 2004 - Laguna 15:109-124.
    El estilo de la obra de Deleuze y la imagen del pensamiento que ayuda ésta a organizar sugieren constantemente al lector que para crear conceptos, tarea en la que Deleuze resume la esencia misma de la filosofía, resulta necesario seguir una «línea de brujería». Montar en la escoba de la bruja será equivalente a crear conceptos, pues sólo así se resistirá a la miseria del presente. Deleuze analiza un campo pre-individual y trascendental de singularidades en el que deberíamos incidir para (...)
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  6.  13
    Du monde inorganique des forces.Jean-Clet Martin - 2002 - Rue Descartes 38 (4):33.
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  7.  13
    Remarques sur le travail photographique et pictural de François Rouan.Jean-Clet Martin - 2001 - Multitudes 1 (1):29-34.
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  8.  7
    De l'Art de Raconter des Histoires.Jean-Clet Martin - 2014 - Rue Descartes 82 (3):104.
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  9.  7
    Tarde : une nouvelle monadologie.Jean-Clet Martin - 2001 - Multitudes 4 (4):186-192.
    Why Tarde is interested by Leibnitz’s monads ? That they come to make in the analysis of the social field ? The concept of monad, be necessary as a refutation of the slowness of the Cartesian mechanism. By vitalism immanent in the nature, the monadology distinguishes itself from any atomism. By considering that « The material is spirit, anything more » Tarde understands that any thing is already a society, showing a social link between the differences which it associates. All (...)
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  10. Constellation de la Philosophie.Jean-Clet Martin - 2007 - Kimé.
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  11. Enfer de la Philosophie.Jean-Clet Martin - 2012 - Éditions Léo Scheer.
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