Through the study of Richard Gruneau and Gunter Gebauer’s respective works, this article examines the social significance and theoretical implications of sport’s capacity to represent social life in a theatrical manner. The drama-like images and representations sporting practices produce, institutions codify, and television programs enhance is considered in relation to ideology’s integrative, legitimating, and distorting functions . Acknowledging the filiations of ‘theatre’ with ‘theory’ – both words stand for ‘to contemplate, to see, to observe’ – this study considers theatricality as (...) a valuable theoretical notion that enables a synthetic and reflexive understanding of athletic practices’ bodily dimension, symbolic representations, and institutional determinants. (shrink)
In this paper published in Slovenian, i argue that Jean-François Lyotard could probably not have written his groundbraking book Le Différend in the eighties of the 20th century without having had his Algerian experience as a young teacher there. Lyotard was member of the group of leftist intellectuals "Socialisme ou barbarie" (also name of a journal they issued) around Cornelius Castoriadis. Understanding the "Other" and the relationship between the subject and the "Other" is essential to the line of thought (...) that Lyotard developped in Le Différend. See his book La guerre des Algériens. (shrink)
Jean-Francois Lyotard is often considered to be the father of postmodernism. Here leading experts in the field of cultural and philosophical studies, including Barry Smart, John O' Neill and Victor J. Seidler, tackle many of the questions still being asked about this controversial figure.
Nous remercions Dolorès Lyotard et Herman Parret de nous autoriser aimablement à publier ici cette conférence inédite qui prend place dans l’itinéraire de Jean-François Lyotard une année après qu’il ait soutenu sa thèse de doctorat d’État Discours, Figure sous la direction de Mikel Dufrenne. Plusieurs interrogations sont..
The origins of philosophy of education as a discipline are relatively late, and can be traced in the Anglo-American academic world from the 1960s and a specific emphasis on conceptual problems deriving from the analytical tradition of philosophy. In more recent years, however, there has been a notable ‘Continentalist’ turn in the discipline, leading to a re-evaluation of key texts and philosophers from the French and German traditions and their relation to the discourse of education. One paradigmatic example here is (...) the work of the French postmodernist thinker Jean-Francois Lyotard. In this essay, I explore how Lyotard’s powerful critique of education in his early work, especially with regard to his influence on the May ‘68 events at Nanterre University, can be seen as crucially important, now again, to a current crisis in educational philosophy in the Western world. Moreover, Lyotard’s post-’68 work, with his paradigmatic The Postmodern Condition: A Report on Knowledge as especially important, can be seen as providing a very challenging riposte to both ‘managerialist’ and instrumentalist philosophies on the one side but also to overly simplistic ‘liberatory’ educational critiques on the other side. (shrink)
O presente artigo aborda a dimensão ética no pensamento de Jean-François Lyotard. Como conceito decisivo para essa relação, é aqui proposto o conceito de receptividade. Partindo dele, deseja-se mostrar que é possível reconstruir uma concepção de responsabilidade ética no pensamento do filósofo francês, a qual se coloca em sentido diametralmente oposto à concepção de autonomia: a obrigação ética se torna por conta disso afetiva, fundada e repousando na capacidade de se deixar falar. Com vistas a uma determinação mais acurada (...) dessa posição, serão consultadas as reflexões de Lyotard acerca da filosofia da linguagem em Le Differénd: a concepção do “acontecimento da fase” se deixa mostrar na ética do diálogo, que deixa espaço para a assimetria, alteridade e transformação. O pensamento do conflito insolúvel mostra-se como plenamente implicado com essa ética. This contribution examines the ethical dimension in the thinking of Jean-François Lyotard. It is shown that receptivity is crucial to its understanding. On these grounds, ethical responsibility can be conceived as fundamentally different from the standard conceptions of autonomy: ethical obligation has its sources in affection and is founded by a capacity of responsivity. This position is further developed by drawing on Lyotard ’s thoughts on language in Le Différend: the idea of a “sentence event” can be conceptualized within the framework of an ethics of dialogue, which leaves room for asymmetry, alterity, and transformation. The philosophy of the irreconcilable conflict turns out to be a form of ethics in this sense. (shrink)
By comparing the insights of Jean-Francois Lyotard on various manifestations of the science question with feminists such as Luce Irigaray and Donna Haraway certain compromising contradictions in Lyotard's overall discourse are revealed.
Despite its title, Jean-François Courtine’s Archéo-Logique. Husserl, Heidegger,Patočka (henceforth AL), is mostly—if not exclusively—a book devoted to Heidegger. This is readily apparent in the table of contents: seven (chapters II-VIII) of the nine studies gathered in this volume deal entirely with Heidegger; one (chapter I) works through Heidegger’s notion of “Destruktion” with reference to Natorp’s “Rekonstruktion”; and only the concluding essay (chapter IX) focuses on Patočka’s a-subjective phenomenology and its criticism of Husserl. As for the “Introduction”, the only name (...) mentioned is, again, Heidegger’s. And when it comes to the historical context covered in the book, the author summarizes: “From the Natorp–Bericht to the Gespräch von der Sprache, these are the two extreme boundaries within which the following studies are included” (p. 9).Yet such an explicit restriction to Heidegger does not do full justice to the actual scope of this book. In fact, one of the most important co. (shrink)
Neither art criticism nor a scholar’s monograph on an artist, Jean-François Lyotard’s Sam Francis: Lesson of Darkness: ‘like the paintings of a blind man’ is a reflection that engages both the painter and 43 of his works into a conversation alternating painting and aphoristic writing. Their order follows neither the chronology of the works nor a linear argument in the prose. And yet, the work generates the strongest feeling of there being a continuity in this peculiar dialogue of pictures (...) and poeticism, a continuity not clearly presented by logic, but one concerning what remains unpresented in presentation. The conversation is revelatory of their shared concerns with the energetic force of absence and is fascinating. (shrink)
Discourse, Figure signifies an event. I mean this in a variety of ways. There has been a recent event: the publication of an English translation of Jean-François Lyotard’s first major book. Its translation is an event forty years delayed and signifies the closing of a major gap in the translation of Lyotard’s work. Of course, both “signify” and “event” are important words for Lyotard. Discourse, Figure’s goal is to “signify the other of signification” (2011, 13, emphasis his). The question (...) of the representability of events that concerns Lyotard throughout his career originates in Discourse, Figure. I use these two words to guide my review. First I outline the events of the book: its context and its argument. .. (shrink)
Based upon a colloquium held in October 2006, this book comprises fourteen essays concerning Nietzsche’s concept, evaluation, and practice of philology. Jean-François Balaudé and Patrick Wotling’s introduction gives an idea of the complicated relation between philology and philosophy in Nietzsche’s oeuvre. They point out that, although philology and philosophy might be seen as two distinct professions, connected also to different phases in Nietzsche’s life, the two are intimately related from the beginning and remain that way. The ultimate concern of (...) the book, though, is Nietzsche’s notion of philosophy: can his understanding and practice of it be understood in terms of philology, namely, as the continuation... (shrink)
Baptiste Rappin | : Cet article appréhende la pensée de Jean-François Mattéi en prenant pour fil directeur le thème de la dualité. Pourquoi ce choix? Parce que le philosophe y voit une fidélité à la tradition grecque caractérisée par l’éternel balancement entre deux pôles. Sont alors passés en revue les couples suivants : philosophie/sophistique, étonnement/indignation, civilisation/barbarie, Europe/autres, qui forment autant de tensions à explorer et à penser. | : This article attempts to grasp Jean-François Mattéi’s thought by exploring (...) the theme of duality. Why do we make this choice? Because a philosopher can see here Mattéi’s fidelity to the Greek tradition in its constant move from one pole to the other. As illustrations, we take into consideration the following couples : philosophy/sophistry, wonder/indignation, civilization/barbarism, Europe and opposites ; they all create tensions requiring a great deal of exploration and thought. (shrink)
Jean-François Lyotard. First acquaintance with Lyotard -- Kant's notion of the sublime and its appropriation by Lyotard -- Transposing Kant to the key of the postmodern -- The role of feelings in Lyotard's political judgment -- Universality revisited -- Jacques Derrida. The Nietzschean influence -- Derrida and phenomenology -- Derrida's exploration of exteriority and anteriority -- Derrida's political ethics : foundations -- Derrida's political ethics : further elaborations : the international scene.
_Minima Memoria_ attests to the impact of the works of Jean-François Lyotard, one of the most influential French philosophers of the twentieth century, and the continuing effects of these works across a wide array of fields: philosophy, literature, political theory, gender theory, aesthetics, and psychoanalysis. Particular attention is paid to Lyotard's repeated warnings regarding the way in which the complexity of events can be occluded in the very attempt to represent them. Indeed, through the contributors' careful and critical analysis, (...) Lyotard's complex intellectual trajectory—all the way up to the posthumously published works _The Confession of Augustine_ and _The Misery of Philosophy_—is traced in different and often conflicting manners, which bring out the different currents that traverse his writings and the sites of tension that such terms as "different," "affect," and "infancy" mark. What emerges is not a grand narrative that would organize Lyotard's life and work around one unifying idea, but multifaceted approaches that extend in new and unforeseen directions. (shrink)
This three-volume set is a collection of key critical responses by leading scholars to the philosophical and theoretical writings of this late postmodern philosopher. Organized thematically, the collection includes commentaries on Lyotard's life and early philosophical writings, as well as on ethics, aesthetics, and politics. With a new introduction by the editor providing a comprehensive overview of Jean-François Lyotards life and works, this impressive collection provides students and scholars with a valuable resource for studying this important philosophical figure.
The posthumous Pourquoi Philosopher? collects Jean-Fran ç ois Lyotard’s previously unpublished four-part introductory course in philosophy, delivered to students of the Sorbonne in 1964. The interest of this text is both historical (appearing at an important juncture in French thought) and meta-philosophical (answering the question "why philosophize?" in such a way that a philosophy of philosophy - or rather several - is offered for consideration). The text will be of interest to readers of various levels of philosophical sophistication.
Le Tchouang-tseu est un des plus grands ouvrages du taoïsme et comme tous les grands livres, il appelle à lui des herméneutes. Sa qualité est d’abord d’offrir au lecteur une infinité d’angles par lesquels se révèle la vérité, décourageant du même coup les interprètes tentés d’en offrir une compréhension finale et systématique. Son sens, pourrait-on dire, se dérobe à nous comme un train file dans la nuit et Jean Levi, en bon sinologue, demeure attentif à cet aspect du taoïsme dit (...) « philosophiq.. (shrink)
At once photographic analysis, philosophical essay, and autobiographical narrative, Athens, Still Remains presents an original theory of photography and throws a fascinating light on Derrida's life and work.The book begins with a sort of ...