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  1.  10
    Musical Friends and Foes: The Social Cognition of Affiliation and Control in Improvised Interactions.Jean-Julien Aucouturier & Clément Canonne - 2017 - Cognition 161:94-108.
    A recently emerging view in music cognition holds that music is not only social and participatory in its production, but also in its perception, i.e. that music is in fact perceived as the sonic trace of social rela- tions between a group of real or virtual agents. While this view appears compatible with a number of intriguing music cognitive phenomena, such as the links between beat entrainment and prosocial behaviour or between strong musical emotions and empathy, direct evidence is lacking (...)
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  2.  7
    Beyond Correlation: Acoustic Transformation Methods for the Experimental Study of Emotional Voice and Speech.Pablo Arias, Laura Rachman, Marco Liuni & Jean-Julien Aucouturier - 2020 - Emotion Review 13 (1):12-24.
    While acoustic analysis methods have become a commodity in voice emotion research, experiments that attempt not only to describe but to computationally manipulate expressive cues in emotional voice...
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  3.  3
    Emergent Shared Intentions Support Coordination During Collective Musical Improvisations.Louise Goupil, Thomas Wolf, Pierre Saint-Germier, Jean-Julien Aucouturier & Clément Canonne - 2021 - Cognitive Science 45 (1):e12932.
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  4.  1
    Distinct Signatures of Subjective Confidence and Objective Accuracy in Speech Prosody.Louise Goupil & Jean-Julien Aucouturier - 2021 - Cognition 212:104661.
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    Vocal Signals Only Impact Speakers’ Own Emotions When They Are Self-Attributed.Louise Goupil, Petter Johansson, Lars Hall & Jean-Julien Aucouturier - 2021 - Consciousness and Cognition 88:103072.
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