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  1.  22
    Rethinking difference in music scholarship.Olivia Ashley Bloechl, Melanie Diane Lowe & Jeffrey Kallberg (eds.) - 2015 - New York: Cambridge University Press.
    This major essay collection takes a fresh look at how differences among people matter for music and musical thought.
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  2.  34
    Mechanical chopin.Jeffrey Kallberg - 2011 - Common Knowledge 17 (2):269-282.
    When we view Chopin's later works in the context of his biography, we find a conjunction of real-life machines (trains, the telegraph), mimetic mechanical music (music boxes), and prolific textual variants. Particularly fascinating are several late pieces that feature canons, a form of strict counterpoint that at once evokes the notion of “machine music”—the leading line seems automatically to generate the following line—and produces relatively few textual variants that concern pitch. Variants in the realm of performing indications, though, occur frequently. (...)
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  3.  56
    Between text and performance symposium on improvisation and originalism.Jeffrey M. Perl, Philip Gossett, Robert Levin, Jeffrey Kallberg, Steven E. Jones, Martin Puchner, Tiffany Stern, Mark Franko & Roger Moseley - 2011 - Common Knowledge 17 (2):221-230.
    This essay introduces a Common Knowledge symposium on the relationship between texts (for instance, musical scores or dramatic scripts) and performance in the arts by drawing out its implications for the interpretation of publicly consequential texts (such as constitutions, legal statutes, and canon law). Arguing that judges and clerics could learn much from studying the work of Philip Gossett and other practitioners of textual criticism in the arts, the essay suggests that a wider array of choices exists for legal interpretation (...)
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