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Jenefer Robinson [52]Jenefer M. Robinson [9]Jenefer Mary Robinson [1]
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Profile: Jenefer Robinson (University of Cincinnati)
  1. Deeper Than Reason: Emotion and its Role in Literature, Music, and Art.Jenefer Robinson - 2005 - Clarendon Press.
    Jenefer Robinson takes the insights of modern scientific research on the emotions and uses them to illuminate questions about our emotional involvement with the arts. Laying out a theory of emotion supported by the best evidence from current empirical work, she examines some of the ways in which the emotions function in the arts. Written in a clear and engaging style, her book will make fascinating reading for anyone interested in the emotions and how they work, as well as anyone (...)
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  2. Deeper Than Reason: Emotion and its Role in Literature, Music and Art.Jenefer Robinson - 2005 - Oxford University Press UK.
    Deeper than Reason takes the insights of modern psychological and neuroscientific research on the emotions and brings them to bear on questions about our emotional involvement with the arts. Robinson begins by laying out a theory of emotion, one that is supported by the best evidence from current empirical work on emotions, and then in the light of this theory examines some of the ways in which the emotions function in the arts. Written in a clear and engaging style, her (...)
     
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  3. Emotion: Biological Fact or Social Construction.Jenefer M. Robinson - 2004 - In Robert C. Solomon (ed.), Thinking About Feeling: Contemporary Philosophers on Emotions. Oxford University Press.
     
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  4. Startle.Jenefer Robinson - 1995 - Journal of Philosophy 92 (2):53-74.
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  5. Bob Solomon's Legacy: Introduction.Nico H. Frijda & Jenefer M. Robinson - 2010 - Emotion Review 2 (1):3-4.
  6.  3
    The Missing Person Found. Part II: Feelings for Pictures.Jenefer Robinson - forthcoming - British Journal of Aesthetics:ayw077.
    According to Dominic Lopes, expressiveness in pictures should be analyzed solely in terms of “expression looks” of various sorts, namely the look of a figure, a scene and/or a design. But, according to this view, it seems puzzling that expressive pictures should have any emotional effect on their audiences. Yet Lopes explicitly ties his “contour theory” of expression in pictures to empathic responses in spectators. Thus, despite his deflationary account of pictorial expression, he claims that pictures can give us practice (...)
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  7.  3
    The Missing Person Found. Part I: Expressing Emotions in Pictures.Jenefer Robinson - 2017 - British Journal of Aesthetics 57 (3):249-267.
    In Sight and Sensibility Dominic Lopes argues that expressiveness in pictures should be analyzed on the model of the “contour” theory of musical expressiveness, according to which an “expression” need not express anything about the inner psychological states of a person. According to his “contour theory of pictorial expression,” expression by scenes and designs requires “no being to whom the expressed emotion is attributable”. However, on this account expression has lost its fundamental raison d’être, that of manifesting somebody’s actual emotional (...)
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  8. The Expression and Arousal of Emotion in Music.Jenefer Robinson - 1994 - Journal of Aesthetics and Art Criticism 52 (1):13-22.
  9. Style and Significance in Art History and Art Criticism.Jenefer M. Robinson - 1981 - Journal of Aesthetics and Art Criticism 40 (1):5-14.
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  10.  49
    Emotion, Judgement, and Desire.Jenefer M. Robinson - 1983 - Journal of Philosophy 80 (November):731-740.
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  11. Languages of Art at the Turn of the Century.Jenefer Robinson - 2000 - Journal of Aesthetics and Art Criticism 58 (3):213-218.
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  12.  32
    On Being Moved by Architecture.Jenefer Robinson - 2012 - Journal of Aesthetics and Art Criticism 70 (4):337–353.
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  13. Syntax, Meaning and Context: A Reply to Keenan.Jenefer Robinson - 1977 - Philosophical Quarterly 27 (107):162-164.
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  14.  78
    Aesthetics and Subjectivity: From Kant to Nietzsche.Stephen Davies, Robert Hopkins, Jenefer Robinson & Elisabeth Schellekens - 2004 - British Journal of Aesthetics 44 (3):304-307.
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  15. Personal Identity and Survival.Jenefer M. Robinson - 1988 - Journal of Philosophy 85 (June):319-28.
  16.  93
    Do All Musical Emotions Have the Music Itself as Their Intentional Object?Jenefer Robinson - 2008 - Behavioral and Brain Sciences 31 (5):592-593.
    Juslin & Vll (J&V) think that all emotions aroused by music have the music itself as their Some of the mechanisms they discuss almost certainly involve both cognitive appraisals and intentional objects. But some of the mechanisms are non-cognitive: they involve neither cognitive appraisals nor intentional objects. Partly for this reason they may produce moods rather than emotions proper.
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  17.  71
    Style and Personality in the Literary Work.Jenefer M. Robinson - 1985 - Philosophical Review 94 (2):227-247.
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  18.  67
    Savoring Disgust: The Foul and Fair in Aesthetics, by Carolyn Korsmeyer. [REVIEW]Jenefer Robinson - 2013 - Mind 122 (486):fzt077.
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  19. Emotional Responses to Music: What Are They? How Do They Work? And Are They Relevant to Aesthetic Appreciation?Jenefer Robinson - 2009 - In Peter Goldie (ed.), The Oxford Handbook of Philosophy of Emotion. Oxford University Press.
     
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  20.  64
    L'éducation Sentimentale.Jenefer Robinson - 1995 - Australasian Journal of Philosophy 73 (2):212 – 226.
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  21.  61
    Shostakovich's Tenth Symphony and the Musical Expression of Cognitively Complex Emotions.Gregory Karl & Jenefer Robinson - 1995 - Journal of Aesthetics and Art Criticism 53 (4):401-415.
  22.  83
    Review of Charles O. Nussbaum, The Musical Representation: Meaning, Ontology, and Emotion[REVIEW]Jenefer Robinson - 2009 - Notre Dame Philosophical Reviews 2009 (3).
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  23.  29
    Aesthetic Disgust?Jenefer Robinson - 2014 - Royal Institute of Philosophy Supplement 75:51-84.
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  24.  74
    Review: Aesthetics and Ethics: Essays at the Intersection. [REVIEW]Jenefer Robinson - 2002 - Mind 111 (443):687-693.
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  25.  10
    The Eliminability of Artistic Acts.Jenefer Robinson - 1977 - Journal of Aesthetics and Art Criticism 36 (1):81-89.
  26.  59
    Some Remarks on Goodman's Language Theory of Pictures.Jenefer Robinson - 1979 - British Journal of Aesthetics 19 (1):63-75.
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  27.  34
    General and Individual Style in Literature.Jenefer Robinson - 1984 - Journal of Aesthetics and Art Criticism 43 (2):147-158.
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  28.  15
    Yet Again, ‘Between Absolute and Programme Music’.Gregory Karl & Jenefer Robinson - 2015 - British Journal of Aesthetics 55 (1):19-37.
    In this paper, we contest Peter Kivy’s claim that there is a clear opposition between ‘absolute music’ and programme music and between musical form and musical expressiveness. We argue, on the contrary, that much music falls somewhere between absolute and programme music as Kivy conceives the categories, and that such music is often primarily organized not on purely formal principles but by means of the overall ‘expressive trajectory’ or ‘poetic idea’ of the piece. Kivy is dismissive of all ‘narrativist’ interpretations (...)
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  29. Emotion and the Understanding of Narrative.Jenefer Robinson - 2010 - In Garry Hagberg & Walter Jost (eds.), A Companion to the Philosophy of Literature. Wiley-Blackwell.
     
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  30. Goodman.Jenefer Robinson - 2001 - In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge.
     
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  31. Ronald de Sousa, The Rationality of Emotion. [REVIEW]Jenefer Robinson - 1989 - Philosophy in Review 9:224-228.
     
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  32. Ronald de Sousa, The Rationality of Emotion Reviewed By.Jenefer M. Robinson - 1989 - Philosophy in Review 9 (6):224-228.
     
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  33.  51
    This is Your Brain on Music: The Science of a Human Obsession by Levitin, Daniel J.Jenefer Robinson - 2008 - Journal of Aesthetics and Art Criticism 66 (1):91–94.
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  34.  17
    Women, Morality, and Fiction.Jenefer Robinson & Stephanie Ross - 1990 - Hypatia 5 (2):76-90.
    We apply Carol Gilligan's distinction between a "male" mode of moral reasoning, focussed on justice, and a "female" mode, focussed on caring, to the reading of literature. Martha Nussbaum suggests that certain novels are works of moral philosophy. We argue that what Nussbaum sees as the special ethical contribution of such novels is in fact training in the stereotypically female mode of moral concern. We show this kind of training is appropriate to all readers of these novels, not just to (...)
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  35.  28
    What is an Emotion?Jenefer Robinson - 1985 - Teaching Philosophy 8 (1):79-81.
  36.  18
    Three Theories of Emotion—Three Routes for Musical Arousal.Jenefer Robinson - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary Perspectives on Musical Arousal, Expression, and Social Control. Oxford University Press. pp. 155.
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  37. Music and Meaning.Jenefer Robinson - 1998 - Journal of Aesthetics and Art Criticism 56 (3):314-316.
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  38.  33
    The Art of Distancing: How Formal Devices Manage Our Emotional Responses to Literature.Jenefer Robinson - 2004 - Journal of Aesthetics and Art Criticism 62 (2):153–162.
  39.  13
    Bob Solomon and William James: A Rapprochement.Jenefer M. Robinson - 2010 - Emotion Review 2 (1):53-60.
    Bob Solomon used to inveigh against William James’ theory of emotions, but he eventually arrived at a rapprochement with James and James’s recent successors. In particular, James suggested that emotions are initiated by the “automatic, instinctive” appraisals that register important information in the body and are recorded by body-mapping brain areas. In recent work Solomon describes the judgments he thinks constitute emotions as felt bodily appraisals in similar fashion.
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  40.  20
    Basic Issues in Aesthetics.Jenefer Robinson - 1989 - Teaching Philosophy 12 (1):95-97.
  41.  21
    Peter Goldie, The Emotions: A Philosophical Exploration:The Emotions: A Philosophical Exploration.Jenefer Robinson - 2004 - Ethics 114 (2):346-350.
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  42. Catherine Z. Elgin, With Reference to Reference Reviewed By.Jenefer Robinson - 1984 - Philosophy in Review 4 (1):22-24.
     
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  43.  22
    Levinson on Hope in the Hebrides.Gregory Karl & Jenefer Robinson - 1995 - Journal of Aesthetics and Art Criticism 53 (2):195-199.
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  44.  20
    Representation in Music and Painting.Jenefer Robinson - 1981 - Philosophy 56 (217):408 - 413.
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  45.  2
    Deeper Than Reason: Emotion and Its Role in Literature, Music, and Art.Jenefer Robinson - 2006 - Journal of Aesthetics and Art Criticism 64 (2):283-285.
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  46.  19
    Review of Matthew Kieran (Ed.), Contemporary Debates in Aesthetics and the Philosophy of Art[REVIEW]Jenefer Robinson - 2007 - Notre Dame Philosophical Reviews 2007 (2).
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  47. Patricia S. Greenspan, Emotions and Reasons Reviewed By.Jenefer Robinson - 1991 - Philosophy in Review 11 (2):101-104.
     
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  48.  14
    The Individuation of Speech Acts.Jenefer Robinson - 1974 - Philosophical Quarterly 24 (97):316-336.
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  49.  5
    Two Concepts of Expression.Jenefer Robinson - forthcoming - Journal of Aesthetic Education.
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  50.  4
    Problemas da estética.Jenefer Robinson - 2010 - Critica.
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1 — 50 / 61