Ethics committees and palliative care consultants can function in a complementary fashion, seamlessly and effectively. Ethics committees can “air” and help resolves issues, and palliative care consultants can use a low-key, longitudinal approach.
Analisi della possibile influenza esercitata dalla lettura di Platone su Freud, e in particolare della teoria del sogno come via per conoscere dei desideri precedentemnte "repressi" esposta nella "Repubblica".
The article investigates one of the positions of Zubiri with respect to the problem ofGod, which the author terms the “cosmic way” to distinguish it from the better-known “wayof relegation”. In his “cosmic way,” Zubiri elaborates an argument for the existence of Godstarting from the data of the physics of his time, in particular, the cosmology of the “BigBang.” Undoubtedly, the “way of relegation” is the most characteristic of Zubiri’s philosophy, and the one which is in best agreement with the (...) whole corpus of his work. And theadvantages of the “way of relegation” stand out especially when it is compared to the “cosmic way”. But this does not mean that the “cosmic way” cannot be considered criticallyfrom the point of view of its own merits.El artículo investiga uno de los planteamientos de Zubiri en torno al problema de Dios,y que el autor denomina “vía cósmica” para distinguirla de la más conocida “vía de la religación”. En su vía cósmica, Zubiri elaboraba un argumento sobre la existencia de Dios apartir de los datos de la física de su tiempo, especialmente a partir de la cosmología del “BigBang”. Sin embargo, la vía de la religación es la más característica de la filosofía de Zubiri,y la más acorde con el conjunto de su filosofía. Las ventajas de la vía de la religación destacan especialmente cuando se la compara con la vía cósmica. Ello no obsta para que la víacósmica de Zubiri pueda ser considerada críticamente desde el punto de vista de sus propios méritos. (shrink)
Estudio bibliográfico-crítico que traza la recepción viquiana en las obras de Sir Isaiah Berlin y analiza la interpretación que éste ofrece del pensamiento de Vico, integrándolo en una línea "contra-corriente" con referencia a la llustración y asumiéndolo en la concepción pluralista y antimonista de la historia cultural defendida por el propio Berlin.A critical bibliographical study which traces the Vichian reception in Sir Isaiah Berlin’s works and analyzes his particular interpretation of Vico’s thought. The paper moves along his views according to (...) wich Vico is related with the "counter-current" movement against the Enlightenment and tries to emphasizes his efforts to comprise the Vichian doctrines in an antimonist and wilder open conception wich seems to be closely associated with Berlin’s own concerns with cultural history. (shrink)
El ensayo consiste en la reelaboración de la lección inaugural del Curso Académico 2018/19 del Centro de Estudios Teológicos de Sevilla, pronunciada el 4 de octubre de 2018. Tiene como objetivo precisar la naturaleza del patrimonio cultural de la Iglesia, nacido para el culto y la gloria de Dios, y también para la evangelización y la catequesis. Al final el tema es concretado en la pintura religiosa de Murillo, del que se celebra el cuarto centenario.
A partir du renvoi à la « maxime de Platon » insérée dans l’avant dernière page de la première édition de L’interprétation du rêve, l’auteur expose d’abord les convergences entre la conception du rêve de Platon présentée dans La République et les intuitions qui fondent l’édifice métapsychologique freudien. A la lumière des sources textuelles citées par Freud et de ses intérêts, l’auteur avance ensuite l’hypothèse selon laquelle Freud aurait non seulement omis de reconnaître la généalogie théorétique platonicienne de la « (...) via regia menant à la connaissance de l’inconscient », mais aussi utilisé le dialogue antique comme source d’inspiration tacite pour la composition de L’Interprétation du rêve. (shrink)
The article: 1. analyzes the Anglo-American philosophical works which, in the last thirty years, focus on the notion of beauty by making reference to Kant’s work ; 2. argues that choosing Kant’s work means choosing a strategy which opens to a notion of beauty which is relative, but not relativistic, subjective, but not anarchic, that is, universal, but not absolute; 3. argues that the most powerful tool Kant introduces to make it possible relativizing the way not to relativize the aim (...) may be his notion of ideal, since it includes, and does not exclude, the most relative, particular and variable cases in its very genesis. (shrink)
En el presente artículo exploramos el contexto filosófico de la obra de Tucídides. A través del análisis de la verdad en la obra de Tucídides definimos una conexión intelectual con filósofos presocráticos como Parménides de Elea y Gorgias de Leontinos.
This paper deals with the relationship between divine knowledge and sense experience and the first three Thomistic ways to prove the existence of God. It reinforces the ways in the light of contributions and critiques coming from the realist-phenomenological and the analytic perspectives. To this end, it examines the insights of an important author of each of these two traditions, Josef Seifert and Richard Swinburne.
We present here for the first time an italian translation of Rang’s Vom Weg messianischer Deutung : the introductory essay on the work on Shakespeare’s sonnets. This work remained unfinished and was only partially published posthumously by Rang’s son, Bernhard, in 1954, with the title Shakespeare der Christ. Eine Deutung der Sonette. The translation is accompanied by a comment essay on Rang’s text. This comment essay firstly aims to contextualize both the work on Shakespeare and the very complex and still (...) little researched figure of Florens Christian Rang; secondly, it addresses the most important conceptual issues that the essay presents. With a strongly programmatic nature and, at the same time, with an expressionistic style, which is as obscure as it is visionary, Vom Weg messianischer Deutung presents the method of messianic interpretation in contrast with the classical-romantic one of the pneumatic interpretation. What is at stake is a perspective that challenges the autonomy of art in order to place the Kunstwerk in the series of all the works of divine creation to transform it in faith work. It is the point of view of the Last Judgment that leads the way. The messianic critique of art reveals to be only a particular case of messianic world critique, literally a critique of the world, which redirects itself to the world. It is the movement of conversion which breaks with the false dualism of Romanticism, according to which the spirit is divided in two: on the one hand, there are the experience, the world, the science, on the other hand, there is the art as pure mirroring of forms. Through the messianic interpretation, the spirit returns to be body, flesh. It follows the permanent movement of creation, namely the continuous conversion from God to the world and from the world to God. In this sense, according to Rang, Shakespeare’s sonnets exemplify the faith work: their poetic word names the messianic unity of body and spirit. They are crystals within which all creatural life, the great stages of the divine creation, are concentrated. (shrink)
This article examines a collection of singular artifacts, originating in the 1960s and 1970s, which I call "cybertrance" devices. These devices are based on the reappropriation of instruments from the academic world in order to place users in modified states of consciousness, far from the ordinary mode of wakefulness. All of these inventions draw on the heritage of American cybernetics, and re-articulate the man-machine concept central to it: passing from neo-mechanistic theory to experimentations with coupling and prostheses, and from rational (...) analysis to countercultural mysticism.If these cybertrance devices literally dismantle the man-machine, using technology to disorder the senses, in no way do they seek to... (shrink)
One possible way of tracing the history of fantastic forms in Western culture is to link it to the adventure of bodies that encounter radical alterity, which may appear in the guise of something purely external, or as the externalized expression of an intimate experience that has become terrifying, unbearable, and schizoid.1The fantastic represents a privileged realm of imagination for contemplating a corporeal history of different forms of violence. It constitutes the exemplary locus of a negative reverie on the frightening (...) and fantasized alterities and otherworldliness of the flesh. That is true not only due to its imaginary realm of metamorphosis, transformation, and mutation, but... (shrink)
