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  1.  1
    Flesh, Folds and Texturality: Thinking Visual Ellipsis Via Merleau-Ponty, Hélène Cixous and Robert Frank.Jenny Chamarette - 2007 - Paragraph 30 (2):34-49.
    Certain forms of art privilege the ellipsis. For example, in poetry, one has only to think of Mallarmé's Un Coup de dés for ellipsis to mark its peculiar trace upon the processes of meaning. Nonetheless, because ellipsis situates itself so curiously between meaning and signification, a formal definition may seem too categorical in explaining what ellipsis can do in its between-state, flanked by visuality, semiotics and signification. This article examines how Merleau- Ponty, Derrida and Deleuze, employ textual-visual and ontological-perceptual strategies (...)
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  2.  44
    Guilt and Shame: Essays in French Literature, Thought and Visual Culture.Jenny Chamarette & Jennifer Higgins (eds.) - 2010 - Peter Lang.
    This collection of essays, on French and francophone prose, poetry, drama, visual art, cinema and thought, assesses guilt and shame in relation to structures of ...
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  3.  28
    Phenomenology and the Future of Film: Rethinking Subjectivity Beyond French Cinema.Jenny Chamarette - 2013 - Palgrave-Macmillan.
    Introduction -- Time and matter: temporality, embodied subjectivity and film phenomenology -- Knowing and nothing: Chris Marker, subjective temporalities and vocalic bodies in the future tense -- Agnès Varda's Trinket box: subjective relationality, affect and temporalised space -- Burlesque gestures and bodily attention: phenomenologies of the ephemeral in Chantal Akerman -- Threatened corporealities: thinking with the films of Philippe Grandrieux -- Conclusion: rethinking cinematic subjectivity and beyond.
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