Results for 'Jenny Saville Portraits'

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  1.  20
    Taking This Deft Self-Description as a Point of Departure, I Reflect as a Feminist Philosopher on Feminist Artist Jenny Saville's Portrait of its Author, Del LaGrace Volcano, Together with a Saville Self-Portrait as a Cosmetic Surgery Patient. 1 In This Study of Matrix (1999, Oil on Canvas, Seven Feet by ten Feet) and Plan (1993, Oil on Canvas, Nine Feet by Seven Feet), I Analyze How Saville's Artistic Practice Conveys. [REVIEW]Jenny Saville Portraits - 2009 - In Laurie J. Shrage (ed.), You've Changed: Sex Reassignment and Personal Identity. Oup Usa.
  2. Artifice and Authenticity.Jenny Saville Portraits - 2009 - In Laurie J. Shrage (ed.), You've Changed: Sex Reassignment and Personal Identity. Oup Usa.
     
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  3. Artifice and Authenticity: Gender Technology and Agency in Two Jenny Saville Portraits.Diana Tietjens Meyers - 2009 - In Laurie Shrage (ed.), You’ve Changed”: Sex Reassignment and Personal Identity. Oxford University Press.
    This paper addresses two related topics: 1. The disanalogies between elective cosmetic practices and sex reassignment surgery. Why does it seem necessary for me – an aging professional woman – to ignore the blandishments of hairdressers wielding dyes and dermatologists wielding acids and scalpels? Why does it not seem equally necessary for a transgendered person to repudiate sex reassignment procedures? 2. The role of the body in identity and agency. How do phenomenological insights regarding the constitution of selfhood in relation (...)
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  4. Jenny Saville Remakes the Female Nude – Feminist Reflections on the State of the Art.Diana Tietjens Meyers - 2012 - In Peg Brand (ed.), Beauty Unlimited. Indiana University Press.
    Jenny Saville is a leading contemporary painter of female nudes. This paper explores her work in light of theories of gender and embodied agency. Recent work on the phenomenology of embodiment draws a distinction between the body image and the body schema. The body image is your representation of your own body, including your visual image of it and your emotional attitudes towards it. The body schema is comprised of your proprioceptive knowledge, your corporeally encoded memories, and your (...)
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  5. Jenny Saville and a Feminist Aesthetics of Disgust.Michelle Meagher - 2003 - Hypatia 18 (4):23-41.
    : This essay examines an aesthetics of disgust through an analysis of the work of Scottish painter Jenny Saville. Saville's paintings suggest that there is something valuable in retaining and interrogating our immediate and seemingly unambivalent reactions of disgust. I contrast Saville's representations of disgust to the repudiation of disgust that characterizes contemporary corporeal politics. Drawing on the theoretical work of Elspeth Probyn and Julia Kristeva, I suggest that an aesthetics of disgust reveals the fundamental ambiguity (...)
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  6.  23
    Jenny Saville and a Feminist Aesthetics of Disgust.Michelle Meagher - 2003 - Hypatia 18 (4):23-42.
    This essay examines an aesthetics of disgust through an analysis of the work of Scottish painter Jenny Saville. Saville's paintings suggest that there is something valuable in retaining and interrogating our immediate and seemingly unambivalent reactions of disgust. I contrast Saville's representations of disgust to the repudiation of disgust that characterizes contemporary corporeal politics. Drawing on the theoretical work of Elspeth Probyn and Julia Kristeva, I suggest that an aesthetics of disgust reveals the fundamental ambiguity of (...)
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  7. Jenny Saville and a Feminist Aesthetics of Disgust.Thomas Hesselberg - forthcoming - Hypatia.
     
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  8. Counterpossibles in Science: The Case of Relative Computability.Matthias Jenny - 2018 - Noûs 52 (3):530-560.
    I develop a theory of counterfactuals about relative computability, i.e. counterfactuals such as 'If the validity problem were algorithmically decidable, then the halting problem would also be algorithmically decidable,' which is true, and 'If the validity problem were algorithmically decidable, then arithmetical truth would also be algorithmically decidable,' which is false. These counterfactuals are counterpossibles, i.e. they have metaphysically impossible antecedents. They thus pose a challenge to the orthodoxy about counterfactuals, which would treat them as uniformly true. What’s more, I (...)
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  9. Classicality Lost: K3 and LP After the Fall.Matthias Jenny - 2016 - Thought: A Journal of Philosophy 5 (4).
    It is commonly held that the ascription of truth to a sentence is intersubstitutable with that very sentence. However, the simplest subclassical logics available to proponents of this view, namely K3 and LP, are hopelessly weak for many purposes. In this paper, I argue that this is much more of a problem for proponents of LP than for proponents of K3. The strategies for recapturing classicality offered by proponents of LP are far less promising than those available to proponents of (...)
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  10.  24
    Book Reviews Section 3.Phillip Reed Rulon, Virgil S. Lagomarcino, Melvyn I. Semmei, Gertrude Langsam, Franklin Parker, H. Herbert Benjamin, George A. Letchworth, Gene E. Hall, Earl H. Knebel, Paul Woodring, Ernest R. House, Beatrice E. Sarlos, Jeffrey W. Bulcock, Hans H. Jenny & Sean Desmond Healy - 1972 - Educational Studies 3 (2):112-122.
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  11.  19
    Beauty, Necessity and the A Priori.Anthony Saville - 1985 - Philosophica 36.
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  12.  21
    Integrating Evidence-Based Behavioural Teaching Methods Into Education for Children with Autism.Corinna F. Grindle, Richard P. Hastings, Maria Saville, J. Carl Hughes, Hanna Kovshoff & Kathleen Huxley - unknown
    An educational provision for young children with autism that offers intensive behavioural intervention based on the principles of Applied Behaviour Analysis (ABA), within an early years mainstream school setting in the UK, is described. The ABA Class at Westwood School is a collaborative project between the School of Psychology, Bangor University, two Local Education Authorities in North East Wales (Flintshire and Wrexham) and the local NHS Trust. Using two case examples, two important features of mainstream education for children with autism (...)
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  13.  11
    A Face Detection Bias for Horizontal Orientations Develops in Middle Childhood.Benjamin J. Balas, Jamie Schmidt & Alyson Saville - 2015 - Frontiers in Psychology 6.
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  14.  5
    Recent Developments in Health Law.Deeona Gaskin, Brenna Jenny & Stacy Clark - 2012 - Journal of Law, Medicine and Ethics 40 (1):160-175.
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  15.  6
    Reflections on Recent Labour Historiography.John Saville - 1982 - In Martin Eve & David Musson (eds.), The Socialist Register. Merlin Press. pp. 19--19.
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  16.  8
    Recent Developments in Health Law.Deeona Gaskin, Brenna Jenny & Stacy Clark - 2012 - Journal of Law, Medicine and Ethics 40 (1):160-175.
  17. Socialist Register 1982 Preface.Ralph Miliband & John Saville - 1982 - In Martin Eve & David Musson (eds.), The Socialist Register. Merlin Press. pp. 19--19.
     
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  18. Action Research for Teacher Candidates: Using Classroom Data to Enhance Instruction.Robert P. Pelton, Elizabeth Baker, Johnna Bolyard, Reagan Curtis, Jaci Webb-Dempsey, Debi Gartland, Mark Girod, David Hoppey, Geraldine Jenny, Marie LeJeune, Catherine C. Lewis, Aimee Morewood, Susan H. Pillets, Neal Shambaugh, Tracy Smiles, Robert Snyder, Linda Taylor & Steve Wojcikiewicz - 2010 - R&L Education.
    This book has been written in the hopes of equipping teachers-in-training—that is, teacher candidates—with the skills needed for action research: a process that leads to focused, effective, and responsive strategies that help students succeed.
     
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  19. Marxism and History: [An Inaugural Lecture Delivered in the University of Hull on 6th November 1973].John Saville - 1974 - University of Hull.
  20. Against Raunchy Women's Art.Cynthia Freeland - 2009 - In Curtis Carter (ed.), Art and Social Change. International Association for Aesthetics. pp. 56-72.
    This article criticizes what I call "Raunchy" feminist art by employing discussions of pornography and objectification from Eaton and Nussbaum. Artists considered include Carolee Schneeman, Cindy Sherman, Lisa Yuskavage, and Jenny Saville. The article includes by citing examples of feminist art dealing with erotic material in a more productive manner: Eija-Liisa Ahtila, Kiki Smith, and Marlene Dumas.
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  21.  22
    Portraits of People Not Present.Bence Nanay - 2019 - In Hans Maes (ed.), Portraits and Philosophy. London: Routledge.
    The aim of this paper is to explore what could be meant by modernist portraiture. On the face of it, there is a real tension about the very idea of modernist portraiture inasmuch as one key idea of modernism is negativity and self-negation, whereas portraiture is, in some very obvious sense, not negation. It is the depiction of the sitter. So there are reasons to think that modernist portraiture, in the strong sense of the term, is a contradiction in terms. (...)
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  22.  60
    Portraits of Philosophers.Hans Maes - forthcoming - In Portraits and Philosophy. Routledge.
    This paper presents a close analysis of Steve Pyke’s famous series of portraits of philosophers. By comparing his photographs to other well-known series of portraits and to other portraits of philosophers we will seek a better understanding of the distinctiveness and fittingness of Pyke’s project. With brief nods to Roland Barthes, Jean Baudrillard, G.W.F. Hegel, and Arthur Schopenhauer and an extensive critical investigation of Cynthia Freeland’s ideas on portraiture in general and her reading of Steve Pyke’s (...) in particular, this paper will also aim to make a contribution to the philosophical debate on portraiture. (shrink)
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  23.  32
    Portraits of the Landscape.Erich Hatala Matthes - forthcoming - In Hans Maes (ed.), Portraits and Philosophy. Routledge.
    Portraits are defined in part by their aim to reveal and represent the inner ‘character’ of a person. Because landscapes are typically viewed as lacking such an ‘inner life,’ one might assume that landscapes cannot be the subject of portraiture. However, the notion of landscape character plays an important role in landscape aesthetics and preservation. In this essay, I argue that landscape artworks can thus share in portraiture’s goal of capturing character, and in doing so present us with essential (...)
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  24.  30
    Philosophical Pictures From Philosopher Portraits.John Dilworth - manuscript
    Portraits of Wittgenstein and Hume are used as test cases in some preliminary investigations of a new kind of philosophical picture. Such pictures are produced via a variety of visual transformations of the original portraits, with a final selection for display and discussion being based on the few results that seem to have some interesting relevance to the character or philosophical views of the philosopher in question.
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  25.  62
    Portraits and Persons: A Philosophical Inquiry.Cynthia Freeland - 2010 - Oxford University Press.
    Featuring more than fifty halftones, this is an exhilarating philosophical exploration of portraiture that highlights its important contribution to the complex ...
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  26.  49
    Review of Cynthia Freeland, Portraits and Persons: A Philosophical Inquiry. [REVIEW]Patrick Maynard - 2011 - British Journal of Aesthetics 51 (4):449-453.
  27. Two Portraits of the Humean Moral Agent.Kate Abramson - 2002 - Pacific Philosophical Quarterly 83 (4):301–334.
    Among contemporary ethicists, Hume is perhaps best known for his views about morality’s practical import and his spectator-centered account of moral evaluation. Yet according to the so-called “spectator complaint”, these two aspects of Hume’s moral theory cannot be reconciled with one another. I argue that the answer to the spectator complaint lies in Hume’s account of “goodness” and “greatness of mind”. Through a discussion of these two virtues, Hume makes clear the connection between his views about moral motivation and his (...)
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  28. Portraits of Care: Medical Research Through Portraiture.V. A. Aita, W. M. Lydiatt & M. A. Gilbert - 2010 - Medical Humanities 36 (1):5-13.
    The Portraits of Care study used portraiture to investigate ideas about care and care giving at the intersection of art and medicine. The study employed mixed methods involving both qualitative and quantitative research techniques. All aspects of the study were approved by the Institutional Review Board. The study included 26 patient and 20 caregiver subjects. Patient subjects were drawn from across the lifespan and included healthy and ill patients. Caregiver subjects included professional and familial caregivers. All subjects gave their (...)
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  29.  42
    Facing the Camera: Self‐Portraits of Photographers as Artists.Dawn M. Wilson - 2012 - Journal of Aesthetics and Art Criticism 70 (1):56-66.
    Self-portrait photography presents an elucidatory range of cases for investigating the relationship between automatism and artistic agency in photography— a relationship that is seen as a problem in the philosophy of art. I discuss self-portraits by photographers who examine and portray their own identities as artists working in the medium of photography. I argue that the automatism inherent in the production of a photograph has made it possible for artists to extend the tradition of self-portraiture in a way that (...)
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  30. Portraits in Painting and Photography.Cynthia Freeland - 2007 - Philosophical Studies 135 (1):95 - 109.
    This article addresses the portrait as a philosophical form of art. Portraits seek to render the subjective objectively visible. In portraiture two fundamental aims come into conflict: the revelatory aim of faithfulness to the subject, and the creative aim of artistic expression. In the first part of my paper, studying works by Rembrandt, I develop a typology of four different things that can be meant when speaking of an image’s power to show a person: accuracy, testimony of presence, emotional (...)
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  31.  95
    Portraits From Memory: And Other Essays.Bertrand Russell - 1956 - Simon & Schuster.
    PORTRAITS FROM MEMORY and Other Essays by BERTRAND RUSSELL SIMON AND SCHUSTER NEW YORK 1956 VI CONTENTS PAGE Mind and Matter 1 45 The Cult of Common Usage 1 66 ...
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  32.  2
    Plant Portraits: Creative Processes, Communication and the Search for New Paradigms1.Lucia Leao - 2019 - Technoetic Arts 17 (1):57-70.
    What can we learn from plants? Which forms of intelligence and knowledge can we discover by dedicating ourselves to understanding the life of a plant, its characteristics, interactions with the environment and cultural narratives? This article aims to bridge recent studies in plant intelligence, Semiotics and creative processes. Departing form the idea that the world arrived at a critical situation and the planet Earth cannot continue being exploited as an infinite source, we argue that it is necessary to promote transformations (...)
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  33.  32
    Visualizing a Mass Murder: The Portraits of Anders Bering Breivik in Danish National Dailies.Kirsten Mogensen - 2013 - Journal of Mass Media Ethics 28 (1):64 - 67.
    (2013). Visualizing a Mass Murder: The Portraits of Anders Bering Breivik in Danish National Dailies. Journal of Mass Media Ethics: Vol. 28, No. 1, pp. 64-67. doi: 10.1080/08900523.2013.755083.
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  34.  14
    Patients Rebuilt: Dr Auguste Rollier's Heliotherapeutic Portraits, C.1903–1944.Tania Anne Woloshyn - 2013 - Medical Humanities 39 (1):38-46.
    This article explores and critically contextualises the photographic production of heliotherapist Auguste Rollier (1874–1954), specifically the ‘patient portraits’ photographed at his Leysin sanatoria over a substantial period of four decades, c.1903–1944. It argues that these photographs, ignored in secondary literature, were particularly persuasive in communicating the natural healing powers of sunlight and through their international dissemination brought Rollier's work professional acclaim and prestige. Always presenting anonymous patients, and most often children, the images produced for Rollier's work interweave aesthetic and (...)
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  35.  91
    Portraits as Displays.Patrick Maynard - 2007 - Philosophical Studies 135 (1):111 - 121.
    Cynthia Freeland’s investigation of four kinds of ‘fidelity’ in portraiture is cut across by more general philosophical concerns. One is about what might be called the expression of persons--the persons or ‘inner selves’ of portrait subjects and of portrait artist: whether either is possible across each of the four kinds of fidelity, and whether these two kinds of expression are in tension. More fundamental is the problem of telling how self-expression is at all possible in any of these forms. Finally, (...)
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  36.  1
    Picturing Art History in Eighteenth-Century Britain: Artists' Printed Portraits and Manuscript Biographies in Rylands English MS 60.Edward Wouk - 2019 - Bulletin of the John Rylands Library 95 (2):83-113.
    Rylands English MS 60, compiled for the Spencer family in the eighteenth century, contains 130 printed portraits of early modern artists gathered from diverse sources and mounted in two albums: 76 portraits in the first volume, which is devoted to northern European artists, and 54 in the second volume, containing Italian and French painters. Both albums of this 'Collection of Engravings of Portraits of Painters' were initially planned to include a written biography of each artist copied from (...)
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  37.  19
    Wittgenstein on Persons and Human Beings: Jenny Teichman.Jenny Teichman - 1973 - Royal Institute of Philosophy Supplement 7:133-148.
    The last part of Wittgenstein's Blue Book consists of a discussion of Solipsism. In the course of that discussion there occur several remarks which are explicitly concerned with the concept of a person and with the criteria of personal identity. This section is replaced in the Philosophical Investigations by half a sentence which reads: ‘… there is a great variety of criteria for personal “ identity ”’. Wittgenstein has italicised the word ‘identity’, and has placed it in inverted commas: I (...)
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  38.  10
    Multiple Expeausures: Identity and Alterity in the ‘Self-Portraits’ of Francesca Woodman.Amy Sherlock - 2013 - Paragraph 36 (3):376-391.
    This article considers the photographs of Francesca Woodman in terms of the complex and ambivalent set of relations they configure between photographer, photographed subject and viewer. Usually described as ‘self-portraits’, the subject of these fleeting, fractured images simultaneously presents itself whilst seeming to withdraw from them. The self, there where it most openly declares itself, disappears. Drawing on Jean-Luc Nancy's concept of exposition, or exposure, which posits the self as being in-exteriority, thinking the intimacy of subjectivity in terms of (...)
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  39.  32
    William of Ockham on Metaphysics: The Science of Being and God by Jenny E. Pelletier (Review). [REVIEW]Adam Wood - 2013 - Journal of the History of Philosophy 51 (4):679-680.
    “Ockham never wrote a commentary on Aristotle’s Metaphysics,” Jenny Pelletier tells us at the beginning of this monograph, “but the absence of such a commentary does not allow us to infer that he was uninterested in or skeptical of metaphysics” (1–2). Her central contention is that Ockham had a robust conception of metaphysics as a distinct branch of scientific knowledge concerning being and God. It is an argument worth making insofar as many scholars in recent years have held that (...)
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  40.  28
    Pornography and Art: The Case of "Jenny".Robin Sheets - 1988 - Critical Inquiry 14 (2):315-334.
    In contrast to [Susan] Sontag, who used the tools of literary criticism to evaluate sexually explicit fiction, I will use the conventions of pornography to interpret a dramatic monologue in which an expected sexual encounter fails to take place. In analyzing Rossetti’s “Jenny,” I will employ an interpretive model based on the work of [Steven] Marcus, [Susan] Griffin, and [Andrea] Dworkin. Despite different assumptions about sexuality—Marcus is a Freudian, Griffin believes in a mystical eros residing in the psyche and (...)
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  41.  12
    The Eye and the Me: Self‐Portraits of Eminent Photographers.Halla Beloff - 1988 - Philosophical Psychology 1 (3):295-311.
    Abstract The Me as a socially constructed self presenting itself, is the subject of new conceptual interest. Discourse analysis is the preferred tool for analysis of the linguistic repertoires that we use to order the experience of our selves. But we also present ourselves visually, with some care. An attempt is made to apply a kind of discourse analysis to self?portraits by eminent photographers. Within the process of portraiture and the rules of the pose, professionals should be able to (...)
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  42.  5
    Portraits of John Hunter's Patients.Douglas Hugh James - 2013 - Medical Humanities 39 (1):11-19.
    Portraits of patients served many clinical functions in eighteenth-century medic John Hunter's medical practice. As incarnations of medical skills and medical knowledge, they helped Hunter understand his patients’ problems. They could also bridge the physical absence of his patients, and so help him discuss cases at a distance with other members of the medical faculty. Moreover, portraits complemented text in his day-to-day practice; portraits were in no way an ancillary medium for Hunter, but rather a fundamental way (...)
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  43.  4
    Memories and Portraits.Justin Bell - 2015 - Education and Culture 31 (1):97-100.
    In Memories and Portraits, H. G. Callaway presents us with the memoir of a philosopher. I will, as readers of this review will hardly find surprising, be reviewing this book with two foci. First, I will address the merits of the work itself and, second, with an eye toward our shared interests in John Dewey, other pragmatists, and how the work incorporates or neglects pragmatism’s contributions to the themes Callaway discusses. However, in many ways this second task is auxiliary. (...)
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  44.  2
    Stopping By: Portraits From Small Towns.Raymond Bial - 1988 - University of Illinois Press.
    Gathers portraits of small town clerks, children, waitresses, mechanics, grocery owners, barbers, truck drivers, movie ushers, and grain elevator workers.
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  45. Portraits of American Philosophy.Steven M. Cahn (ed.) - 2013 - Rowman & Littlefield Publishers.
    In Portraits of American Philosophy, eight of America’s most prominent philosophers offer autobiographical narratives that remind us that the life of a scholar is both a tale of personal struggle and an adventure in ideas.
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  46.  90
    Memories and Portraits, Explorations in American Thought.H. G. Callaway - 2010 - Cambridge Scholars Press.
    In Memories and Portraits: Explorations in American Thought, H. G. Callaway embeds his distinctive contextualism and philosophical pluralism within strands of history and autobiography, spanning three continents. Starting in Philadelphia, and reflecting on the meaning of home in American thought, he offers a philosophically inspired narrative of travel and explorations, in Europe and Africa, illuminating central elements of American thought—partly out of diverse foreign and domestic reactions and fascinating cultural contrasts. -/- This book is of interest for the contemporary (...)
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  47.  9
    Creative Portraits: Digital Photography Tips and Techniques.Harold Davis - 2013 - Wiley.
    Written by renowned photographer Harold Davis, this inspirational book encourages you to define our own photographic style and capture stunning, creative, and unique portraits.
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  48. Art and OOObjecthood: Graham Harman in Conversation with Christoph Cox and Jenny Jaskey.Graham Harman, Christoph Cox & Jenny Jaskey - 2015 - Realism Materialism Art.
     
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  49.  1
    Faces in the News: An Index to Photographic Portraits, 1987-1991.Herbert H. Hoffman - 1992 - Scarecrow Press.
    A guide to portraits or snapshots of some 6,000 people who were newsworthy in the recent past. Sources include Newsweek, People Weekly, Time, and U.S. News and World Report.
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  50. Portraits of Pioneers in Psychology: Volume Ii.Gregory A. Kimble, C. Alan Boneau & Michael Wertheimer (eds.) - 1996 - Psychology Press.
    A major aim of the books in this series is to promote psychology's appreciation of the neglected giants in its history. The chapters document the significance of these early contributions, many of them made more than a century ago. Most of the chapters are revisions of invited addresses delivered at psychological conventions. Several of the authors are students, colleagues, or offspring of their pioneers and all of them are intrigued by the life and work of the psychologists about whom they (...)
     
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