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  1.  21
    Ecce monstrum: Georges Bataille and the sacrifice of form.Jeremy Biles - 2007 - New York: Fordham University Press.
    "With its wide-ranging analyses, this book offers insights of interest to scholars of religion, philosophers, art historians, and students of French ...
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  2. I, insect, or Bataille and the crush freaks.Jeremy Biles - 2004 - Janus Head: Journal of Interdisciplinary Studies in Literature, Continental Philosophy, Phenomenological Psychology and the Arts 7 (1):115-131.
    Among the many obscure sects of sexual fetishism, few remain as perplexing as that of the “crush freaks,” who are aroused by the sight of an insect exploded beneath a human foot. Moving beyond the glib discussions of those entomologists and sexologists who classify this fetish as a subset of foot worship and/or macrophilia, I propose an analysis of the crush freaks through the writings of French thinker Georges Bataille. Employing Bataille’s notions of sacrificial eroticism and mysticism to approach the (...)
     
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    I, Insect, or Bataille and the Crush Freaks.Jeremy Biles - 2004 - Janus Head 7 (1):115-131.
    Among the many obscure sects of sexual fetishism, few remain as perplexing as that of the “crush freaks,” who are aroused by the sight of an insect exploded beneath a human foot. Moving beyond the glib discussions of those entomologists and sexologists who classify this fetish as a subset of foot worship and/or macrophilia, I propose an analysis of the crush freaks through the writings of French thinker Georges Bataille. Employing Bataille’s notions of sacrificial eroticism and mysticism to approach the (...)
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    Negative ecstasies: Georges Bataille and the study of religion.Jeremy Biles & Kent Brintnall (eds.) - 2015 - New York: Fordham University Press.
    Negative Ecstasies discusses the contribution and significance of the work of Georges Bataille to the contemporary study of religion and theology, collecting essays that examine specific case studies and make connections to other significant scholars in the field.
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