25 found
Order:
  1. Some Differences Between Abstract and Non-Objective Painting.Jerome Ashmore - 1954 - Journal of Aesthetics and Art Criticism 13 (4):486-495.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  2. Santayana's Mistrust of Fine Art.Jerome Ashmore - 1956 - Journal of Aesthetics and Art Criticism 14 (3):339-347.
  3.  44
    Some Difficulties in Santayana’s Ontology.Jerome Ashmore - 1964 - The Monist 48 (3):356-365.
    Almost everyone who encounters the philosophy of Santayana sees that a crucial aspect of it concerns the relation of essence and existence. About twenty-five years before the publication of the first volume of Realms of Being, Royce pointed out that the gist of Santayana’s thought was the separation of these two states. Perhaps Santayana had that remark in mind in composing much of his subsequent work. At least, for forty years he did not forget it, since he quoted it in (...)
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  4.  24
    Can Santayana’s Essence Reach Existence?Jerome Ashmore - 1962 - New Scholasticism 36 (2):180-191.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  5.  64
    Sound in Kandinsky's Painting.Jerome Ashmore - 1977 - Journal of Aesthetics and Art Criticism 35 (3):329-336.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  6.  19
    Diverse Currents in Whitehead’s View of Time.Jerome Ashmore - 1972 - Process Studies 2 (3):193-200.
  7.  31
    Essence in Recent Philosophy: Husserl, Whitehead, Santayana.Jerome Ashmore - 1974 - Philosophy Today 18 (3):198-210.
    A comparative study to determine the significance of essence in the doctrine of three philosophers. By his method of reduction husserl disclosed his version of essence and used it to establish phenomenology as a rigorous science and to see phenomena solely as phenomena. Whitehead identified essence with his "eternal objects" and this identification protected his "actual occasions" from the limitations of empiricism. By means of essence seen exclusively as appearance and relations, Santayana supports his ingenious thesis that nothing given exists. (...)
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  8.  28
    The Old and the New in Non-Objective Painting.Jerome Ashmore - 1951 - Journal of Aesthetics and Art Criticism 9 (4):294-300.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  9.  16
    Santayana, Art, and Aesthetics.Jerome Ashmore - 1966 - [Cleveland]Press of Western Reserve University.
  10.  9
    Santayana: The Later Years. [REVIEW]Jerome Ashmore - 1965 - New Scholasticism 39 (1):109-111.
    No categories
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  11.  5
    The Ordinary Universe: Soundings in Modern Literature.Jerome Ashmore & Denis Donoghue - 1970 - Journal of Aesthetic Education 4 (2):160.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  12.  2
    Phenomenology of Expression.Jerome Ashmore - 1970 - Philosophy and Phenomenological Research 30 (3):469-469.
  13.  7
    R. C. Kwant's "Phenomenology of Expression". [REVIEW]Jerome Ashmore - 1970 - Philosophy and Phenomenological Research 30 (3):469.
    No categories
    Direct download  
     
    Export citation  
     
    Bookmark  
  14.  11
    Santayana.Jerome Ashmore - 1965 - New Scholasticism 39 (1):109-111.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  15.  4
    Santayana, Art, and AestheticsNeo-Idealistic Aesthetics: Croce-Gentile-Collingwood.Allan Shields, Jerome Ashmore & Merle E. Brown - 1969 - Journal of Aesthetic Education 3 (4):168.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  16.  14
    Letter to the Editor.Jerome Ashmore - 1957 - Journal of Aesthetics and Art Criticism 16 (2):263-264.
    Direct download (5 more)  
     
    Export citation  
     
    Bookmark  
  17.  7
    N. Abbagnano's "Critical Existentialism". [REVIEW]Jerome Ashmore - 1970 - Philosophy and Phenomenological Research 30 (3):468.
    Direct download  
     
    Export citation  
     
    Bookmark  
  18.  4
    Critical Existentialism.Jerome Ashmore - 1969 - Philosophy and Phenomenological Research 30 (3):468-469.
    No categories
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  19.  5
    The Humanities and the Life-World.Jerome Ashmore - 1969 - Journal of Aesthetic Education 3 (2):47.
    Direct download (2 more)  
     
    Export citation  
     
    Bookmark  
  20.  5
    The Artist's Adequation.Jerome Ashmore - 1970 - Man and World 3 (3):268-274.
    Direct download (3 more)  
     
    Export citation  
     
    Bookmark  
  21.  3
    Santayana’s Qualification of Objectified Pleasure.Jerome Ashmore - 1964 - Memorias Del XIII Congreso Internacional de Filosofía 8:273-280.
    Direct download  
     
    Export citation  
     
    Bookmark  
  22. A Reply to F. David Martin's Kandinsky and Ashmore: A Comment; "Ultimate Reality and Meaning" 2: 228-258.Jerome Ashmore - 1980 - Ultimate Reality and Meaning 3 (3):238.
    No categories
     
    Export citation  
     
    Bookmark  
  23. Form and Paradox in Santayana's Truth.Jerome Ashmore - 1963 - Revue Internationale de Philosophie 17 (1=63):18-36.
     
    Export citation  
     
    Bookmark  
  24. Santayana's Theories of Art and Aesthetics: An Introductory Study.Jerome Ashmore - 1954 - Dissertation, Columbia University
     
    Export citation  
     
    Bookmark  
  25. Vasily Kandinsky and His Idea of Ultimate Reality.Jerome Ashmore - 1979 - Ultimate Reality and Meaning 2 (3):228-256.
    No categories
     
    Export citation  
     
    Bookmark