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Jerome Stolnitz [51]Jerome[from old catalog] Stolnitz [1]
  1. On the Cognitive Triviality of Art.Jerome Stolnitz - 1992 - British Journal of Aesthetics 32 (3):191-200.
  2. On the Origins of "Aesthetic Disinterestedness".Jerome Stolnitz - 1961 - Journal of Aesthetics and Art Criticism 20 (2):131-143.
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  3. Aesthetics and Philosophy of Art Criticism.Jerome[from old catalog] Stolnitz - 1960 - Boston: Houghton Mifflin.
     
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  4.  79
    On the Significance of Lord Shaftesbury in Modern Aesthetic Theory.Jerome Stolnitz - 1961 - Philosophical Quarterly 11 (43):97-113.
  5. Aesthetics and Philosophy of Art Criticism a Critical Introduction.Jerome Stolnitz - 1960 - Houghton Mifflin.
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  6. "The Aesthetic Attitude" in the Rise of Modern Aesthetics.Jerome Stolnitz - 1978 - Journal of Aesthetics and Art Criticism 36 (4):409-422.
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  7.  54
    The Artistic Values in Aesthetic Experience.Jerome Stolnitz - 1973 - Journal of Aesthetics and Art Criticism 32 (1):5-15.
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  8.  17
    `Beauty': Some Stages in the History of an Idea.Jerome Stolnitz - 1961 - Journal of the History of Ideas 22 (2):185.
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  9. Beauty.Jerome Stolnitz - 1967 - In Paul Edwards (ed.), The Encyclopedia of Philosophy. New York: Macmillan. pp. 1--263.
     
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  10. On the Historical Triviality of Art.Jerome Stolnitz - 1991 - British Journal of Aesthetics 31 (3):195-202.
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  11.  7
    The Opening Mind: A Philosophical Study of Humanistic Concepts.Jerome Stolnitz - 1977 - Journal of Aesthetics and Art Criticism 37 (2):219-221.
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  12.  50
    Some Questions Concerning Aesthetic Perception.Jerome Stolnitz - 1961 - Philosophy and Phenomenological Research 22 (1):69-87.
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  13.  33
    The Artistic and the Aesthetic "in Interesting Times".Jerome Stolnitz - 1979 - Journal of Aesthetics and Art Criticism 37 (4):401-413.
  14. "The Aesthetic Attitude" in the Rise of Modern Aesthetics: Again.Jerome Stolnitz - 1984 - Journal of Aesthetics and Art Criticism 43 (2):205-208.
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  15.  78
    You Can't Separate the Work of Art From the Artist.Jerome Stolnitz - 1984 - Philosophy and Literature 8 (2):209-221.
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  16.  9
    Truth and Art.Jerome Stolnitz - 1967 - Philosophical Review 76 (3):400.
  17.  94
    Notes on Analytic Philosophy and Aesthetics.Jerome Stolnitz - 1963 - British Journal of Aesthetics 3 (3):210-222.
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  18.  62
    Kracauer: Thing, Word, and Interiority in the Movies.Jerome Stolnitz - 1974 - British Journal of Aesthetics 14 (4):351-367.
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  19. Aesthetics.Jerome Stolnitz - 1965 - Macmillan.
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  20. AFTERWORDS Criticism and Countertheses.Jerome Stolnitz - 1984 - Journal of Aesthetics and Art Criticism 43 (2):205-208.
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  21. Benjamin R. Tigleman, Ed., Language and Aesthetics. [REVIEW]Jerome Stolnitz - 1976 - Journal of Value Inquiry 10 (3):236.
     
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  22.  52
    Notes on Comedy and Tragedy.Jerome Stolnitz - 1955 - Philosophy and Phenomenological Research 16 (1):45-60.
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  23. ""A Contested Term: What is" Aesthetic"?Jerome Stolnitz - 1998 - In Carolyn Korsmeyer (ed.), Aesthetics: The Big Questions. Blackwell. pp. 2--78.
     
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  24.  45
    On the Apparent Demise of Really High Art.Jerome Stolnitz - 1985 - Journal of Aesthetics and Art Criticism 43 (4):345-358.
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  25.  26
    Aesthetic Disinterestedness and the Current Avant-Garde.Jerome Stolnitz - 1979 - Philosophical Inquiry 1 (4):269-283.
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  26.  16
    The Test of Time: An Essay in Philosophical Aesthetics.Jerome Stolnitz - 1982 - Journal of Aesthetics and Art Criticism 42 (1):91-94.
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  27.  31
    Book Reviews. [REVIEW]Michael P. Malloy, Jerome Stolnitz & Stewart Umphrey - 1976 - Journal of Value Inquiry 10 (3):234-239.
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  28.  34
    On Artistic Familiarity and Aesthetic Value.Jerome Stolnitz - 1956 - Journal of Philosophy 53 (8):261-276.
  29.  82
    On Objective Relativism in Aesthetics.Jerome Stolnitz - 1960 - Journal of Philosophy 57 (8):261-276.
  30.  8
    Balázs: The Dilemmas of Humanism in the MoviesBalazs: The Dilemmas of Humanism in the Movies.Jerome Stolnitz - 1976 - Journal of Aesthetic Education 10 (2):25.
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  31.  23
    Locke and the Categories of Value in Eighteenth-Century British Aesthetic Theory.Jerome Stolnitz - 1963 - Philosophy 38 (143):40 - 51.
    It would be, at this hour of the day, supererogatory to argue the pre-eminence of Locke's influence on eighteenth-century thought. But though this claim has been made often enough, 1 and has often enough been shown to be true, it has not been shown for aesthetics. I believe it to be true of aesthetics as well, but that the fact has gone unremarked, because the line of influence here is not so overt as in the case of, say, political theory (...)
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  32.  26
    On the Formal Structure of Esthetic Theory.Jerome Stolnitz - 1952 - Philosophy and Phenomenological Research 12 (3):346-364.
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  33.  25
    On Esthetic Valuing and Evaluation.Jerome Stolnitz - 1952 - Philosophy and Phenomenological Research 13 (4):467-476.
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  34.  9
    The Power of Art.Jerome Stolnitz - 1953 - Philosophy and Phenomenological Research 13 (4):576-578.
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  35.  8
    Die Bedeutung von Kants Begründung der Ästhetik Für Die Philosophie der Kunst.Jerome Stolnitz - 1961 - Philosophy and Phenomenological Research 22 (2):282-283.
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  36.  17
    Notes on Ethical Indeterminancy.Jerome Stolnitz - 1958 - Journal of Philosophy 55 (9):353-367.
  37.  44
    A Third Note on Eighteenth-Century "Disinterestedness".Jerome Stolnitz - 1963 - Journal of Aesthetics and Art Criticism 22 (1):69-70.
  38.  5
    Arts on the Level: The Fall of the Elite Object. [REVIEW]Jerome Stolnitz - 1982 - Journal of Aesthetic Education 16 (4):99.
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  39.  6
    Aesthetics and Criticism.Jerome Stolnitz - 1956 - Philosophy and Phenomenological Research 17 (1):136-137.
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  40.  5
    Art and Philosophy: A Symposium.Jerome Stolnitz - 1967 - Philosophy and Phenomenological Research 28 (1):137-138.
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  41.  6
    The Actualities of Non-Aesthetic Experience.Jerome Stolnitz - 1986 - In Michael H. Mitias (ed.), Possibility of the Aesthetic Experience. Distributors for the U.S. And Canada, Kluwer Academic. pp. 27--45.
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  42.  13
    Art and Human Values.Jerome Stolnitz - 1977 - Journal of Aesthetics and Art Criticism 35 (4):475-476.
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  43.  5
    Immediacy: The Development of a Critical Concept From Addison to Coleridge.Jerome Stolnitz - 1974 - Journal of Aesthetics and Art Criticism 32 (4):564-565.
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  44.  5
    W. Biemel's "Die Bedeutung von Kants Begründung der Ästhetik Für Die Philosophie der Kunst". [REVIEW]Jerome Stolnitz - 1961 - Philosophy and Phenomenological Research 22 (2):282.
  45.  7
    The Boatman of Kaizu: A Study in Movie Fantasy.Jerome Stolnitz - 1977 - Philosophy and Literature 1 (2):222-237.
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  46.  4
    Locke And The Categories Of Value In Eighteenth Century British Aesthetic Theory.Jerome Stolnitz - 1963 - Philosophy 38 (143):40-51.
    It would be, at this hour of the day, supererogatory to argue the pre-eminence of Locke's influence on eighteenth-century thought. But though this claim has been made often enough, 1 and has often enough been shown to be true, it has not been shown for aesthetics. I believe it to be true of aesthetics as well, but that the fact has gone unremarked, because the line of influence here is not so overt as in the case of, say, political theory (...)
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  47.  4
    H. Osborne's Aesthetics and Criticism. [REVIEW]Jerome Stolnitz - 1956 - Philosophy and Phenomenological Research 17:136.
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  48.  6
    Cinematics.Jerome Stolnitz & Paul Weiss - 1975 - Journal of Aesthetic Education 13 (2):111.
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  49.  6
    The Arts and Their Interrelations.Jerome Stolnitz - 1969 - Journal of Aesthetic Education 3 (4):167.
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  50.  3
    S. Hook , "Art and Philosophy: A Symposium". [REVIEW]Jerome Stolnitz - 1967 - Philosophy and Phenomenological Research 28 (1):137.
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1 — 50 / 52