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Jerry S. Clegg [19]Jerry Stephen Clegg [1]
  1.  60
    Plato's Vision of Chaos.Jerry S. Clegg - 1976 - Classical Quarterly 26 (01):52-.
    In the creation myth of the Timaeus Plato describes God as wishing that all things should be good so far as is possible. Wherefore, finding the whole visible sphere of the world not at rest, but moving in an irregular fashion, out of disorder He brought order, thinking that this was in every way an improvement. To achieve His end He placed intelligence in soul and soul in body, reflecting that nothing unintelligent could ever be better than something intelligent . (...)
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  2. Logical Mysticism and the Cultural Setting of Wittgenstein's Tractatus.Jerry S. Clegg - 1978 - Schopenhauer Jahrbuch 59:29-47.
     
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  3.  43
    Self-Predication and Linguistic Reference in Plato's Theory of the Forms.Jerry S. Clegg - 1973 - Phronesis 18 (1):26-43.
  4.  19
    Conrad's Reply to Kierkegaard.Jerry S. Clegg - 1988 - Philosophy and Literature 12 (2):280-289.
    In lieu of an abstract, here is a brief excerpt of the content:CONRAD'S REPLY TO KIERKEGAARD by Jerry S. Clegg Varied answers to a fixed question have often guided interpretations of Conrad's novella, Heart ofDarkness. Who, that question has been, was Conrad's model for the enigmatic colonial official he calls Kurtz? Hannah Arendt has speculated that it was Carl Peters, an early explorer of east Africa.1 Norman Sherry has picked Arthur Hodister, a Belgian officer, as his candidate.2 Ian Watt has (...)
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  5.  31
    Freud and the 'homeric' mind.Jerry S. Clegg - 1974 - Inquiry: An Interdisciplinary Journal of Philosophy 17 (1-4):445 – 456.
    In spite of claims made by Freud himself and others in his behalf that psychoanalysis rests on clinical investigations alone, free of historical influence, there is good reason to believe that Freud's work belongs to the mainstream of Western intellectual history. His theories on the psychology of artistic creation, for instance, indicate that he was deeply influenced by Nietzsche but was moved to quarrel with him in behalf of even older contentions which date back to Plato. The very structure of (...)
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  6. (1 other version)Gilles Deleuze, Nietzsche and Philosophy Reviewed by.Jerry S. Clegg - 1985 - Philosophy in Review 5 (1):10-11.
     
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  7. (5 other versions)Keith Ansell-Pearson, Nietzsche contra Rousseau Reviewed by.Jerry S. Clegg - 1992 - Philosophy in Review 12 (3):153-157.
     
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  8.  78
    Mann contra Nietzsche.Jerry S. Clegg - 2004 - Philosophy and Literature 28 (1):157-164.
    : The purpose of this article is two fold: to correct a frequent misinterpretation of Nietzsche's account of the relationship between the gods Dionysos and Apollo, and to then clarify the position adopted by Thomas Mann in his novella Death in Venice. The argument is that far from simply borrowing a theme from The Birth of Tragedy, Mann takes issue with Nietzsche's call for the abandonment of modernity in favor of a return to the "tragic age" of the Greeks.
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  9.  25
    Nietzsche and the ascent of man in a cyclical cosmos.Jerry S. Clegg - 1981 - Journal of the History of Philosophy 19 (1):81-93.
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  10.  33
    (1 other version)Nietzsche's gods in.Jerry S. Clegg - 1972 - Journal of the History of Philosophy 10 (4):431-438.
  11.  12
    On Genius: Affirmation and Denial from Schopenhauer to Wittgenstein.Jerry S. Clegg - 1994 - Peter Lang Incorporated, International Academic Publishers.
    One of the most significant events in European intellectual history of the last century and a half was the injection by Schopenhauer of a subjective brand of Neo-Platonism into Post-Kantian thought. This study first describes Schopenhauer's position by concentrating on his account of the Genius, and proceeds to trace reactions to that figure in the works of Nietzsche, Jung, Freud, and Wittgenstein. The author's ambition is twofold: to resolve certain issues of interpretation regarding the positions of those following Schopenhauer, and (...)
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  12.  27
    On grading labels.Jerry S. Clegg - 1966 - Mind 75 (297):138-140.
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  13.  22
    Symptoms.Jerry S. Clegg - 1972 - Analysis 32 (3):90 - 98.
  14.  95
    Some artistic uses of truths and lies.Jerry S. Clegg - 1972 - Journal of Aesthetics and Art Criticism 31 (1):43-47.
  15.  18
    Verdicts.Jerry S. Clegg - 1963 - Dialogue 2 (1):75-82.
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  16. What Magellan's Voyage Didn't Prove or Why the Earth Is Flat.Jerry S. Clegg - 1974 - Analysis 35 (2):46 - 48.
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