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  1.  13
    The Rhythm of Thought: Art, Literature, and Music After Merleau-Ponty.Jessica Wiskus - 2013 - University of Chicago Press.
    Between present and past, visible and invisible, and sensation and idea, there is resonance—so philosopher Maurice Merleau-Ponty argued and so Jessica Wiskus explores in The Rhythm of Thought.
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  2.  3
    On the Petite Phrase of Proust and the Experience of Empathy: Exploring the Rhythmical Structure of Music.Jessica Wiskus - 2019 - Journal of the British Society for Phenomenology 50 (3):264-277.
    ABSTRACTHow does music have the power to speak to us as if it were a living being, endowed with subjectivity? Do we empathize with music? Ordinarily we consider our perception of subjects as subjects, through empathy, to pertain to flesh-and-blood persons; this article asks how it is possible for us to empathize with the ordered movement of aural sensations in time. Drawing upon Edith Stein’s On the Problem of Empathy together with Edmund Husserl’s work on Querintentionalität and Längsintentionalität in Husserliana (...)
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  3.  5
    On Song, Logos, and the Movement of the Soul: After Plato and Aristotle.Jessica Wiskus - 2018 - Revista Portuguesa de Filosofia 74 (4):917-934.
    In the Phaedo – a dialogue investigating the immortality of the soul – Socrates compares himself to the swans of Apollo who sing “most beautifully” before they die. Working principally from the Phaedo, the aim of this article is to determine the relation between the song of the swan and the song of the philosopher. First, we examine the use of language in human song as a way to consider the other side of logos: logos not only as word but (...)
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  4.  3
    On Music and Memory Through Μνήµη and Ἀνάµνησις.Jessica Wiskus - 2018 - Research in Phenomenology 48 (3):346-364.
    _ Source: _Volume 48, Issue 3, pp 346 - 364 Memory plays an integral role in music listening and music performance. But what specific memory structures do we employ when we engage with music? Taking Aristotle’s _De memoria et reminiscentia_ as principle guide, I aim to press upon a matter of central interest to the phenomenologist of music, focusing on the relation between memory proper [µνήµη] and recollection [ἀνάµνησις]. Drawing upon _Physics_ IV and _De anima_ III, I clarify a two-fold (...)
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  5.  23
    Résumé: La Sonata sopra “Sancta Maria” de Monteverdi, face à la théorie de l’identité dynamique de Merleau-Ponty.Jessica Wiskus - 2006 - Chiasmi International 8:289-289.
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  6.  29
    Riassunto: La Sonata sopra “Sancta Maria” di Monteverdi e l’identità dinamica secondo Merleau-Ponty.Jessica Wiskus - 2006 - Chiasmi International 8:290-290.
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  7.  9
    The Universality of the Sensible: On Plato and the Musical Idea According to Merleau-Ponty.Jessica Wiskus - 2008 - Epoché: A Journal for the History of Philosophy 13 (1):121-132.
    In reassessing the relationship between the ideal and the sensible realms, Merleau-Ponty’s later work investigates the “musical idea” of Proust. This idea resembles that of the chora in the Timaeus with respect to its institution of a productive “space” between the ideal and the sensible realms. However, because the musical idea attains its status as an idea through repeated initiation in the sensible world, it transgresses the temporal structures described in the Timaeus. Indeed, the musical idea discloses not a “beginning” (...)
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  8.  10
    Rhythm and Transformation Through Memory: On Augustine's Confessions After De Musica.Jessica Wiskus - 2016 - Journal of Speculative Philosophy 30 (3):328-338.
    In book XI from the Confessions—the book that famously examines the nature of time-consciousness—Augustine enacts the very essence of the questions he investigates by turning to the performance of a psalm. What he seeks to understand is how a succession of events in time—events that unfold and vanish—can at once be part of a whole, like the notes of a melody that cohere into an expressive phrase. He says:Suppose I am about to recite a psalm which I know. Before I (...)
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  9.  34
    Thought Time and Musical Time.Jessica Wiskus - 2006 - Angelaki 11 (2):179 – 189.
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  10.  24
    The Universality of the Sensible.Jessica Wiskus - 2008 - Epoché: A Journal for the History of Philosophy 13 (1):121-132.
    In reassessing the relationship between the ideal and the sensible realms, Merleau-Ponty’s later work investigates the “musical idea” of Proust. This idea resembles that of the chora in the Timaeus with respect to its institution of a productive “space” between the ideal and the sensible realms. However, because the musical idea attains its status as an idea through repeated initiation in the sensible world, it transgresses the temporal structures described in the Timaeus. Indeed, the musical idea discloses not a “beginning” (...)
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  11.  12
    Beneath Platonism.Jessica Wiskus - 2007 - Philosophy Today 51 (Supplement):161-165.
  12.  1
    From the Body to the Melody: “Relearning” the Experience of Time in the Later Merleau-Ponty.Jessica Wiskus - 2018 - Avant: Trends in Interdisciplinary Studies 9 (2):129-140.
    If, as Maurice Merleau-Ponty writes, “True philosophy consists in relearning to look at the world,” and if Merleau-Ponty is accordingly often described as a philosopher of the body or a philosopher of painting, how are we to understand the apparently new turn to music that Merleau Ponty makes toward the end of the final completed chapter, entitled “The Intertwining—The Chiasm,” of The Visible and the Invisible? I argue that the course of the “Chiasm” chapter moves from a concern for the (...)
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  13.  15
    Monteverdi’s Sonata Sopra “Sancta Maria” and Dynamic Identity According to Merleau-Ponty.Jessica Wiskus - 2006 - Chiasmi International 8:273-288.
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  14.  2
    Beneath Platonism: Temporality and the Musical Idea According to Merleau-Ponty.Jessica Wiskus - 2007 - Philosophy Today 51 (Supplement):161-165.
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  15.  2
    Tracing Expression in Merleau-Ponty: Aesthetics, Philosophy of Biology, and Ontology by Véronique Fóti.Jessica Wiskus - 2014 - Journal of the History of Philosophy 52 (3):618-619.
  16.  1
    Monteverdi’s Sonata Sopra “Sancta Maria” and Dynamic Identity According to Merleau-Ponty.Jessica Wiskus - 2006 - Chiasmi International 8:273-288.
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  17. Logics of Thinking.Kem Crimmins, Louise Burchill, Jessica Wiskus & Jason M. Wirth - 2007 - Philosophy Today 51:148-173.
     
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  18. Time İn a Time After Plague: Mousike Through Heidegger and Bach.Jessica Wiskus - unknown - Yeditepe'de Felsefe (Philosophy at Yeditepe) 5.
     
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