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  1.  32
    Wittgenstein's Metaphilosophy, by Paul Horwich: Oxford: Clarendon Press, 2012, Pp. Xv + 225, US$85.00 , US$29.95. [REVIEW]Joachim Schulte - 2014 - Australasian Journal of Philosophy 92 (1):194-197.
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  2.  79
    Experience and Expression: Wittgenstein's Philosophy of Psychology.Joachim Schulte - 1995 - Clarendon Press.
    In this book, translated from the German by the author, Joachim Schulte uses the discussions of psychological concepts in Wittgenstein's late manuscripts as a basis of reconstructing the central arguments and ideas developed by Wittgenstein during that period. This reconstruction yields valuable insights not only in the philosophy of psychology, but also in aesthetics and the theory of meaning.
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  3. Philosophische Untersuchungen Kritisch-Genetische Edition.Ludwig Wittgenstein & Joachim Schulte - 2001
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  4.  15
    Wittgenstein: An Introduction.L. F. S., Joachim Schulte, W. H. Brenner & J. F. Holley - 1992 - Philosophical Quarterly 46 (183):281.
    Joachim Schulte’s introduction provides a distinctive and masterful account of the full range of Wittgenstein’s thought. It is concise but not compressed, substantive but not overloaded with developmental or technical detail, informed by the latest scholarship but not pedantic. Beginners will find it accessible and seasoned students of Wittgenstein will appreciate it for the illuminating overview it provides.
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  5. Experience and Expression: Wittgenstein's Philosophy of Psychology.Joachim Schulte - 1993 - Philosophy 68 (266):562-564.
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  6.  23
    Chor und Gesetz.Joachim Schulte - 1984 - Grazer Philosophische Studien 21:1-32.
    Zwischen Goethes Morphologiebegriff und Wittgensteins philosophischer Methode bestehen deutliche Parallelen, insofern man sie als Verfahren oder Anleitungen zur Erklärung und Darstellung natürlicher Phänomene (Goethe) bzw. der Begriffsbildung und -Verwendung (Wittgenstein) betrachtet. Den von Goethe als Entwicklungsmodelle und Vergleichshilfen gedeuteten Begriffen "Typus" und "Urbild" entsprechen Wittgensteins "Paradigmen" und "Muster"; beiden geht es um "übersichtliche" Darstellungen, und beide betonen die erklärungsrelevante Rolle der "Urphänomene".
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  7.  78
    Music and Language-Games.Joachim Schulte - 2013 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 6 (1):173-185.
    This paper aims to clarify certain aspects of the connections between music and (word) language alluded to in various manuscript passages by Wittgenstein. Three points are emphasized: (1) Wittgenstein’s willingness to speak of music as a language; (2) the importance of context; (3) the possibility of distinguishing various ways of explaining our hearing certain sequences of sounds as expressive of gestures or states of mind etc. Several attempts at elucidating the idea of understanding music lead to the realization that, according (...)
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  8.  52
    World-Picture and Mythology.Joachim Schulte - 1988 - Inquiry: An Interdisciplinary Journal of Philosophy 31 (3):323 – 334.
    Partly by way of contrast with a conception described by Kleist, Wittgenstein's notions of world?picture and mythology are explained and three types of statement playing a particularly important role with respect to our world?picture or pictures distinguished. Problems concerning sentences which contain normative elements are discussed and a test for what to count as a statement giving information about our world?picture is proposed. A mythology in Wittgenstein's sense is characterized as a structured, systematic set of models permitting analogical development and (...)
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  9.  15
    Wittgenstein on Time.Joachim Schulte - 2006 - In Michael Stöltzner & Friedrich Stadler (eds.), Time and History: Proceedings of the 28. International Ludwig Wittgenstein Symposium, Kirchberg Am Wechsel, Austria 2005. De Gruyter. pp. 557-568.
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  10. Logisch-Philosophische Abhandlung Kritische Edition = Tractatus Logico-Philosophicus.Ludwig Wittgenstein, Brian Mcguinness & Joachim Schulte - 1989
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  11. Erlebnis Und Ausdruck Wittgensteins Philosophie der Psychologie.Joachim Schulte - 1987
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  12.  24
    The Builders' Language: The Opening Sections.Joachim Schulte - 2004 - In Erich Ammereller & Eugen Fisher (eds.), Wittgenstein at Work: Method in the Philosophical Investigations. Routledge. pp. 22--41.
  13.  2
    Experience and Expression: Wittgenstein's Philosophy of Psychology.Joachim Schulte - 1995 - Philosophical Quarterly 45 (179):271-273.
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  14.  29
    Wittgenstein’s Nachlass: The Bergen Electronic Edition Oxford: Oxford University Press, 2000.Joachim Schulte - 2002 - Grazer Philosophische Studien 65 (1):237-246.
  15. Die Hinnahme von Sprachspielen und Lebensformen.Joachim Schulte - 1995 - Wittgenstein-Studien 2 (2).
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  16.  22
    Correspondance de Ludwig Wittgenstein dans les années 1930.Brian McGuinness & Joachim Schulte - 2009 - Cités 38 (2):149.
    Les lettres reproduites ici furent échangées au début de 1935 entre Ludwig et son frère Paul, le pianiste qui avait perdu un bras à la guerre, et dédicataire des concerti pour la main gauche de Ravel et Prokofiev entre autres... La relation entre les deux frères était toute de spontanéité, dénuée de contrainte et de formalisme. Nous verrons en quoi..
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  17.  42
    Wittgenstein's Notion of Secondary Meaning and Davidson's Account of Metaphor — A Comparison.Joachim Schulte - 1989 - Grazer Philosophische Studien 36:141-148.
    There are similarities between Davidson's theory of meaning and that of Wttgenstein's Tractatus. But in Wittgenstein's later work the relation between meaning and use is seen in a completely different way and not in the least similar to Davidson's conception. In spite of this divergence, however, certain parallels exist between Wittgenstein's treatment of expressions which can be said to have secondary meanings and Davidson's notion of the metaphorical use of certain expressions.
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  18. Wittgenstein and the Vienna Circle.Friedrich Waismann, Brian Mcguinness & Joachim Schulte - 1980 - Tijdschrift Voor Filosofie 42 (1):166-166.
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  19.  65
    Feeling and Expression.Joachim Schulte - 1987 - Topoi 6 (2):83-87.
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  20. Ethics and the Will Essays.Friedrich Waismann, Brian Mcguinness, Moritz Schlick, Joachim Schulte & Y. Shechter - 1994
  21.  9
    Leaving the Past Where It Belongs.Joachim Schulte - 1994 - In Brian McGuiness & Gianluigi Oliveri (eds.), The Philosophy of Michael Dummett. Kluwer Academic Publishers. pp. 241--254.
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  22.  16
    Ludwig Wittgenstein and the Vienna Circle: Conversations Recorded by Friedrich Waismann.Wittgenstein's Lectures: Cambridge 1930-1932, From the Notes of John King Desmond LeeWittgenstein's Lectures: Cambridge 1932-1935, From the Notes of Alice Ambrose and Margaret Macdonald. [REVIEW]P. M. S. Hacker, Brian McGuinness, Joachim Schulte, Desmond Lee & Alice Ambrose - 1981 - Philosophical Review 90 (3):444.
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  23. B:«The Life of the Sign»: Wittgenstein on Reading a Poem.Joachim Schulte - 2004 - In John Gibson Wolfgang Huemer (ed.), The Literary Wittgenstein. Routledge. pp. 146--164.
     
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  24. Some Remarks on Wittgenstein's Early Philosophy of Mind.Joachim Schulte - 2010 - In John Cottingham & Peter Hacker (eds.), Mind, Method, and Morality: Essays in Honour of Anthony Kenny. Oxford University Press.
     
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  25. Weltseele.Joachim Schulte - 1994 - Wittgenstein-Studien 1 (2).
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  26. Vortrag Èuber Ethik Und Andere Kleine Schriften.Ludwig Wittgenstein & Joachim Schulte - 1989
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  27.  19
    Waismann as Spokesman for Wittgenstein.Joachim Schulte - 2011 - Vienna Circle Institute Yearbook 15:225-241.
    In 1929 Wittgenstein left Vienna for Cambridge, and Waismann grew into the role of spokesman for his absent hero. The story of his relation with the man so greatly esteemed by his much-admired mentor Schlick contains dramatic elements: there were moments of friction and of coldness, announcements of withdrawal from a shared project, accusations of plagiarism or, at least, insuffi cient acknowledgement. What we know of this story has been told by Brian McGuinness and Gordon Baker. If one wishes to (...)
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  28.  8
    Ludwig Wittgenstein and the Vienna Circle: Conversations Recorded by Friedrich Waismann.Brian Mcguinness, Joachim Schulte, Desmond Lee & Alice Ambrose - 1981 - Philosophical Review 90 (3):444-448.
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  29.  10
    Bedeutung und Verifikation.Joachim Schulte - 1982 - Grazer Philosophische Studien 16:241-253.
    Das (wie die erhaltenen historischen Belege zeigen) zuerst von Wittgenstein vorgeschlagene Verifikationsprinzip fungiert als Sinnkriterium wie auch als Kriterium der Sinribestimmung. Durch Waismanns Vermittlung wird es in der letzteren Funktion zur ausschließlichen Grundlage von Schlicks Semantik, die jedoch einerseits an ungenügenden Unterscheidungen zwischen Wahrheitsbedingungen, Verifikationsbedmgungen und Verifikationsmethode krankt, andererseits durch eme zu optimistische, die intersubjektive Kontrollierbarkeit entbehrende Sprachauffassung an Überzeugungskraft verliert. Wittgenstems späteres hochkomplexes Bedeutungskonzept, das durch Einbeziehung von Kontext und Äußerungssituation das Verifikationsprinzip zu emem unter mehrerenbedeutungsrelevanten Momenten sprachlicher Äußerungen (...)
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  30. Wille Und Motiv Zwei Abhandlungen Über Ethik Und Handlungstheorie.Friedrich Waismann & Joachim Schulte - 1983
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  31.  45
    Rules and Reason.Joachim Schulte - 2007 - Ratio 20 (4):464–480.
    Wittgenstein's rule‐following considerations have often been discussed in terms of the debate occasioned by Kripke's interpretation of the so‐called ‘paradox’ of rule‐following. In the present paper, some of the remarks that stood in the centre of that debate are looked at from a very different perspective. First, it is suggested that these remarks are, among other things, meant to bring out that, to the extent we can speak of ‘reason’ in the context of rule‐following, it is a very restricted form (...)
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  32.  14
    The Happy Man.Joachim Schulte - 1992 - Grazer Philosophische Studien 42:3-21.
    The question of who or what the happy man mentioned in Wittgenstein's Tractatus really is leads to a discussion of connected issues, e.g. the question of the Schopenhauerian origins of certain key notions of Wittgenstein's early philosophy, the import of the concept of a world-soul (with its Goethian overtones), the topic of solipsism, and the puzzling question of what is involved in the self's identification with the world.
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  33.  13
    Ideen mit den Augen sehen Goethe und Wittgenstein über Morphologie.Joachim Schulte - 2014 - In Jonas Maatsch (ed.), Morphologie Und Moderne: Goethes >Anschauliches Denken< in den Geistes- Und Kulturwissenschaften Seit 1800. De Gruyter. pp. 141-156.
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  34.  29
    The Pneumatic Conception of Thought.Joachim Schulte - 2006 - Grazer Philosophische Studien 71 (1):39-55.
    This paper is an attempt at presenting a convincing reading of the first sentences of PI § 109, especially of its third sentence. There Wittgenstein mentions what he calls "the pneumatic conception of thought", which by Miss Anscombe is translated as "the conception of thought as a gaseous medium". By comparing the relevant sentences with their sources in Wittgenstein's manuscripts and additional parallels it is found that Anscombe's rendering is liable to be misleading. Wittgenstein's notion of "pneuma" is likely to (...)
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  35.  16
    Anmerkungen zum Regelbegriff.Joachim Schulte - 2014 - Wittgenstein-Studien 5 (1).
    Name der Zeitschrift: Wittgenstein-Studien Jahrgang: 5 Heft: 1 Seiten: 133-144.
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  36. Did Wittgenstein Write on Shakespeare?Joachim Schulte - 2013 - Nordic Wittgenstein Review.
    It is often claimed that certain remarks by Wittgenstein reveal him to have been an unsympathetic reader of Shakespeare and an unappreciative judge of the latter’s achievements. In the present paper, I attempt to show that this sort of observation is not only wrong but due to an inadequate perspective. An examination of the relevant remarks may bring to light a number of more or less interesting principles of evaluation, or aesthetic maxims and appraisals, but these do not say much (...)
     
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  37.  10
    We Have a Colour System as We Have a Number System.Joachim Schulte - 2014 - In Stefan Riegelnik & Frederik A. Gierlinger (eds.), Wittgenstein on Colour. De Gruyter. pp. 21-32.
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  38.  6
    Bedeutung und Verifikation: Schhck, Waismann und Wittgenstein.Joachim Schulte - 1982 - Grazer Philosophische Studien 16:241-253.
    Das zuerst von Wittgenstein vorgeschlagene Verifikationsprinzip fungiert als Sinnkriterium wie auch als Kriterium der Sinribestimmung. Durch Waismanns Vermittlung wird es in der letzteren Funktion zur ausschließlichen Grundlage von Schlicks Semantik, die jedoch einerseits an ungenügenden Unterscheidungen zwischen Wahrheitsbedingungen, Verifikationsbedmgungen und Verifikationsmethode krankt, andererseits durch eme zu optimistische, die intersubjektive Kontrollierbarkeit entbehrende Sprachauffassung an Überzeugungskraft verliert. Wittgenstems späteres hochkomplexes Bedeutungskonzept, das durch Einbeziehung von Kontext und Äußerungssituation das Verifikationsprinzip zu emem unter mehrerenbedeutungsrelevanten Momenten sprachlicher Äußerungen degradiert, hat Schlick nicht mehr berücksichtigt.
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  39.  6
    Chor und Gesetz: Zur "Morphologischen Methode" bei Goethe und Wittgenstein.Joachim Schulte - 1984 - Grazer Philosophische Studien 21:1-32.
    Zwischen Goethes Morphologiebegriff und Wittgensteins philosophischer Methode bestehen deutliche Parallelen, insofern man sie als Verfahren oder Anleitungen zur Erklärung und Darstellung natürlicher Phänomene bzw. der Begriffsbildung und -Verwendung betrachtet. Den von Goethe als Entwicklungsmodelle und Vergleichshilfen gedeuteten Begriffen "Typus" und "Urbild" entsprechen Wittgensteins "Paradigmen" und "Muster"; beiden geht es um "übersichtliche" Darstellungen, und beide betonen die erklärungsrelevante Rolle der "Urphänomene".
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  40.  10
    Criss-Crossing a Philosophical Landscape.Joachim Schulte - 1992 - Grazer Philosophische Studien 42:3-21.
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  41.  10
    Stilfragen.Joachim Schulte - 1989 - Grazer Philosophische Studien 33:143-156.
    Anhand eines Vergleichs mit den Stilbegriffen Spenglers und Goethes lassen sich in Wittgensteins Schriften wenigstens drei Bedeutungen des Wortes "Stil" auseinanderhalten: (1) Stil im Sinne einer individuellen, persönlichen Eigenart; (2) Stil im Sinnes des Geistes einer Kultur oder Epoche; (3) Stil im Sinne einer zeit- oder kulturtypischen Ausdrucksform, die zwar prägend, aber nicht zwingend verbindlich ist. Eine Erörterung des Stils in den Bedeutungen (2) und (3) zeigt, inwieweit dieser Begriff bei Wittgenstein "relativistisch" — d.h. kultur- und epochengebunden — aufgefaßt wird.
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  42.  10
    Did Wittgenstein Write on Shakespeare?Joachim Schulte - 2013 - Nordic Wittgenstein Review 2 (1):1-32.
    It is often claimed that certain remarks by Wittgenstein reveal him to have been an unsympathetic reader of Shakespeare and an unappreciative judge of the latter’s achievements. In the present paper, I attempt to show that this sort of observation is not only wrong but due to an inadequate perspective. An examination of the relevant remarks may bring to light a number of more or less interesting principles of evaluation, or aesthetic maxims and appraisals, but these do not say much (...)
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  43.  4
    Wittgenstein's Notion of Secondary Meaning and Davidson's Account of Metaphor — A Comparison.Joachim Schulte - 1989 - Grazer Philosophische Studien 36:141-148.
    There are similarities between Davidson's theory of meaning and that of Wttgenstein's Tractatus. But in Wittgenstein's later work the relation between meaning and use is seen in a completely different way and not in the least similar to Davidson's conception. In spite of this divergence, however, certain parallels exist between Wittgenstein's treatment of expressions which can be said to have secondary meanings and Davidson's notion of the metaphorical use of certain expressions.
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  44.  7
    Readings of" Natural History" and Ways of Making Sense of Other People.Joachim Schulte - 2004 - In Tamás Demeter (ed.), Essays on Wittgenstein and Austrian Philosophy. Rodopi. pp. 38--179.
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  45.  15
    The Reception of Wittgenstein's Philosophy in Finland.Joachim Schulte - 2003 - Poznan Studies in the Philosophy of the Sciences and the Humanities 80 (1):391-409.
  46.  2
    Tennis Ohne Ball.Joachim Schulte - 2012 - Wittgenstein-Studien 3 (1):1-18.
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  47.  2
    The Happy Man.Joachim Schulte - 1992 - Grazer Philosophische Studien 42:3-21.
    The question of who or what the happy man mentioned in Wittgenstein's Tractatus really is leads to a discussion of connected issues, e.g. the question of the Schopenhauerian origins of certain key notions of Wittgenstein's early philosophy, the import of the concept of a world-soul, the topic of solipsism, and the puzzling question of what is involved in the self's identification with the world.
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  48. On a Remark by Jukundus.Joachim Schulte - 2011 - In Enzo De Pellegrin (ed.), Interactive Wittgenstein. Springer. pp. 183--208.
     
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  49.  2
    Wittgenstein’s Last Writings.Joachim Schulte - 2016 - In Harald A. Wiltsche & Sonja Rinofner-Kreidl (eds.), Analytic and Continental Philosophy: Methods and Perspectives. Proceedings of the 37th International Wittgenstein Symposium. De Gruyter. pp. 63-76.
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  50.  3
    Invited Paper: Did Wittgenstein Write on Shakespeare?Joachim Schulte - 2013 - Nordic Wittgenstein Review 2 (1):7-32.
    Name der Zeitschrift: Nordic Wittgenstein Review Jahrgang: 2 Heft: 1 Seiten: 7-32.
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