This study is a four-part essay on The World as Will and Representation. Young follows the divisions of Schopenhauer's main work while offering "an examination of Schopenhauer's metaphysics from the standpoint of contemporary analytic philosophy," as Rudolf Malter describes the book in its forward. Despite its subtitle, this book focuses on the theoretical rather than practical implications of Schopenhauer's arguments. Young announces his thesis in the preface: "I argue that he [Schopenhauer] does not, in fact, claim the world in itself (...) to be will at all. Rather, he agrees with Kant that it is, to the rational mind at least, unknowable". Given that Schopenhauer is usually read as having overcome Kant's distinction between appearances and the in-itself with his claim that everything is, at bottom, will, Young's thesis is both unusual and controversial. (shrink)
This commentary argues against the theory that cultural ritual behavior is meaningless or that ritual action is solely a by-product of fear-based precautionary and action-parsing systems. Humans demonstrate the ability to spontaneously change their use of proximate intentions and attribute ultimate intentions to ritual actions that are not dependent upon fear or physical and emotional/mental dysfunction. (Published Online February 8 2007).
Derrick Bell’s work challenges the dichotomy that separates legitimate legal reasoning from “mere” fiction through hybrids that play across science fiction, Platonic dialogue, and autobiography. Despite its merits, I argue that Bell’s position reifies and strengthens, rather than deconstructs, structures of tyranny; it maintains the problematic rhetorical construction of United States race relations in terms of the black–white divide, either alienating, or leaving little or no room for other racial groups constructively to revise power and identity. In contrast, bell hooks’, (...) Mari Matsuda’s and Robert Chang’s work, though tentatively sketched, construes current race and gender relations in terms of a chiaroscuro of power, rather than a simple dichotomy. (shrink)
This paper aims to trace the evolution of Bachelard's thought as he gropes toward a concrete formulation of a philosophy of the imagination. Reverie, the creative daydream, occupies the central position in Bachelard's emerging metaphysic, which becomes increasingly "phenomenological" in a manner reminiscent of Husserl. This means that although Bachelard does not use Husserlian terms, he appropriates the following features of phenomenology: 1. a desire to "embracket" the initial impulse; and 2. an aspiration to apprehend in its entirety, the creative (...) epiphany of an image. Ultimately, this paper aims to show that there is a sense in which Bachelard's metaphysical concerns in his poetics are an outgrowth of his earlier scientific and epistemological concerns. What results in reverie is an aesthetic intentionality providing a metaphysic of the imagination: the aesthetic object, such as fire or water, is an object only insofar as it enables/calls forth a subject to enter into a receptive, self-aware and cosmic state of being; subject-ness and objectness are intimately and archetypally intertwined. Bachelard's "new poetics" results from his transplantation/cross-fertilization of the general epistemology of the "new scientific spirit" on to/across his aesthetics. (shrink)
Sex and sensibility: The role of social selection Content Type Journal Article DOI 10.1007/s11016-010-9464-6 Authors Erika L. Milam, Department of History, University of Maryland, 2115 Francis Scott Key Hall, College Park, MD 20742, USA Roberta L. Millstein, Department of Philosophy, University of California, Davis, One Shields Avenue, Davis, CA 95616, USA Angela Potochnik, Department of Philosophy, University of Cincinnati, P.O. Box 210374, Cincinnati, OH 45221, USA Joan E. Roughgarden, Department of Biology, Stanford University, Stanford, CA 94305-5020, USA Journal Metascience (...) Online ISSN 1467-9981 Print ISSN 0815-0796. (shrink)
This book is an expanded version of Joan Weiner's introduction to Frege's work in the Oxford University Press ‘Past Masters’ series published in 1999. The earlier book had chapters on Frege's life and character, his basic project, his new logic, his definitions of the numbers, his 1891 essay ‘Function and concept’, his 1892 essays ‘On Sinn and Bedeutung’ and ‘On concept and object’, the Grundgesetze der Arithmetik and the havoc wreaked by Russell's paradox, and a final brief chapter on (...) Frege's influence. To this, Weiner has added two further chapters on Frege's dispute with Hilbert on the foundations of geometry and on the three late essays of his ‘Logical investigations’. There is little change to the content of the earlier chapters, but they have been divided into sections, each with its own heading, which makes it easier to find one's way around.With the two additional chapters, the book provides an excellent introduction to Frege's work from his earliest Begriffsschrift, which gives the first presentation of his new logic, to his three late essays, which expound his views on logic, truth, and thought. As in the earlier version, the focus is on the logicist project that dominated Frege's career: the attempt to demonstrate that arithmetic is reducible to logic. In all her writings on Frege, Weiner has been particularly sensitive to the philosophical …. (shrink)
The ethical ‘eye’ of nursing, that is, the particular moral vision and values inherent in nursing work, is constrained by the preoccupations and practices of the superordinate biomedical structure in which nursing as a practice discipline is embedded. The intimate, situated knowledge of particular persons who construct and attach meaning to their health experience in the presence of and with the active participation of the nurse, is the knowledge that provides the evidence for nurses’ ethical decision making. It is largely (...) invisible to all but other nurses. Two nurse researchers, Joan Liaschenko of the University of Minnesota and Patricia Rodney of the University of Victoria, have investigated the ethical concerns of practising nurses and noted in their separate enquiries the invisible nature of critical aspects of nursing work. Noting the similarities in their respective observations, and with the feminist ethics of Margaret Urban Walker as a theoretical framework, this article examines the concept of ‘invisibility’ as it relates to nursing work and nursing ethics. (shrink)
From all of the evidence, Joan of Arc was a conventionally pious Catholic and a patriotic Frenchman. Yet she was tried as a heretic and executed as a traitor. She unnerved both her friends and her enemies in the church and the state with her zeal. And she continues to fascinate. Almost six centuries after she was burned at the stake, her body still has life. This essay uses Kantorowicz's reading of the historical development of the legal fiction of (...) the king's two bodies to re-focus our attention on what Joan of Arc accomplished as a political actor. (shrink)
A little more than two years ago, a Texas woman, faced with a knife-wielding intruder demanding sex from her, tried to talk her attacker into wearing a condom to protect herself against the possibility of contracting AIDS. A grand jury refused to indict the man because jurors believed that the woman's act of self-protection implied that she had consented to sex.
This book is an expanded version of Joan Weiner's introduction to Frege's work in the Oxford University Press ‘Past Masters’ series published in 1999. The earlier book had chapters on Frege's life and character, his basic project, his new logic, his definitions of the numbers, his 1891 essay ‘Function and concept’, his 1892 essays ‘On Sinn and Bedeutung’ and ‘On concept and object’, the Grundgesetze der Arithmetik and the havoc wreaked by Russell's paradox, and a final brief chapter on (...) Frege's influence. To this, Weiner has added two further chapters on Frege's dispute with Hilbert on the foundations of geometry and on the three late essays of his ‘Logical investigations’. There is little change to the content of the earlier chapters, but they have been divided into sections, each with its own heading, which makes it easier to find one's way around.With the two additional chapters, the book provides an excellent introduction to Frege's work from his earliest Begriffsschrift , which gives the first presentation of his new logic, to his three late essays , which expound his views on logic, truth, and thought. As in the earlier version, the focus is on the logicist project that dominated Frege's career: the attempt to demonstrate that arithmetic is reducible to logic. In all her writings on Frege, Weiner has been particularly sensitive to the philosophical …. (shrink)
When the cluster on “Sexual Expressions” began to take shape, one of the first people I thought of to serve as a referee was Joan Mason-Grant, given her longstanding philosophical and activist interest in pornography. It was with great sorrow that I learned, when I contacted her, that she had been diagnosed with a fast moving cancer. Joan was most interested to hear about this emerging “found cluster”; “it sounds like an interesting issue of Hypatia to look forward (...) to, but unfortunately my own academic work has had to be suspended” (May 17, 2009). She died just four days later. (shrink)
Reseña de NIETZSCHE, Friedrich: Obras completas . Volumen I. Escritos de juventud . Edición a cargo de Diego Sánchez Meca. Traducciones de Joan B. Llinares Chover, Diego Sánchez Meca y Luis E. de Santiago Guervós. Madrid: Tecnos, 2011.
Joan Maragall es representante del modernismo catalán, afín al simbolismo y al parnasianismo de Francia. En el poesía y vida van estrechamente ligados. Acentúa la dimensión ética y cultural de exigencia de fidelidad a la experiencia personal de sinceridad. Llega a la cuestión última sin dejar de profundizar la absoluta relación del sujeto con el mundo. Combina la profundidad unamuniana y la mundanidad orteguiana.
The primary thesis of Terrorism and the Ethics of War is that terrorist acts are always wrong. I begin this paper by describing two views that I criticize in the book The first condemns all terrorism but applies the term in a biased way; the second defends some terrorist acts. I then respond to issues raised by the commentators. I discuss Joan McGregor’s concerns about the definition of terrorism and about how terrorism differs from other forms of violence againstinnocent (...) people. I respond to Sally Scholz’s challenges to my interpretation of innocence. She argues that soldiers can be innocent victims of terrorism and that both relationships and vulnerability are important to understanding innocence. Matthew Silliman questions my defense of utilitarianism and challenges two views that I defend: that all terrorist acts are wrong and that war can sometimes be right. I sketch brief responses to these important points. (shrink)
"Joan Robinson: One Woman's Story' is a cinéma vérité style record of a woman's losing struggle against ovarian cancer. The film has been shown now twice on the American Public Television Network. It has received good notices primarily from the lay press. Yet the film depicts much that is out-of-date and much that is debatable. In general, we feel that it presents a depressing picture of the cancer patient. This was not Joan Robinson's intention and her bravery only (...) serves to highlight this picture of suffering with cancer. We point to specific flaws in the film. We then go on to account for why many reviewers seem to have been blind to these flaws. It is suggested that criteria for good works of art, for good public health information, and for admirable personal traits were confused. (shrink)
A guide to the different views of Joan of Arc as they have varied from her time until World War II, with emphasis on the political and ideological shifts which lay behind them. The chief chroniclers, sources, and commentators are referred to and their viewpoints briefly described. The author emphasizes the fairness of her trial by the standards of her day, and the political motives underlying her rehabilitation. Joan, he concludes, was a highly complex character, and in her (...) story the judgment of history and the judgments of partisans are inextricable.--A. R. (shrink)
Joan Didion is a prominent American writer. In late 2003, while her only child lay critically ill, her husband, John, died suddenly. Theirs was a marriage of great intimacy and love. Grief enveloped her. Eventually she began to write an account of the first 12 months of her bereavement and the vigil for her child: The year of magical thinking. Raw, insightful and challenging, it is a rich, generous and graceful document. Didion draws on the literature of grief, personal (...) and professional. Here, those readings are examined and reflections are made on the singular, unique grief of the author in the context of current theories on bereavement. (shrink)
This article examines Artaud's 1920s cinema texts, arguing that like other theorists writing at the time, Artaud envisaged the medium of cinema as capable of forging new types of corporeal experience, both through the types of bodies that were portrayed onscreen, and their relationship to the body of the audience, conceived as collective force rather than an individual spectator. It pays particular attention to Artaud's theories of corporeal materiality, and argues that these are relevant to more recent approaches to embodiment (...) and identification in film studies. Whilst Artaud never successfully put his own cinematic theories into practice, these are discussed in relation to Carl Theodor Dreyer's The Passion of Joan of Arc ( La Passion de Jeanne d'Arc , 1928), a film which puts distinctions between bodies into question in an unprecedented manner. Finally, through an analysis of the various different critical interpretations of Dreyer's film, the article considers the difficulties inherent in the notion of a universally intelligible affective body, arguing that there is a distinction to be made between a fascist appropriation of collective affect, and a type of body that overcomes the boundaries between self and other. (shrink)
Scholars have preferred the accounts of Joan of Arc's career in chronicles and in the reports of her trial to other contemporary sources from the realm of poetry and literature. Literature offers, however, what history often does not: the image of Joan of Arc in her own time.
NOTES: Based on the book Socrates on trial written by Andrew Irvine and published by the University of Toronto Press. Performed at the Chan Centre for the Performing Arts, University of British Columbia, Vancouver, Canada, May 31-June 7, 2008. CONTENTS: Trailer, Who was Socrates?, Selected scenes, The production, Credits. UBC Library Catalogue Permanent URL: http://resolve.library.ubc.ca/cgi-bin/catsearch?bid=3956307.
The primary thesis of Terrorism and the Ethics of War is that terrorist acts are always wrong. I begin this paper by describing two views that I criticize in the book The first condemns all terrorism but applies the term in a biased way; the second defends some terrorist acts. I then respond to issues raised by the commentators. I discuss Joan McGregor’s concerns about the definition of terrorism and about how terrorism differs from other forms of violence againstinnocent (...) people. I respond to Sally Scholz’s challenges to my interpretation of innocence. She argues that soldiers can be innocent victims of terrorism and that both relationships and vulnerability are important to understanding innocence. Matthew Silliman questions my defense of utilitarianism and challenges two views that I defend: that all terrorist acts are wrong and that war can sometimes be right. I sketch brief responses to these important points. (shrink)
En ¿La lección de Auschwitz¿ se encuentran sintetizados buena parte de los momentos centrales del pensamiento filosófico-educativo de Joan-Carles Mèlich. Podría servir, en este sentido, para tener una visión de conjunto de su producción de los últimos años. La presente nota, sin ser muy pretenciosa con respecto a este presupuesto, se detiene en ir glosando algunas reflexiones especialmente significativas del libro sin renunciar en algunos momentos a la intuición que reclama casi visceralmente una mayor radicalidad trágica en estos mismos (...) planteamientos. (shrink)
