Through a wide-ranging international collection of papers, this volume provides theoretical and historical insights into the development and application of phenomenological sociology and ethnomethodology and offers detailed examples of research into social phenomena from these standpoints. All the articles in this volume join together to testify to the enormous efficacy and potential of both phenomenological sociology and ethnomethodology.

This essay presents a phenomenological analysis of the functioning of symbols as elements of the life-world with the purpose of demonstrating the interrelationship of individual and society. On the basis of Alfred Schutz''s theory of the life-world, signs and symbols are viewed as mechanisms by means of which the individual can overcome the transcendences posed by time, space, the world of the Other, and multiple realities which confront him or her. Accordingly, the individual''s life-world divides itself into the dimensions of (...) time, space, the social world and various reality spheres which form the boundaries or transcendences that the I has to understand and integrate. Signs and symbols are described as appresentational modes which stand for experiences originating in the different spheres of the life-world within the world of everyday life, within which they can be communicated, thereby establishing intersubjectivity. Schutz''s theory of the symbol explains how social entities – such as nations, states or religious groups – are symbolically integrated to become components of the individual''s life-world. The following paper reconstructs Schutz''s concept of the symbol as a crucial component of his theory of the life-world, which is seen as an outstanding phenomenological contribution to the theory of the sign and the symbol in general. (shrink)

La creatividad especialmente surge del poder de subjetivación y de trascenderse a sí mismo el ser humano. La capacidad de ser creativo resulta, desde la perspectiva de la antropología filosófica, de la “posicionalidad excéntrica” del ser humano, la cual explica su poder de reflexividad y su compulsión y necesidad de crear cultura. Según la teoría de la creatividad de orientación sociológico-antropológica de Heinrich Popitz, esta capacidad humana de desarrollar lo nuevo está basada en las formas de acción de explorar, crear, (...) generar sentido y jugar. Para explicar el poder de subjetivación del individuo, introducimos la sociología con orientación fenomenológica de Alfred Schütz, quien ofrece una teoría de las relevancias que permite analizar las motivaciones subjetivas que conducen el proceso creativo. (shrink)

The statement that an important dualism runs throughout sociological literature belongs to what can be called extended “sociological common sense”. In this context, Alfred Schutz’s phenomenology is often used critically as a paradigmatic example of subjectivism, as it supposedly places exclusive emphasis on actors’ “subjective” interpretations, thereby neglecting “objective” social structures such as power relationships. This article proposes that not only do those characterizations have dualistic grounds, but they also disregard the explicit intention of phenomenology to overcome the dualism between (...) subjectivism and objectivism. The various criticisms directed at the Schutzian paradigm will be confronted with an analysis of the phenomenon of power based on Schutz’s theory of the life-world, in particular his theory of relevance. This theoretical perspective will be replenished by reflections on power as a meaning selection, which specifically allow the hiatus of subjectivism and objectivism to be overcome. (shrink)

This book features papers written by renowned international scholars that analyze the interdependence of art, phenomenology, and social science. The papers show how the analysis of the production as well as the perception and interpretation of art work needs to take into consideration the subjective viewpoint of the artist in addition to that of the interpreter. Phenomenology allows a description of the subjectively centered life-world of the individual actor-artist or interpreter-and the objective structures of literature, music, and the aesthetic domain (...) in general. The perspective of social science serves to reconstruct the socio-historical structure involved in the creation and reception of the art work. The authors concentrate on this specific theoretical focus which combines both phenomenology and social science and offers an innovative framework for the analysis of works of art from the fields of literature, music, visual arts, photography, and film. Some of the contributions present creative interpretations of a variety of distinct art works in addition to the realization of theoretical reflections on the interdependence of arts, phenomenology, and social science. This book features papers that were presented at the international and interdisciplinary conference Phenomenology, Social Sciences, and the Arts, held at the University of Konstanz, May 2009, in commemoration of philosopher and social scientist Alfred Schutz, the developer of phenomenologically oriented sociology. It will appeal to researchers, scholars, and students in phenomenology, social sciences, art theory, and the arts.. (shrink)

The essay presents a relational concept of the stranger parting from and at the same time going beyond Alfred Schutz’s famous and controversial conception of “The Stranger.” Not only the subjective viewpoint of the stranger entering an in‑group – as in the Schutzian outline – is relevant for the construction of strangeness, but also the interactional context and the receiving in‑group with its respective patterns of culture. For strangeness is a relational concept, it is only constructed in relationships of individuals (...) and groups; it is an ascription or “label” that is activated in interaction processes. Within in‑ and out‑group constellations, the stranger is objectified by social typification, which may be based on a de‑subjectivation and reification of the respective Other. Relational strangeness refers to the diverse possibilities of the social construction of the stranger, always taking into consideration the individuals involved in in‑ and out‑group relations. (shrink)

A frequent accusation directed at phenomenology and phenomenologically oriented sociology is that of power oblivion. Edmund Husserl’s phenomenologyis accused of not considering the social conditions of the possibility of the doxic experience of the world, and Alfred Schutz’s social phenomenology is blamed for neglecting the social structural preconditions of the experience of everyday reality. Based on this criticism, it is argued that the objectively given power structures, which influence the subjective experience, are not considered in Schutz’s social phenomenological reflections. Bourdieu (...) proclaims that the experience of the social world as being self-evident, as “taken for granted” in Schutz’s words, is taken into consideration without a reference to social conditions such as hierarchies of power. I will reject this reproach by demonstrating the specific potential of Schutz’s theory of the life-world and especially his theory of relevance to conceptualize the phenomenon of power with reference to the subjectivity of the individual actor. The theory of life-world offers a conceptual scheme with a specific capacity to capture theoretically the interrelation of subjective constitution and objective construction of power. (shrink)

A frequent accusation directed at phenomenology and phenomenologically oriented sociology is that of power oblivion. Edmund Husserl’s phenomenology is accused of not considering the social conditions of the possibility of the doxic experience of the world, and Alfred Schutz’s social phenomenology is blamed for neglecting the social structural preconditions of the experience of everyday reality. Based on this criticism, it is argued that the objectively given power structures, which influence the subjective experience, are not considered in Schutz’s social phenomenological reflections. (...) Bourdieu proclaims that the experience of the social world as being self-evident, as “taken for granted” in Schutz’s words, is taken into consideration without a reference to social conditions such as hierarchies of power. I will reject this reproach by demonstrating the specific potential of Schutz’s theory of the life-world and especially his theory of relevance to conceptualize the phenomenon of power with reference to the subjectivity of the individual actor. The theory of life-world offers a conceptual scheme with a specific capacity to capture theoretically the interrelation of subjective constitution and objective construction of power. (shrink)

El presente texto busca dar cuenta del sujeto en el cual opera la memoria, para ello se recurre a la memoria individual desde una perspectiva fenomenológica. Razón por la cual se tienen en cuenta consideraciones en torno a la memoria cultural, a la conciencia temporal, a la relevanciay a los sujetos del recurso. Así, en el texto se asume la validez para las ciencias sociales de la memoria externa con la cual es posible acceder al modo como las sociedades se (...) perciben a sí mismas y se imaginan, teniendo en cuenta que la memoria individual es determinada por ese tratamiento colectivo del recuerdo. Con lo cual se muestra la diferencia entre las memorias de los individuos pero que en sus entrecruzamientos van construyendo una memoria general para cuyo puente se propone la teoría de la relevancia de Schütz. (shrink)

The particularly significant theory of the symbol of Alfred Schutz is based on a combination of the two perspectives of phenomenological individualism and pragmatic realism. This theory on the one hand explains processes of symbolic meaning constitution from a phenomenological viewpoint, specifically following Edmund Husserl. On the other hand it demonstrates the functioning of symbols through pragmatic social action, which is relevant for symbolic reality construction. The paper elaborates both perspectives within the Schutzian theory of the symbol with reference to (...) diverse interpretations of Franz Kafka’s novel The Castle. It outlines the decisive capacity of symbols to overcome and harmonize diverse and often contradictory meanings that are expressed and at the same time united by the symbol itself. (shrink)

Friendship, as a unique form of social relationship, establishes a particular union among individual human beings which allows them to overcome diverse boundaries between individual subjects. Age, gender or cultural differences do not necessarily constitute an obstacle for establishing friendship and as a social phenomenon, it might even include the potential to exist independently of space and time. This analysis in the interface of social science and phenomenology focuses on the principles of construction and constitution of this specific form of (...) human encounter. In a “parallel action,” the perspective of social science focuses on concrete socio-historical constructions of friendship in different time periods. These findings are confronted with the description of principles of the subjective constitution of the phenomenon of “friendship” from a phenomenological perspective. The point of reference for the study is the real type of the symbolically established and excessively idealized form of friendship intended for eternity which was especially popular in eighteenth century Germany. Analogous to the method of phenomenological reduction, three different levels of protosociological reduction are developed for the exploration of the unique social phenomenon of friendship. (shrink)