_ Source: _Page Count 28 This paper develops four proposals for explicating the notion of an ersatz part. It then evaluates each proposal with respect to a number of jobs for which ersatz parts are posited. We argue that each of the four notions of ersatz parthood do better with respect to some jobs, and worse with respect to others. Thus, we think, it’s horses for courses: which notion of ersatz part one chooses will be sensitive to which metaphysical project (...) one is pursuing. (shrink)

This paper develops four proposals for explicating the notion of an ersatz part. It then evaluates each proposal with respect to a number of jobs for which ersatz parts are posited. We argue that each of the four notions of ersatz parthood do better with respect to some jobs, and worse with respect to others. Thus, we think, it’s horses for courses: which notion of ersatz part one chooses will be sensitive to which metaphysical project one is pursuing.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps, and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may (...) freely copy and distribute this work, as no entity has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Die in Band 4 versammelten Briefe zeigen Gottsched auf dem Gipfel seines Ruhmes und seiner Anerkennung als Dichtungstheoretiker, Sprachwissenschaftler, Philosoph, Theaterreformer und Publizist. Wiederkehrende Themen in der Korrespondenz sind neben der Einfuhrung des deutschen Sprachunterrichts an Gymnasien Fragen zur Dichtungstheorie, zur Ubersetzung fremdsprachiger Bucher und zur Drucklegung von Werken Gottscheds und seiner Briefpartner. Zu einem grossen, seine berufliche Existenz gefahrdenden Problem wird fur Gottsched zunehmend die Auseinandersetzung mit Vertretern der lutherischen Orthodoxie, von der die Briefe detailliert Zeugnis ablegen.".

In the years 1738/39, Gottsched was mostly concerned with two events: his departure from the Deutsche Gesellschaft which he had been heading and the resulting developments, and the continuation of his disputes on the philosophy of Christian Wolff which he had been conducting with the Lutheran-Orthodox theologians. Through the support of the influential Imperial Count Ernst von Manteuffel, Gottsched now acquired strong political backing. This is documented by 52 of the total of 204 letters published in this volume, a correspondence (...) in whichMrs Gottsched also soon became involved. The letters of other correspondents also deal with Wolff s rationalist philosophy, as well as other very varied themes such as theater, teaching of the German language in schools, the problems of Leipzig students, newspaper polemics, planned translation projects and the competing editions of the writings of Martin Opitz, the father of German poetry, that were undertaken in Leipzig and Zurich.". (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps, and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely (...) copy and distribute this work, as no entity has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Nicholas Jacobs’s introduction to and translation of Johann Peter Hebel’s story, The Glass Jew, a humorous example of inclusiveness and communicative conflict-resolution.

Anfang des 19. Jahrhunderts wurde vermutet bzw. angenommen, dass Anfang des 18. Jahrhunderts im Umkreis der neu gegrundeten Universitat Halle padagogische und kulturkritische Schriften entstanden, in denen die Grundgedanken der Koryphaen Rousseau und Pestalozzi anklingen bzw. vorweg genommen werden. Anfang des 21. Jahrhunderts ist festzustellen, dass diese Annahme zutrifft und dass Johann Gottfried Zeidler, demissionierter Pastor und Universitatsauktionar in Halle, Verfasser dieser Schriften ist. Die zum grossten Teil erstmalige Editierung dieser und verwandter Schriften soll im Einzelnen zeigen, dass diese (...) Feststellung zu Recht gemacht wird.". (shrink)

In No Caption Needed, Robert Hariman and John Louis Lucaites provide the definitive study of the iconic photograph as a dynamic form of public art. Their critical analyses of nine individual icons explore the photographs themselves and their subsequent circulation through an astonishing array of media, including stamps, posters, billboards, editorial cartoons, TV shows, Web pages, tattoos, and more. Iconic images are revealed as models of visual eloquence, signposts for collective memory, means of persuasion across the political spectrum, and (...) a crucial resource for critical reflection. Arguing against the conventional belief that visual images short-circuit rational deliberation and radical critique, Hariman and Lucaites make a bold case for the value of visual imagery in a liberal-democratic society. No Caption Needed is a compelling demonstration of photojournalism’s vital contribution to public life. (shrink)