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  1.  33
    Diagrammatic Reasoning: Abstraction, Interaction, and Insight.Kristian Tylén, Riccardo Fusaroli, Johanne Stege Bjørndahl, Joanna Raczaszek-Leonardi, Svend Østergaard & Frederik Stjernfelt - 2014 - Pragmatics and Cognition 22 (2):264-283.
    Many types of everyday and specialized reasoning depend on diagrams: we use maps to find our way, we draw graphs and sketches to communicate concepts and prove geometrical theorems, and we manipulate diagrams to explore new creative solutions to problems. The active involvement and manipulation of representational artifacts for purposes of thinking and communicating is discussed in relation to C.S. Peirce’s notion of diagrammatical reasoning. We propose to extend Peirce’s original ideas and sketch a conceptual framework that delineates different kinds (...)
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  2.  13
    Agreeing is Not Enough: The Constructive Role of Miscommunication.Johanne Stege Bjørndahl, Riccardo Fusaroli, Svend ∅Stergaard & Kristian Tylén - 2015 - Interaction Studies: Social Behaviour and Communication in Biological and Artificial Systems 16 (3):495-525.
    Collaborative interaction pervades everyday practices: work meetings, innovation and product design, education and arts. Previous studies have pointed to the central role of acknowledgement and acceptance for the success of joint action, by creating affiliation and signaling understanding. We argue that various forms of explicit miscommunication are just as critical to challenge, negotiate and integrate individual contributions in collaborative creative activities. Through qualitative microanalysis of spontaneous coordination in collective creative LEGO constructions, we individuate three interactional styles: inclusive, characterized by acknowledgment (...)
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    Taking the Language Stance in a Material World: A Comprehension Study.Kristian Tylén, Johanne Stege Bjørndahl & Ethan Weed - 2009 - Pragmatics and Cognition 17 (3):573-595.
    This paper investigates a special kind of social meaning-making manifest in how we experience static objects and properties of our everyday world. This happens, for example, when we recognize objects like vacuum cleaners, sliced tomatoes, and sneakers as placed in special sites in the environment. Given the compositional features of such images, we see them as designed to accomplish communicative functions. It is argued that object configurations of this kind are recognized as externalized ostensive cues. They are seen as having (...)
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