23 found
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  1. The Myth of Anthropomorphism John Andrew Fisher.John Andrew Fisher - 1996 - In Colin Allen & D. Jamison (eds.), Readings in Animal Cognition. MIT Press.
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  2. Is There a Problem of Indiscernible Counterparts?John Andrew Fisher - 1995 - Journal of Philosophy 92 (9):467-484.
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  3.  6
    NANAY, BENCE. Aesthetics as Philosophy of Perception. Oxford University Press, 2016, 192 Pp., $65.00 Cloth. [REVIEW]John Andrew Fisher - 2017 - Journal of Aesthetics and Art Criticism 75 (2):210-214.
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  4.  99
    Discovery, Creation, and Musical Works.John Andrew Fisher - 1991 - Journal of Aesthetics and Art Criticism 49 (2):129-136.
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  5.  27
    What the Hills Are Alive With: In Defense of the Sounds of Nature.John Andrew Fisher - 1998 - Journal of Aesthetics and Art Criticism 56 (2):167-179.
  6.  53
    Technology, Appreciation, and the Historical View of Art.John Andrew Fisher & Jason Potter - 1997 - Journal of Aesthetics and Art Criticism 55 (2):169-185.
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  7.  23
    Why Potentiality Does Not Matter: A Reply to Stone.John Andrew Fisher - 1994 - Canadian Journal of Philosophy 24 (2):261 - 279.
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  8.  8
    The Value of Natural Sounds.John Andrew Fisher - forthcoming - Journal of Aesthetic Education.
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  9.  4
    Aberrant Speakers and Linguistic Philosophy: A Reconsideration of the Dialogue Between Cavell and the Baker.John Andrew Fisher - 1981 - Philosophical Investigations 4 (4):24-44.
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  10.  19
    Linguistic Idealism.John Andrew Fisher - 1984 - Metaphilosophy 15 (1):26–34.
  11.  14
    Performing Nature.John Andrew Fisher - 2007 - Environmental Philosophy 4 (1/2):15-28.
    Natural environments differ from artworks in two ways: (a) they are surroundings filled with objects, processes, and the observer, (b) they are natural, not intentionally created to be appreciated. I show that this serious problem for accounts of aesthetic appreciation of nature has led many thinkers in environmental aesthetics (e.g., Carlson and Rolston) to claim that appreciators should be actively engaged with a natural environment. But how? One suggestion has been that appreciators play the role of creative performers in the (...)
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  12.  7
    The Fine Art of Repetition.John Andrew Fisher - 1996 - Philosophy and Phenomenological Research 56 (4):962-965.
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  13.  7
    The Very Idea of Perfect Realism.John Andrew Fisher - 1990 - Philosophical Forum 22 (1):49.
    I define "perfect realism" as a style of replicative sculpture: exact replicas of inanimate objects or humans. Differentiating perfect realism from "photo" or "super" realism, and from representation, I criticize various defenses of this type of art. I argue that to understand perfect realism we need a theory of replication, which I sketch. Part of the account involves X (a replica) causing the perceptual experience that it is a Y when it is not. Hence perfect realism turns on the generic (...)
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  14.  13
    On Carroll's Enfranchisement of Mass Art as Art.John Andrew Fisher - 2004 - Journal of Aesthetics and Art Criticism 62 (1):57-61.
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  15.  8
    Call for Papers Song, Songs, and Singing.Jeanette Bicknell & John Andrew Fisher - 2011 - Journal of Aesthetics and Art Criticism 69 (4):vii-vii.
  16.  9
    Is It Worth It? Lintott and Ethically Evaluating Environmental Art.John Andrew Fisher - 2007 - Ethics, Place and Environment 10 (3):279 – 286.
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  17.  6
    Soul Music: Tracking the Spiritual Roots of Pop From Plato to Motown by Rudinow, Joel.John Andrew Fisher - 2011 - Journal of Aesthetics and Art Criticism 69 (4):427-430.
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  18.  7
    Review of Scott Walden (Ed.), Photography and Philosophy: Essays on the Pencil of Nature[REVIEW]John Andrew Fisher - 2009 - Notre Dame Philosophical Reviews 2009 (2).
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  19.  1
    Reflecting on Art.John Andrew Fisher - 1994 - Journal of Aesthetics and Art Criticism 52 (2):261-262.
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  20. Song, Songs, and Singing.Jeanette Bicknell & John Andrew Fisher (eds.) - 2013 - Wiley.
     
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  21. Anthropomorphism.John Andrew Fisher - 1998 - In Marc Bekoff & Carron A. Meaney (eds.), Encyclopedia of Animal Rights and Animal Welfare. Greenwood Press.
  22. Is There a Problem of Indiscernible Counterparts?John Andrew Fisher - 1995 - Journal of Philosophy 92 (9):467-484.
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  23. On Being Guided by a Rule: Some Reflections on a Conceptual Problem in Chomsky's Theory of Syntax.John Andrew Fisher - 1971 - Dissertation, University of Minnesota