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John B. Brough [32]John Barnett Brough [2]
  1. Consciousness is Not a Bag: Immanence, Transcendence, and Constitution in the Idea of Phenomenology.John B. Brough - 2008 - Husserl Studies 24 (3):177-191.
    A fruitful way to approach The Idea of Phenomenology is through Husserl’s claim that consciousness is not a bag, box, or any other kind of container. The bag conception, which dominated much of modern philosophy, is rooted in the idea that philosophy is restricted to investigating only what is really immanent to consciousness, such as acts and sensory contents. On this view, what Husserl called the riddle of transcendence can never be solved. The phenomenological reduction, as Husserl develops it in (...)
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  2. “The Most Difficult of All Phenomenological Problems”.John B. Brough - 2011 - Husserl Studies 27 (1):27-40.
    I argue in this essay that Edmund Husserl distinguishes three levels within time-consciousness: an absolute time-constituting flow of consciousness, the immanent acts of consciousness the flow constitutes, and the transcendent objects the acts intend. The immediate occasion for this claim is Neal DeRoo’s discussion of Dan Zahavi’s reservations about the notion of an absolute flow and DeRoo’s own efforts to mediate between Zahavi’s view and the position Robert Sokolowski and I have advanced. I argue that the flow and the tripartite (...)
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  3.  1
    Symposium: The Idea of Phenomenology at 100.Robert Sokolowski, John B. Brough & John J. Drummond - 2008 - Husserl Studies 24 (3):177-191.
    A fruitful way to approach The Idea of Phenomenology is through Husserl’s claim that consciousness is not a bag, box, or any other kind of container. The bag conception, which dominated much of modern philosophy, is rooted in the idea that philosophy is restricted to investigating only what is really immanent to consciousness, such as acts and sensory contents. On this view, what Husserl called “the riddle of transcendence” can never be solved. The phenomenological reduction, as Husserl develops it in (...)
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  4. Husserl on Memory.John B. Brough - 1975 - The Monist 59 (1):40-62.
    The point of departure for husserl's mature account of memory is his rejection of the traditional view that what is immediately and directly experienced in memory is a present image or replica of what is past and not what is past itself. Husserl rejects the image theory on logical and descriptive grounds, Arguing that memory is a direct consciousness of the past. Memory is experienced as a unique mode of consciousness giving its object in a manner irreducible to pictorial or (...)
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  5.  9
    Temporality and Illness: A Phenomenological Perspective.John B. Brough - 2001 - In Kay Toombs (ed.), Handbook of Phenomenology and Medicine. Kluwer Academic Publishers. pp. 29--46.
  6.  64
    Husserl and the Deconstruction of Time.John B. Brough - 1993 - Review of Metaphysics 46 (3):503 - 536.
    IN A RECENT AND PHILOSOPHICALLY RICH STUDY, David Wood has undertaken the deconstruction of time through an engagement with the thought of Nietzsche, Husserl, Heidegger, and, of course, Derrida. The present essay is not intended to offer a sustained criticism of Wood's arguments or to canvass what he says about the quartet of philosophers noted above; rather, with his book as background, the essay's purpose is to say something about only one of the four philosophers--Edmund Husserl--and particularly about the place (...)
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  7.  26
    Time and the One and the Many: Husserl's Bernauer Manuscripts on Time Consciousness.John B. Brough - 2002 - Philosophy Today 46 (Supplement):142-153.
  8.  24
    Time and the One and the Many.John B. Brough - 2002 - Philosophy Today 46 (5):142-153.
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  9.  8
    Briefe an Roman Ingarden.John B. Brough - 1971 - New Scholasticism 45 (1):154-156.
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  10. Art and Aesthetics.John B. Brough - 2011 - In Søren Overgaard & Sebastian Luft (eds.), The Routledge Companion to Phenomenology. Routledge. pp. 287-296.
     
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  11.  2
    Briefe an Roman Ingarden: MIT Erlauterungen Und Erinnerungen an Husserl. [REVIEW]John B. Brough - 1971 - New Scholasticism 45 (1):154-156.
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  12. Three Book Reviews: Edmund Husserl. 'Texte Zur Phänomenologie des Inneren Zeitbewusstseins (1893-1917)' Ed. Rudolf Bernet. Robert Sokolowski: 'Moral Action: A Phenomenological Study'. Hugo Dingler: 'Aufsätze der Methodik' Ed. Ulrich Weiss. [REVIEW]John B. Brough, Bernard P. Dauenhauer & Karl Schuhmann - 1987 - Husserl Studies 4 (3).
     
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  13.  30
    Book Reviews. [REVIEW]John B. Brough, James Phillips, Alessio Gemma, Karin Nisenbaum & Aengus Daly - 2008 - International Journal of Philosophical Studies 16 (1):101 – 125.
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  14.  4
    Husserl and Erazim Kohák's "Idea and Experience".John B. Brough - 1981 - Man and World 14 (3):331.
  15. Image and Artistic Value.John B. Brough - 1997 - In Lester Embree James G. Hart (ed.), Phenomenology of Values and Valuing. Springer. pp. 29-48.
     
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  16. Philosophical Knowledge.John B. Brough, Daniel O. Dahlstrom & Henry Babcock Veatch (eds.) - 1980 - National Office of the American Catholic Philosophical Association, Catholic University of America.
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  17. Picturing Revisited: Picturing the Spiritual.John B. Brough - 1996 - In James G. Hart John J. Drummond (ed.), The Truthful and the Good: Essays in Honor of Robert Sokolowski. Kluwer Academic Publishers. pp. 47-62.
     
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  18.  4
    Plastic Time: Time and the Visual Arts.John B. Brough - 2000 - In The Many Faces of Time. Dordrecht: Kluwer Academic. pp. 223--244.
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  19. Showing and Seeing: Film as Phenomenology.John B. Brough - 2011 - In Joseph D. Parry (ed.), Art and Phenomenology. London; New York: Routledge. pp. 192-214.
     
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  20.  27
    Some Reflections on Time and the Ego in Husserl’s Late Texts on Time-Consciousness.John B. Brough - 2016 - Quaestiones Disputatae 7 (1):89-108.
    Time-consciousness made its appearance in Husserl’s thought in the first decade of the twentieth century in analyses that were notably silent on the issue of the ego. The ego itself made its debut in the Ideas in 1913, but without an account of its relationship to time. Husserl described time-consciousness, particularly what he called the absolute time-constituting flow of consciousness, as perhaps the most important matter in all of phenomenology. He also came to view phenomenology as centered on the study (...)
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  21.  64
    Time and Experience.John B. Brough - 1992 - Review of Metaphysics 45 (3):622-623.
    The author addresses three interlocking issues in this rich and interesting study: time-consciousness ; the question of temporal realism ; and the possibility of a special temporality belonging to human beings. The author's approach to these questions is phenomenological, generally in Husserl's sense of the term, although he does not hesitate to amend Husserl's method from a Heideggerian perspective and even to depart from it in ways that might leave Husserl himself quite aghast--as in the use of conclusions drawn from (...)
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  22. The Curious Image: Husserlian Thoughts on Photography.John B. Brough - 2015 - In Nicolas de Warren & Jeffrey Bloechl (eds.), Phenomenology in a New Key: Between Analysis and History. Springer Verlag.
  23. Translator’s Introduction».John B. Brough - 2005 - In Phantasy, Image Consciousness, and Memory (1898-1925). Dordrecht, The Netherlands: Springer.
     
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  24.  97
    The Invention of Art. A Cultural History.John B. Brough - 2003 - British Journal of Aesthetics 43 (2):189-191.
  25.  44
    The Many Faces of Time.John B. Brough (ed.) - 2000 - Dordrecht: Kluwer Academic.
    The authors of the essays collected in this volume continue that tradition, challenging, expanding, and deepening it.
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  26. The Phenomenology of Painting.John B. Brough - 2007 - Review of Metaphysics 60 (4):894-896.
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  27.  28
    The Paradoxes of Art: A Phenomenological Investigation.John B. Brough - 2006 - Review of Metaphysics 59 (4):895-897.
    Much recent discussion in philosophical aesthetics has focused on the issue of defining art, particularly visual art. Such efforts generally presume that art is important without explaining why it is important. It is the latter question that Alan Paskow addresses. He is interested in discovering how and why art, and especially painting, matter in our lives. This is an important topic. If art did not matter to people in some deeply personal sense, it would not be the subject of such (...)
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  28.  81
    Temporality, Transcendence, and Difference: Some Reflections on Nicolas de Warren’s Husserl and the Promise of Time.John B. Brough - 2012 - Research in Phenomenology 42 (1):130-137.
  29.  13
    Wittgenstein and Phenomenology.John B. Brough - 1985 - Idealistic Studies 15 (2):165-166.
    Professor Gier intends to offer a revisionist reading of Wittgenstein: “It is the analytic or positivist Wittgenstein who is the odd creature”. Wittgenstein was not, as opinion often has it, contemptuous of the classical metaphysicians or dismissive of such contemporaries as Husserl and Heidegger as purveyors of nonsense. In fact, he even came to an “explicit and positive use of the term ‘phenomenology’”. Professor Gier attempts to establish the nature and significance of this claim by examining a broad range of (...)
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  30.  7
    Wilfrid Desan, 1908-2001.John B. Brough - 2002 - Proceedings and Addresses of the American Philosophical Association 75 (5):189 - 190.
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