This book presents a detailed fieldwork-based study of the ancient Indian religion of Jainism. Drawing on field research in northern Gujarat and on the study of both ancient Sanskrit and Prakrit and modern vernacular Jain religious literature, John Cort provides a rounded portrait of the religion as it is practiced today.

John Cort explores the narratives by which the Jains have explained the presence of icons of Jinas that are worshiped and venerated in the hundreds of thousands of Jain temples throughout India. Most of these narratives portray icons favorably, and so justify their existence; but there are also narratives originating among iconoclastic Jain communities that see the existence of temple icons as a sign of decay and corruption. The veneration of Jina icons is one of the most widespread of all (...) Jain ritual practices. Nearly every Jain community in India has one or more elaborate temples, and as the Jains become a global community there are now dozens of temples in North America, Europe, Africa, and East Asia. The cult of temples and icons goes back at least two thousand years, and indeed the largest of the four main subdivisions of the Jains are called Murtipujakas, or "Icon Worshipers." A careful reading of narratives ranging over the past 15 centuries, says Cort, reveals a level of anxiety and defensiveness concerning icons, although overt criticism of the icons only became explicit in the last 500 years. He provides detailed studies of the most important pro- and anti-icon narratives. Some are in the form of histories of the origins and spread of icons. Others take the form of cosmological descriptions, depicting a vast universe filled with eternal Jain icons. Finally, Cort looks at more psychological explanations of the presence of icons, in which icons are defended as necessary spiritual corollaries to the very fact of human embodiedness. (shrink)

It has been widely proposed that the Jain logical methods of linguistic analysis collectively known as anekāntavāda (manypointedness) are an extension of the Jain ethical imperative of ahiṃsā (non-harm) into philosophy as a form of intellectual tolerance and relativity--described by several scholars as "intellectual ahiṃsā"--whose genealogy and development over the past sixty-five years are given in detail. It is shown how Jains used anekāntavāda to expose the relative truth of non-Jain metaphysics, while arguing that only Jain metaphysics, which alone is (...) based on the omniscience (kevala-jñāna) of the Jina, contains absolute truth (samyag-jñāna). Examples are given of Jain intolerance of others, based on nonphilosophical literacy and historical evidence, before returning to the issue of Jain tolerance for and curiosity about non-Jain philosophical positions, in an attempt to ground future discussions of Jain tolerance and intolerance on a fuller range of Jain data and not on ideological formulations inadequately grounded in historical analysis. (shrink)

Carving Devotion in the Jain Caves at Ellora. By Lisa N. Owen. Brill’s Indological Library, vol. 41. Leiden: Brill, 2012. Pp. xiv + 224, 119 figures. $153.

Emerald City: The Birth and Evolution of an Indian Gemstone Industry. By Lawrence A. Babb. Albany: SUNY Press, 2013. Pp. xii+ 220, 33 figs. $80 ; $26.95.

Les scolastiques indiennes: Genèses, développements, interactions. Edited by Émilie Aussant and Gérard Colas. Études thématiques, vol. 32. Paris: École française d’Extrême-orient, 2020. Pp. 322. €40.

The Making of a Modern Indian Artist-Craftsman: Devi Prasad. By Naman P. AhuJa, with contributions by Krishna Kumar, Kristine Michael, Bob Overy, and Sunand Prasad. New Delhi: Routledge, 2012. Pp. 320, 392 illustrations. Rs. 2495.