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John Fisher [39]John Andrew Fisher [22]John H. Fisher [15]John A. Fisher [4]
John J. Fisher [3]John B. Fisher [2]John Martin Fisher [1]John Martin Ed Fisher [1]

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Profile: John Fisher
Profile: John Fisher (University of Colorado, Boulder)
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  1. The Myth of Anthropomorphism John Andrew Fisher.John Andrew Fisher - 1996 - In Colin Allen & D. Jamison (eds.), Readings in Animal Cognition. MIT Press.
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  2.  78
    555PP-,£ 2500 Davis, Caroline Franks, The Evidential Force of Religious Experience, Oxford, Oxford University Press, 1989, 276pp.,£ 27.50 Donaldson, John, Key Issues in Business Ethics, Sidcup, Kent, Harcourt Brace Jovanovich Ltd., 1989, 251pp.,£ 25.00, Paper£ 9.95. [REVIEW]J. Elster, K. Moene, Cambridge Cambridge, Jan Faye, John Martin Ed Fisher, Stanford Stanford, E. Forster & Steve Fuller - 1990 - Mind 99:393.
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  3. Is There a Problem of Indiscernible Counterparts?John Andrew Fisher - 1995 - Journal of Philosophy 92 (9):467-484.
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  4. Low Art.John A. Fisher - 2001 - In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge. pp. 409.
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  5. Monroe C. Beardsley 1915-1985.John Fisher - 1985 - Journal of Aesthetics and Art Criticism 44 (1):283-284.
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  6.  26
    What the Hills Are Alive With: In Defense of the Sounds of Nature.John Andrew Fisher - 1998 - Journal of Aesthetics and Art Criticism 56 (2):167-179.
  7.  99
    Discovery, Creation, and Musical Works.John Andrew Fisher - 1991 - Journal of Aesthetics and Art Criticism 49 (2):129-136.
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  8. High Art Versus Low Art.John A. Fisher - 2001 - In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. Routledge.
     
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  9.  27
    Dan Dares.John Martin Fisher - 2004 - The Philosophers' Magazine 25 (25):56-56.
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  10.  68
    On Perceiving the Impossible.John Fisher - 1978 - British Journal of Aesthetics 18 (1):19-30.
  11.  44
    Some New Problems in Perspective.John Fisher - 1987 - British Journal of Aesthetics 27 (3):201-212.
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  12.  52
    Technology, Appreciation, and the Historical View of Art.John Andrew Fisher & Jason Potter - 1997 - Journal of Aesthetics and Art Criticism 55 (2):169-185.
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  13. Did Plato Have A Theory of Art?John Fisher - 1981 - Pacific Philosophical Quarterly 62 (3):249.
     
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  14.  25
    Values and the Future, the Impact of Technological Change on American Values Edited by Kurt Baier and Nicholas Rescher.John Fisher & Ernest Sosa - 1971 - World Futures 10 (3):353-361.
    (1971). Values and the Future, the Impact of Technological Change on American Values Edited by Kurt Baier and Nicholas Rescher. World Futures: Vol. 10, No. 3-4, pp. 353-361.
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  15.  8
    On Defining Good.John J. Fisher - 1954 - Journal of Philosophy 51 (23):730-736.
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  16.  21
    Why Potentiality Does Not Matter: A Reply to Stone.John Andrew Fisher - 1994 - Canadian Journal of Philosophy 24 (2):261 - 279.
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  17.  8
    Knowledge of Rules.John Fisher - 1974 - Review of Metaphysics 28 (2):237 - 260.
  18.  2
    Perceiving Artworks.John Fisher - 1981 - Journal of Aesthetics and Art Criticism 39 (3):315-316.
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  19.  6
    The Value of Natural Sounds.John Andrew Fisher - forthcoming - Journal of Aesthetic Education.
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  20.  4
    Aberrant Speakers and Linguistic Philosophy: A Reconsideration of the Dialogue Between Cavell and the Baker.John Andrew Fisher - 1981 - Philosophical Investigations 4 (4):24-44.
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  21.  1
    Chancery and the Emergence of Standard Written English in the Fifteenth CenturyArticle Author Queryfisher Jh [Google Scholar].John Fisher - 1977 - Speculum 52 (4):870-899.
    There has been some discussion of late among descriptive linguists and socio-linguists as to the nature of “standard” English, the one tending to deny the existence of a standard, because of variations in the spoken language, and the other arguing that the standard language is an elitist shibboleth erected to perpetuate the authority of the dominant culture. Neither of these positions recognizes the historical fact that in every society there is a formal, official language in which business is carried on, (...)
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  22.  19
    Linguistic Idealism.John Andrew Fisher - 1984 - Metaphilosophy 15 (1):26–34.
  23.  7
    The Fine Art of Repetition.John Andrew Fisher - 1996 - Philosophy and Phenomenological Research 56 (4):962-965.
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  24.  12
    Performing Nature.John Andrew Fisher - 2007 - Environmental Philosophy 4 (1/2):15-28.
    Natural environments differ from artworks in two ways: (a) they are surroundings filled with objects, processes, and the observer, (b) they are natural, not intentionally created to be appreciated. I show that this serious problem for accounts of aesthetic appreciation of nature has led many thinkers in environmental aesthetics (e.g., Carlson and Rolston) to claim that appreciators should be actively engaged with a natural environment. But how? One suggestion has been that appreciators play the role of creative performers in the (...)
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  25.  6
    The Very Idea of Perfect Realism.John Andrew Fisher - 1990 - Philosophical Forum 22 (1):49.
    I define "perfect realism" as a style of replicative sculpture: exact replicas of inanimate objects or humans. Differentiating perfect realism from "photo" or "super" realism, and from representation, I criticize various defenses of this type of art. I argue that to understand perfect realism we need a theory of replication, which I sketch. Part of the account involves X (a replica) causing the perceptual experience that it is a Y when it is not. Hence perfect realism turns on the generic (...)
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  26. RF Yeager, John Gower's Poetic: The Search for a New Arion.(Publications of the John Gower Society, 2.) Woodbridge, Suffolk; and Wolfeboro, NH: Boydell and Brewer, 1990. Pp. Vii, 289; 2 Errata Sheets. $73. [REVIEW]John H. Fisher - 1992 - Speculum 67 (3):759-761.
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  27. Symposium on John Dewey's Art as Experience.Joe R. Burnett, John Fisher & Richard Shusterman - 1989 - Journal of Aesthetic Education 23 (3):49-67.
     
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  28.  5
    Entitling.John Fisher - 1984 - Critical Inquiry 11 (2):286-298.
    For the moment, I assume that we have some rough idea of what “title” is supposed to mean: the large letters on the spine of a book, the words on the center of the first page of a musical score, or the little plate on the museum wall to the right of the painting . Thus examples of titles would be The Taming of the Shrew, “Mapleleaf Rag,” or The Birth of Venus, but that generates a rather complex set of (...)
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  29.  11
    On Carroll's Enfranchisement of Mass Art as Art.John Andrew Fisher - 2004 - Journal of Aesthetics and Art Criticism 62 (1):57-61.
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  30.  10
    The Subjectivist Turn in Aesthetics: A Critical Analysis of Kant's Theory of Appreciation.John Fisher & Jeffrey Maitland - 1974 - Review of Metaphysics 27 (4):726 - 751.
  31.  10
    Universalizability and Judgments of Taste.John Fisher - 1974 - American Philosophical Quarterly 11 (3):219 - 225.
  32.  5
    Understanding, Linguistic Competence and Knowledge.John A. Fisher - 1980 - Philosophical Forum 12 (1):3.
    THIS PAPER ATTEMPTS TO PROVIDE A SYSTEMATIC CHARACTERIZATION OF THE UNDERSTANDING PRESUPPOSED BY PROPOSITIONAL KNOWLEDGE. BEGINNING WITH THE HYPOTHESIS THAT THE UNDERSTANDING UNDERLYING KNOWLEDGE IS LINGUISTIC IN NATURE, A HYPOTHESIS I CALL "LT," I STATE AND CRITICIZE DANTO'S VERSION OF LT, WHICH ANALYZES THIS UNDERSTANDING AS THE UNDERSTANDING OF SENTENCES. I SHOW THAT HIS (INTELLECTUALIZED) VIEW OF WHAT IT IS TO UNDERSTAND LANGUAGE IS INCORRECT. BY DISTINGUISHING A COMPETENCE FROM A PERFORMANCE SENSE OF "UNDERSTANDS "S"," AND BY NOTING THAT LANGUAGE (...)
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  33.  3
    The Ease and Difficulty of Theory.John Fisher - 1976 - Dialectics and Humanism 3 (2):117-123.
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  34.  8
    Call for Papers Song, Songs, and Singing.Jeanette Bicknell & John Andrew Fisher - 2011 - Journal of Aesthetics and Art Criticism 69 (4):vii-vii.
  35. Wolfgang Iser, Walter Pater: The Aesthetic Moment Reviewed By.John Fisher - 1989 - Philosophy in Review 9 (1):19-22.
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  36.  4
    Animadversions on the Text of Chaucer, 1988.John H. Fisher - 1988 - Speculum 63 (4):779-793.
    The address of the President to his colleagues at the Medieval Academy is an invitation to speak about a subject close to the heart. I was told by the aunt who met me at the boat when I returned from Persia at the age of fourteen — a typical Kipling child, leaving my family on the other side of the world and returning home to school — that when she asked me what I was going to do when I grew (...)
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  37.  9
    Is It Worth It? Lintott and Ethically Evaluating Environmental Art.John Andrew Fisher - 2007 - Ethics, Place and Environment 10 (3):279 – 286.
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  38.  1
    Memoirs of Fellows and Corresponding Fellows of the Medieval Academy of America.William J. Courtenay, F. Edward Cranz, Franz Rosenthal, Robert L. Benson, Berthe Marti, T. N. Bisson, Larry D. Benson, George Kane, Fred C. Robinson, Leonard Boyle, Brian Tierney, Stephan Kuttner, Robert Hanning, John Pope, Samuel Thorne, John W. Baldwin, Theodore M. Andersson, Archibald R. Lewis, Jaroslav Pelikan, David Herlihy, John Leyerle, John H. Fisher, Ruth J. Dean, William J. Roach, Siegfried Wenzel, Archibald L. Lewis, Bryce Lyon, G. P. Cuttino, John F. Benton, Marshall Clagett, Richard H. Rouse & Edward Grant - 1988 - Speculum 63 (3):755-771.
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  39.  1
    The Seven Deadly SinsMorton W. Bloomfield.John H. Fisher - 1953 - Speculum 28 (4):863-865.
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  40.  3
    John M. Fyler, Chaucer and Ovid, New Haven and London: Yale University Press, 1979. Pp. X, 206.John H. Fisher - 1980 - Speculum 55 (4):866.
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  41.  2
    Conjectures and Reputations: The Composition and Reception of James Bradley's Paper on the Aberration of Light with Some Reference to a Third Unpublished Version.John Fisher - 2010 - British Journal for the History of Science 43 (1):19-48.
    In January 1729 a paper written by James Bradley was read at two meetings of the Royal Society. On a newly discovered motion of the fixed stars, later described as the theory of the aberration of light, it was to transform the science of astrometry. The paper appeared as a narrative of a programme of observation first begun at Kew and finalized at Wanstead, but it was, in reality, a careful reconstruction devised to enhance his reputation in response to a (...)
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  42.  2
    ”J. D. Burnley, Chaucer's Language and the Philosophers' Tradition. Cambridge: D. S. Brewer; Totowa, N.J.: Rowman and Littlefield„ 1979. Pp. Ix, 196. $30. [REVIEW]John H. Fisher - 1981 - Speculum 56 (2):448-449.
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  43.  2
    Santayana on James: A Conflict of Views on Philosophy.John J. Fisher - 1965 - American Philosophical Quarterly 2 (1):67 - 73.
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  44.  10
    Fallibility and Knowledge of the Future.John Fisher - 1975 - Philosophy and Phenomenological Research 36 (1):44-58.
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  45.  3
    Plato on Writing and Doing Philosophy.John Fisher - 1966 - Journal of the History of Ideas 27 (2):163.
    The author believes that plato's view of the nature of philosophical activity can be seen in plato's paradoxical attitude toward the relationship between the written and spoken word. The "phaedrus" is examined from this perspective, And the author concludes that the varied wing symbols used by plato here indicate that although written words "have no wings," the words of philosophy do. Written words have some effectiveness for persuasion, But a philosopher needs more spirited interaction than this; only the spoken word (...)
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  46.  5
    Evaluation Without Enjoyment.John Fisher - 1968 - Journal of Aesthetics and Art Criticism 27 (2):135-139.
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  47.  7
    Review of Scott Walden (Ed.), Photography and Philosophy: Essays on the Pencil of Nature[REVIEW]John Andrew Fisher - 2009 - Notre Dame Philosophical Reviews 2009 (2).
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  48.  2
    Understanding and Assessing Spiritual Health.John Fisher - unknown
    This chapter explores awareness and compassion as essential elements in spiritual cultivation. Of the education of awareness, it describes the ideas of Aldous Huxley and J. Krishnamurthi as well as the Buddha’s teachings on mindfulness. The practice of awareness would reveal a holistic experience and multiple dimensions of reality. This chapter briefly describes the author’s view of “the five dimensions of reality” that include dimensions from the surface to the deepest, infinite reality. Drawing on Eastern perspectives, it explains that “pure (...)
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  49.  4
    Soul Music: Tracking the Spiritual Roots of Pop From Plato to Motown by Rudinow, Joel.John Andrew Fisher - 2011 - Journal of Aesthetics and Art Criticism 69 (4):427-430.
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  50.  2
    Against Theory, Again.John Fisher - 1986 - Journal of Aesthetic Education 20 (4):50.
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