14 found
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John M. Kennedy [12]John McFarland Kennedy [4]
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John Kennedy
Metropolitan State University of Denver
  1.  41
    The Sense of Order: A Study in the Psychology of Decorative Art.John M. Kennedy - 1980 - Journal of Aesthetics and Art Criticism 38 (4):453-457.
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  2.  86
    Metaphor and Knowledge Attained Via the Body.John M. Kennedy & John Vervaeke - 1993 - Philosophical Psychology 6 (4):407 – 412.
    Mark Johnson argues in favour of embodied experience as the basis for knowledge. An important implication of his analysis is that these experiences instigate pervasive metaphorical systems. Johnson 's argument involves reductionist problems, chicken-and-egg problems and, at times, unclear criteria for what counts as a basic experience and a metaphor.
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  3.  7
    Drawing and the Blind: Pictures to Touch.John M. Kennedy - 1995 - Journal of Aesthetics and Art Criticism 53 (3):339-341.
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  4. Line and Borders of Surfaces: Grouping and Foreshortening.John M. Kennedy, Igor Juricevic & Juan Bai - 2003 - In Margaret Atherton Heiko Hecht & Robert Schwartz (eds.), Looking Into Pictures. pp. 321--354.
     
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  5. Nietzsche.John McFarland Kennedy - 1914 - New York: Haskell House Publishers.
    A revised & expanded version of the author's "Quintessence of Nietzsche," written on the eve of the First World War.
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  6. Friedrich Nietzsche: The Gospel of Superman, the Philosophy of Friedrich Nietzsche, Tr. With an Intr. By J.M. Kennedy.Henri Lichtenberger & John Mcfarland Kennedy - 1910
     
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  7. Optics and Haptics: The Picture.John M. Kennedy - unknown
    Pictures are tactile as well as visual. Outline pictures stand for the same kinds of surface features in touch and vision. Vantage point geometry is used by blind and sighted perceivers in pictures. Limits of pictures may be comparable for the blind and sighted, and transcended in useful ways. Introduction In keeping with a conference on the multimodality of human communication, the purpose of this paper is to show that some aspects of pictures are tangible as well as visual. Many (...)
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  8.  11
    Foldout Includes Foreshortening in Drawings by a Blind Man.John M. Kennedy & Sherief Hammad - 2011 - Rivista di Estetica 47:31-45.
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  9.  14
    Universals of Depiction, Illusion as Nonpictorial, and Limits to Depiction.John M. Kennedy - 1989 - Behavioral and Brain Sciences 12 (1):88-90.
  10.  10
    What is an Outline Picture in Vision and Touch?: Blind and Paleolithic Artists.John M. Kennedy - 2012 - In Alex Arteaga, Marion Lauschke & Horst Bredekamp (eds.), Bodies in Action and Symbolic Forms: Zwei Seiten der Verkörperungstheorie. Akademie Verlag. pp. 239-252.
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  11.  14
    Ancient and Modern Picture- Perception Abilities in Africa.John M. Kennedy - 1977 - Journal of Aesthetics and Art Criticism 35 (3):293-300.
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  12.  6
    Image and Insight. [REVIEW]John M. Kennedy - 1992 - Journal of Aesthetic Education 26 (3):113.
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  13.  6
    Psychology and the Arts.John M. Kennedy & David O'Hare - 1984 - Journal of Aesthetic Education 18 (2):110.
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  14.  1
    Extension of Dancer’s Legs: Increasing Angles Show Motion.Stefano Mastandrea & John M. Kennedy - 2022 - Frontiers in Psychology 12.
    Usain Bolt’s Lightning Bolt pose, one arm highly extended to one side, suggests action. Likewise, static pictures of animals, legs extended, show animation. We tested a new cue for motion perception—extension—and in particular extension of dancer’s legs. An experiment with pictures of a dancer finds larger angles between the legs suggest greater movement, especially with in-air poses and in lateral views. Leg positions graded from simply standing to very difficult front and side splits. Liking ratings were more related to Difficulty (...)
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