Jon Stewart's study is a major re-evaluation of the complex relations between the philosophies of Kierkegaard and Hegel. The standard view on the subject is that Kierkegaard defined himself as explicitly anti-Hegelian, indeed that he viewed Hegel's philosophy with disdain. Jon Stewart shows convincingly that Kierkegaard's criticism was not of Hegel but of a number of contemporary Danish Hegelians. Kierkegaard's own view of Hegel was in fact much more positive to the point where he was directly influenced by some of (...) Hegel's work. Any scholar working in the tradition of Continental philosophy will find this an insightful and provocative book with implications for the subsequent history of philosophy in the twentieth century. The book will also appeal to scholars in religious studies and the history of ideas. (shrink)

The essays collected in 'The Hegel Myths and Legends' serve the function of disabusing students and nonspecialists of these misconceptions by exposing these myths for what they are.

Hegel is known for coining the word “phenomenology” as a description of the methodological approach that he pursues in the famous work that bears this title. It has long been an open question the degree to which the later philosophical school of phenomenology in fact follows the actual method developed by Hegel or if it merely co-opted the name and applied the term in a new context. While Husserl was dismissive of Hegel, the French phenomenologists were generally receptive to Hegel’s (...) conception of phenomenology. This chapter argues that there are in fact some important points of continuity and that the French phenomenological school’s understanding of Hegel as a forerunner of their movement is quite legitimate. (shrink)

Søren Kierkegaard: Subjectivity, Irony, and the Crisis of Modernity examines the thought of Søren Kierkegaard, a unique figure, who has inspired, provoked, fascinated, and irritated people ever since he walked the streets of Copenhagen. At the end of his life, Kierkegaard said that the only model he had for his work was the Greek philosopher Socrates. This work takes this statement as its point of departure. Jon Stewart explores what Kierkegaard meant by this and to show how different aspects of (...) his writing and argumentative strategy can be traced back to Socrates. The main focus is The Concept of Irony, which is a key text at the beginning of Kierkegaard's literary career. Although it was an early work, it nevertheless played a determining role in his later development and writings. Indeed, it can be said that it laid the groundwork for much of what would appear in his later famous books such as Either/Or and Fear and Trembling. (shrink)

A biographical overview introduces the work and provides a context for the theoretical issues taken up in the articles, and an extensive bibliography suggests ...

The oeuvre of Hegel, like that of many thinkers of the post-Kantian tradition in European philosophy, has been subject to a number of misreadings and misrepresentations by both specialists and nonspecialists alike that have until fairly recently rendered Hegel’s reception in the Anglo-American philosophical world extremely problematic. These often willful misrepresentations, variously referred to by scholars as the Hegel myths or legends, have given rise to a number of prejudices against Hegel’s philosophy primarily, although by no means exclusively, in the (...) English-speaking world. Among the caricatures that have enjoyed the widest currency are the following: that Hegel denied the law of contradiction; that his dialectical method of argumentation took the form of the thesis-antithesis-synthesis triad; that he saw the end of history in his own philosophical system; that he tried to prove a priori the number of planets; that he was a reactionary apologist for the Prussian state, or worse, a protofascist; finally, that he was a kind of pre-Kantian metaphysician or “cosmic rationalist” who believed like Schelling and some of the Romantics in a metaphysical world soul. (shrink)

Hegel's _Phenomenology_ is considered by many to be the most difficult book in the philosophical canon. While some authors have published excellent essays on various chapters and aspects of the book, few authors have successfully tackled the whole. In _The Unity of Hegel's "Phenomenology of Spirit_", Jon Stewart interprets Hegel's work as a dialectical transformation of Kantian transcendental philosophy, providing from this unified standpoint a case for Hegel's own conception of philosophy as a system. In restoring them to their larger (...) systematic contexts, Stewart clarifies Hegel's individual analyses, as well as indicating the meaning and significance of the transitions and illustrating the parallelisms between the respective analyses. Many of Hegel's main themes- universal-particular, mediacy-immediacy-are traced through the text, demonstrating Hegel's formal continuity. By examining at the microlevel the particulars of the dialectical movement, and by analyzing at the macrolevel the role of the argument in question in the context of the work as a whole, Stewart provides a detailed analysis of the _Phenomenology_ and a significant scholarly demonstration of Hegel's own conception of the _Phenomenology_ as a part of a systematic philosophy. (shrink)

Alienation is a key theme in both the philosophical tradition of the 19th century that begins with Hegel and Marx and in the heterogenous school of existentialist thought in the 20th century. Kierkegaard is often included in narratives of these philosophical traditions, but his contribution to this topic is problematic. Unlike figures such as Marx or Sartre, he almost never uses the term “alienation” explicitly. The question then becomes one of interpretation: what ideas in Kierkegaard bear a meaningful family resemblance (...) to the concept as it is found in other thinkers in these traditions? In this article I have identified three different texts from Kierkegaard in which concepts are discussed that I believe can be rightfully designated as forms of alienation: “The Unhappiest One,” from Either/or, “The Present Age” from A Literary Review, and the different stages of despair in The Sickness unto Death. The goal is simply to use these texts as the basis or starting point for developing an understanding of Kierkegaard’s concept of alienation. This will then in turn help us to determine more precisely his contribution to the development of philosophy in the 19th and 20th centuries. (shrink)

"In his The Condition of the Working Class in England, Friedrich Engels outlines systematically the miseries of the workers in England in the context of industrialization. A key to his argument concerns the interface between the human body and the machine. In this article I argue that Engels provides a kind of a phenomenology of the body in his analyses of the relation of the worker to the new machines. The limited secondary literature on Marxism and phenomenology has not been (...) attentive to the detailed attention that is given to the body of the worker in this book. Keywords: handwork, machines, technology, Industrial Revolution, Friedrich Engels, factory work ". (shrink)

In his Lectures on the Philosophy of Religion, Hegel argues that the development of the religions of the world leads up to and culminates in Christianity, which is the one true religion. One key element which separates Christianity from the other religions, according to Hegel, concerns the issue of alienation. He argues that the previous religions all contain some form of alienation, which can be found in their conceptions of the divine. In this paper, I wish to examine Hegel’s view (...) that Christianity alone overcomes religious alienation. What is it that makes Christianity so special in this regard? This is a particularly important issue given that the question of alienation is so central in the post-Hegelian thinkers such as Feuerbach, Bauer, and Marx, who all insist that, far from overcoming alienation, Christianity is guilty of causing it. I wish to argue that this issue provides new insight into the old criticism of Hegel as a thinker of abstraction. (shrink)

Name der Zeitschrift: Kierkegaard Studies Yearbook Jahrgang: 23 Heft: 1 Seiten: 207-221.

Hegel’s theory of dialectic has long been a source of both endless confusion and bitter debate. It has, for instance, been oversimplified and characterized as the mechanical movement from thesis to antithesis to synthesis. In a similar vein, some philosophers in the analytic tradition have reproached Hegel’s notion of dialectic, claiming that it amounts to an outright and absurd denial of the law of contradiction. The dialectic has, moreover, been co-opted and developed by some of Hegel’s most impassioned critics such (...) as Marx and Kierkegaard. One of the most controversial aspects of Hegel’s theory of dialectic has been his perplexing doctrine of determinate negation, which has proven to be difficult for even the most sympathetic interpreters to make sense of. Determinate negation is Hegel’s way of referring to the positive aspect of the dialectic which makes the conceptual movement a constructive one and not a purely destructive or negative one. Although Hegel discusses his notion of determinate negation at some length in the Phenomenology, interpreters have traditionally gone to the Science of Logic in order to illustrate this doctrine. In this essay by contrast, I would like to discuss this difficult and disputed concept of determinate negation by means of an example drawn from the “Consciousness” chapter of the Phenomenology of Spirit. At the transition from “Sense-Certainty” to “Perception,” the first two sections of that chapter, Hegel describes explicitly the aspect of determinate negation that the dialectic evinces at that point, and it is this transition and this uncharacteristic passage that I wish to examine in some detail. In the first section of this essay, I will discuss Hegel’s notion of dialectic generally in order to pinpoint the role of determinate negation in relation to the dialectic’s other aspects. Then in the second section, I will proceed to analyze his account of determinate negation specifically, drawing on various passages throughout the Hegelian corpus. I will give a brief account of “Sense-Certainty” in my third section in order to set the context for the transition to “Perception.” Finally, in the fourth section, I will analyze this transition to “Perception” in terms of the doctrine of determinate negation. (shrink)

The most complete collection of essays on Hegel's Phenomenology of Spirit available in any language, with essays by distinguished international Hegel scholars.

_The most complete collection of essays on Hegel's Phenomenology of Spirit available in any language, with essays by distinguished international Hegel scholars._.

While some authors have published excellent essays on various chapters and aspects of the book, few authors have successfully tackled the whole.In The Unity of ...

After the virulent criticisms of Nietzsche, Kierkegaard and much of the analytic tradition, systematic philosophy has for the most part gone into eclipse in contemporary European thought. The main target of these criticisms was often the daunting edifice of the Hegelian system which dominated so much of Nineteenth Century philosophy. Despite a small handful of scholars who try with might and main to salvage this edifice, the general belief among scholars today is that at bottom Hegel’s philosophical project as a (...) system is simply bankrupt and indefensible all around. Of all the texts in the Hegelian corpus, the Phenomenology of Spirit with it plethora of themes and troubled composition has been in particular singled out for criticism as a disunified and unsystematic text. Typical of this general belief is Kaufmann’s characterization: “the Phenomenology is certainty unwissenschaftlich, undisciplined, arbitrary, full of digressions, not a monument to the austerity of the intellectual conscience and to carefulness and precision but a wild, bold, unprecedented book.” The Phenomenology is thus seen simply as an eclectic and at times bizarre collection of atomic analyses on sundry topics. This preconception of the Phenomenology as a disunified text then leads to a predetermined and, in my view, erroneous interpretive approach. (shrink)

Commentators generally neglect Hegel’s analyses of the religions of Asia, presumably for fear of being charged with Eurocentrism, racism or colonialism. Hegel’s engagement with these religions, however, occurs during the time when the birth of fields such as Egyptology and Indology gave rise to increased scholarly interest in Asia. Hegel supported the work of Georg Friedrich Creuzer, whose book on symbolism showed the debt that the Greek and Roman religions owed to Egypt, Persia and India. Creuzer’s methodology inspired Hegel, and (...) his support of Creuzer is evidence that Hegel was not the political and social reactionary that many scholars have taken him to be. (shrink)

Three Score Years with Kierkegaard's Writings By HOWARD V. HONG The Conference Program Committee has suggested that I speak on »My Life with ...

Kierkegaard’s Concepts is a comprehensive, multi-volume survey of the key concepts and categories that inform Kierkegaard’s writings. Each article is a substantial, original piece of scholarship, which discusses the etymology and lexical meaning of the relevant Danish term, traces the development of the concept over the course of the authorship, and explains how it functions in the wider context of Kierkegaard’s thought. Concepts have been selected on the basis of their importance for Kierkegaard’s contributions to philosophy, theology, the social sciences, (...) literature and aesthetics, thereby making this volume an ideal reference work for students and scholars in a wide range of disciplines. -/- Contents: Envy, Janne Kylliäinen; Epic, Nassim Bravo Jordán; Epigram, David R. Law; Ethics, Azucena Palavicini Sánchez; Evil, Azucena Palavicini Sánchez and William McDonald; Exception/Universal, Geoffrey Dargan; Existence/Existential, Min-Ho Lee; Experience, Jakub Marek; Fairytale, Nathaniel Kramer; Faith, William McDonald; Finitude/Infinity, Erik M. Hanson; Forgiveness, John Lippitt; Freedom, Diego Giordano; Genius, Steven M. Emmanuel; God, Paul Martens and Daniel Marrs; Good, Azucena Palavicini Sánchez; Governance/Providence, Jack Mulder, Jr.; Grace, Derek R. Nelson; Gratitude, Corey Benjamin Tutewiler; Guilt, Erik M. Hanson; Happiness, Benjamin Miguel Olivares Bøgeskov; Hero, Sean Anthony Turchin; History, Sean Anthony Turchin; Holy Spirit, Leo Stan; Hope, William McDonald; Humility, Robert B. Puchniak; Humor, Alejandro González; Hypocrisy, Thomas Martin Fauth Hansen; Identity/Difference, Claudine Davidshofer; Imagination, Frances Maughan-Brown; Imitation, Leo Stan; Immanence/Transcendence, Leo Stan; Immediacy/Reflection, Zizhen Liu; Immortality, Lee C. Barrett; Incognito, Martijn Boven. (shrink)

Die Beiträge dieses Sammelbands behandeln die spannungsreichen Bezüge zwischen Kierkegaards Existenzdenken und Schellings Philosophie des Absoluten. Die Autoren werfen nicht nur ein neues Licht auf das Verhältnis Kierkegaards zur (Spät-) Philosophie Schellings und zum Idealismus überhaupt. Vielmehr eröffnen sie systematische Perspektiven, die - für die Philosophie, die Theologie und die Geisteswissenschaften insgesamt - gerade auch für gegenwärtige Problemstellungen von großer Bedeutung sind.

I would like to write a novel in which the main character would be a man who got a pair of glasses, one lens of which reduced images as powerfully as an oxyhydrogen microscope, and the other of which magnified on the same scale, so that he perceived everything relatively. A flight of fancy by an aspiring science fiction writer? While it may sound as such, this wistful musing is one of the little-discussed personal reflections of nineteenth-century philosopher Søren Kierkegaard, (...) whose remarkable journals and notebooks, unpublished during his lifetime, are presented here. The first of an eleven-volume series produced by Copenhagen's Søren Kierkegaard Research Centre, this volume is the first English translation and commentary of Kierkegaard's journals based on up-to-date scholarship. It offers new insight into Kierkegaard's inner life. In addition to early drafts of his published works, the journals contain his thoughts on current events and philosophical and theological matters, notes on books he was reading, miscellaneous jottings, and ideas for future literary projects. Kierkegaard wrote his journals in a two-column format, one for his initial entries and the second for the marginal comments he added later. The new edition of the journals reproduces this format and contains photographs of original manuscript pages, as well as extensive scholarly commentary. Translated by leading experts on Kierkegaard, Journals and Notebooks will become the benchmark for all future Kierkegaard scholarship. (shrink)

One of the elements that many readers admire in Kierkegaard’s skill as a writer is his ability to create different voices and perspectives in his works. Instead of unilaterally presenting clear-cut doctrines and theses, he confronts the reader with a range of personalities and figures who all espouse different views. One important aspect of this play of perspectives is Kierkegaard’s controversial use of pseudonyms. The present volume is dedicated to exploring the different pseudonyms and authorial voices in Kierkegaard’s writing. The (...) articles featured here try to explore each pseudonymous author as a literary figure and to explain what kind of a person is at issue in each of the pseudonymous works. The hope is that by taking seriously each of these figures as individuals, we will be able to gain new insights into the texts which they are ostensibly responsible for. (shrink)

Hesiod: Kierkegaard and the Greek Gods -- Homer: Kierkegaard's Use of the Homeric Poems -- Plutarch: A Constant Cultural Reference -- Sophocles: The Tragic of Kierkegaard's Modern Antigone -- Index of Persons -- Index of Subjects.

While Kierkegaard is perhaps known best as a religious thinker and philosopher, there is an unmistakable literary element in his writings. He often explains complex concepts and ideas by using literary figures and motifs that he could assume his readers would have some familiarity with. This dimension of his thought has served to make his writings far more popular than those of other philosophers and theologians, but at the same time it has made their interpretation more complex. Kierkegaard readers are (...) generally aware of his interest in figures such as Faust or the Wandering Jew, but they rarely have a full appreciation of the vast extent of his use of characters from different literary periods and traditions. The present volume is dedicated to the treatment of the variety of literary figures and motifs used by Kierkegaard. The volume is arranged alphabetically by name, with Tome I covering figures and motifs from Agamemnon to Guadalquivir. (shrink)