15 found
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  1.  11
    Homer’s Vividness: An Enactive Approach.Jonas Grethlein & Luuk Huitink - 2017 - Journal of Hellenic Studies 137:67-91.
  2.  15
    Experience and History: The Reach and Limits of Phenomenological Approaches to History.Jonas Grethlein - 2019 - History and Theory 58 (2):302-312.
  3.  20
    Xenophon's Anabasis From Character to Narrator.Jonas Grethlein - 2012 - Journal of Hellenic Studies 132:23-40.
    Xenophon participated in the March of the Ten Thousand, but in the Anabasis, instead of parading his autopsy, he keeps his narratorial persona separate from his character. This separation, however, is subtly blurred when, on the one hand, the narrator adopts the perspective of the character, who is by far the most prominent focalizing instance in the narrative, and, on the other hand, the character appropriates narratorial functions: Xenophon the character comes to the fore as embedded narrator and commentator of (...)
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  4.  26
    The Manifold Uses of the Epic Past: The Embassy Scene in Herodotus 7.153-63.Jonas Grethlein - 2006 - American Journal of Philology 127 (4):485-509.
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  5.  9
    Traces of the Past. Classics Between History & Archaeology by Karen Bassi.Jonas Grethlein - 2017 - American Journal of Philology 138 (4):743-746.
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  6.  14
    Homeric Durability: Telling Time in the Iliad by Lorenzo F. Garcia.Jonas Grethlein - 2014 - American Journal of Philology 135 (3):481-496.
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  7.  14
    Historia Magistra Vitae in Herodotus and Thucydides? The Exemplary Use of the Past and Ancient and Modern Temporalities.Jonas Grethlein - 2011 - In Alexandra Lianeri (ed.), The Western Time of Ancient History: Historiographical Encounters with the Greek and Roman Pasts. Cambridge University Press. pp. 247.
  8.  13
    A Slim Girl and the Fat of the Land in Theocritus, Id. 10.Jonas Grethlein - 2012 - Classical Quarterly 62 (2):603-617.
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  9.  13
    Experientiality and “Narrative Reference,” with Thanks to Thucydides1.Jonas Grethlein - 2010 - History and Theory 49 (3):315-335.
    Lately, the concept of experience, which postmodernist theoreticians declared dead, has seen a renaissance. The immediacy of experience seems to offer the possibility of reaching beyond linguistic discourses. In their attempt to overcome the “linguistic turn,” scholars such as Ankersmit, Gumbrecht, and Runia pit experience against narrative. This paper takes up the recent interest in experience, but argues against the opposition to narrative into which experience tends to be cast. The relation between experience and narrative is more complex than is (...)
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  10.  10
    Memory and Material Objects in the Iliad and the Odyssey.Jonas Grethlein - 2008 - Journal of Hellenic Studies 128:27-51.
    Recently, archaeologists have been focusing on material relies as evidence of a historical consciousness. This article examines the Iliad and the Odyssey from the point of view of this 'archaeology of the past'. Various material objects, ranging from tombs to everyday objects, evoke the past in the epic poems, thereby enriching the narrative and providing reflections on the act of memory. In turn, Homeric evidence sheds new light on the hermeneutics of relies in archaic oral society.
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  11.  5
    Minding the Middle in Heliodorus’ Aethiopica: False Closure, Triangular Foils and Self-Reflection.Jonas Grethlein - 2016 - Classical Quarterly 66 (1):316-335.
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  12.  3
    Dignas B. And Smith R.R.R. Eds. Historical and Religious Memory in the Ancient World. Oxford and New York: Oxford University Press, 2012. Pp. Xix + 338, Illus. £70. 9780199572069. [REVIEW]Jonas Grethlein - 2013 - Journal of Hellenic Studies 133:222-223.
  13.  3
    Eine Anthropologie des essens:: Der Essensstreit in der "Ilias" und die Erntemetapher in Il. 19, 221-224.Jonas Grethlein - 2005 - Hermes 133 (3):257-279.
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  14.  1
    “Future Past”: Time and Teleology in (Ancient) Historiography.Jonas Grethlein - 2014 - History and Theory 53 (3):309-330.
  15. Aesthetic Experiences and Classical Antiquity: The Significance of Form in Narratives and Pictures.Jonas Grethlein - 2017 - Cambridge University Press.
    In this bold book, Jonas Grethlein proposes a new dialogue between the fields of Classics and aesthetics. Ancient material, he argues, has the capacity to challenge and re-orientate current debates. Comparisons with modern art and literature help to balance the historicism of classical scholarship with transcultural theoretical critique. Grethlein discusses ancient narratives and pictures in order to explore the nature of aesthetic experience. While our responses to both narratives and pictures are vicarious, the 'as-if' on which they are premised is (...)
     
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