41 found
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Jonathan Culler [35]Jonathan D. Culler [6]
  1.  24
    On Deconstruction: Theory and Criticism after Structuralism.Gregory L. Ulmer & Jonathan Culler - 1984 - Substance 13 (1):100.
  2.  30
    Interpretation and Overinterpretation.Umberto Eco, Richard Rorty, Jonathan Culler, Christine Brooke-Rose & Stefan Collini - 1993 - Journal of Aesthetics and Art Criticism 51 (4):632-634.
  3.  23
    On Deconstruction: Theory and Criticism after StructuralismRoland Barthes.Dan O'Hara & Jonathan Culler - 1984 - Journal of Aesthetics and Art Criticism 42 (3):323.
  4.  44
    Literary Theory: A Very Short Introduction.David Herman & Jonathan Culler - 1999 - Substance 28 (2):159.
  5. Apostrophe.Jonathan Culler - 1977 - Diacritics 7 (4):59.
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  6.  34
    Structuralism: Critical Concepts in Literary and Cultural Studies.Jonathan D. Culler (ed.) - 2006 - Routledge.
    Organized thematically, this four-volume collection explores the key areas of structuralism - and with a new introduction by the editor to guide the reader through the work, this is an essential collection of secondary sources that provides a valuable tool for research. Taking as their methodological model the successes of the structural linguistics inaugurated by Ferdinand de Saussure, a group of thinkers in such fields as anthropology, literary and cultural studies, sociology and philosophy developed ambitious programs for the interdisciplinary study (...)
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  7.  28
    The Return to Philology.Jonathan Culler - 2002 - The Journal of Aesthetic Education 36 (3):12.
  8. Symposium: A Beginning in the Humanities.Peter Brooks, Paul H. Fry, W. B. Carnochan, Jonathan Culler, Seth Lerer, Donald G. Marshall, Barbara Johnson, Wendy Steiner, Susan Haack & Martha C. Nussbaum - 2002 - Journal of Aesthetic Education 36 (3):1-49.
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  9.  19
    Barthes: A Very Short Introduction.Jonathan Culler - 2002 - Oxford University Press.
    Roland Barthes was the leading figure of French Structuralism, the theoretical movement of the 1960s which revolutionized the study of literature and culture, as well as history and psychoanalysis. But Barthes was a man who disliked orthodoxies. His shifting positions and theoretical interests make him hard to grasp and assess. This book surveys Barthes' work in clear, accessible prose, highlighting what is most interesting and important in his work today.
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  10. Political Criticism.Jonathan Culler - 1990 - In David Wood (ed.), Writing the Future. Routledge. pp. 192--204.
     
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  11. Wellek's "Modern Criticism".Jonathan Culler - 1988 - Journal of the History of Ideas 49 (2):347.
  12.  27
    The Uses of Madame Bovary.Jonathan Culler - 1981 - Diacritics 11 (3):74.
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  13.  25
    Junk and Rubbish: A Semiotic ApproachRubbish Theory; The Creation and Destruction of Value. [REVIEW]Jonathan Culler & Michael Thompson - 1985 - Diacritics 15 (3):2.
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  14.  13
    Poststructuralist Turn?Jonathan Culler - 2019 - Diacritics 47 (4):28-49.
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  15.  21
    Nuclear Piece: Memoires of Hamlet and the Time to ComeMemoires: For Paul de ManHamlet"Nuclear Criticism.". [REVIEW]Nicholas Royle, Jacques Derrida, Cecile Lindsay, Jonathan Culler, Eduardo Cadava, Harold Jenkins, William Shakespeare & Richard Klein - 1990 - Diacritics 20 (1):37.
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  16.  30
    The Genius of Barbara Johnson.Jonathan D. Culler - 2004 - Diacritics 34 (1):74-76.
  17.  18
    Interview: Fredric Jameson.Fredric Jameson, Leonard Green, Jonathan Culler & Richard Klein - 1982 - Diacritics 12 (3):72.
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  18.  17
    Problems in the Theory of Fiction. [REVIEW]Jonathan Culler - 1984 - Diacritics 14 (1):2.
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  19.  17
    Flaubert’s Provocation.Jonathan Culler - 2017 - Text Matters - a Journal of Literature, Theory and Culture 7 (7):55-70.
    Madame Bovary, which was scandalous in its own day for its focus on the adultery of a provincial woman, has had a strange, complex fate. Flaubert remade the image of the novelist, as pure artist, for whom style was all that mattered, and disrupted novelistic technique, in ways that critics and writers have found exemplary, treating this as the novel novelists cannot overlook; yet for readers Madame Bovary is not a “book about nothing” but provides a searing portrait of provincial (...)
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  20.  13
    Competent ReadersStructuralist Poetics. Structuralism, Linguistics, and the Study of Literature.Peter Brooks & Jonathan Culler - 1976 - Diacritics 6 (1):23.
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  21.  11
    Extending the Theory of the Lyric.Jonathan Culler - 2017 - Diacritics 45 (4):6-14.
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  22.  20
    Semiotic Ambitions.Jonathan Culler - 1989 - American Journal of Semiotics 6 (2-3):127-138.
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  23.  26
    'œThe Most Interesting Thing in the World: DerridaJacques.Jonathan Culler - 2008 - Diacritics 38 (1):7-16.
    The topic of the relation between literature and democracy in Derrida's thinking is introduced, focusing especially on the problem of the secret, which has loomed large in Derrida's late discussions of both literature and democracy.
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  24.  10
    Mythologies.By Roland Barthes. Translated by Annette Lavers.Jonathan Culler - 1973 - Journal of the British Society for Phenomenology 4 (2):171-173.
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  25.  14
    Baudelaire's Satanic Verses.Jonathan D. Culler - 1998 - Diacritics 28 (3):86-100.
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  26. Critical Concept in Literary and Cultural Studies.Jonathan D. Culler - 2006
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  27.  12
    Comment on the Norton Anthology of Theory and Criticism.Jonathan D. Culler - 2003 - Symploke 11 (1):242-243.
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  28.  8
    Wellek's Modern CriticismA History of Modern Criticism, 1750-1950.Jonathan Culler & Rene Wellek - 1988 - Journal of the History of Ideas 49 (2):347.
  29. Deconstruction: Cultural Concerns.Jonathan Culler - 2001 - In N. J. Smelser & B. Baltes (eds.), International Encyclopedia of the Social and Behavioral Sciences.
     
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  30. Sobre la Deconstrucción. Teoría y crítica después del estructuralismo.Jonathan Culler & Luis Cremades - 1985 - Revista Portuguesa de Filosofia 41 (4):512-514.
     
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  31.  7
    David Nowell Smith. On Voice in Poetry: The Work of Animation. New York: Palgrave Macmillan, 2015. 202 pp. [REVIEW]Jonathan Culler - 2017 - Critical Inquiry 43 (4):896-897.
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  32.  6
    Preparing the Novel: Spiralling Back.Jonathan Culler - 2008 - Paragraph 31 (1):109-120.
    La Préparation du roman, Barthes's course at the Collège de France which was interrupted by his death in 1980, announces a change of life: not giving up analysing literature and culture to write a novel but `preparing the novel', working as if he were going to write a novel. Barthes's approach to the novel is quite singular. With no interest in narrative, nor in extracting the meaning from experience, he treats the novel as a sort of notation, and perversely takes (...)
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  33.  6
    Stanley Fish & the Righting of the Reader. [REVIEW]Jonathan Culler - 1975 - Diacritics 5 (1):26.
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  34.  57
    Semiotics of tourism.Jonathan Culler - 1981 - American Journal of Semiotics 1 (1/2):127-140.
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  35.  7
    Preface.Jonathan D. Culler & Richard Klein - 1998 - Diacritics 28 (3):3-3.
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  36.  13
    Derrida and Democracy.Jonathan Culler - 2008 - Diacritics 38 (1/2):2-6.
  37.  5
    Interpretations: Data or Goals?Jonathan Culler - 1989 - In Paul Hernadi (ed.), The Rhetoric of Interpretation and the Interpretation of Rhetoric. Duke University Press. pp. 23--38.
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  38.  29
    Anderson and the Novel.Jonathan Culler - 1999 - Diacritics 29 (4):20-39.
  39.  1
    Analyzing Narrative: Roland Barthes’ Forgotten Interview.Jonathan Culler - 2022 - Theory, Culture and Society 39 (7-8):175-180.
    This commentary reflects upon an interview with Roland Barthes from 1965 in which he discusses the structural analysis of narrative. The presentation prefigures the publication of Barthes’ well-known essay, ‘ Introduction à l’analyse structurale des récits’, which appeared shortly after in Communications, No. 8, in 1966. A close reading of both interview and essay shows that the interview differs from the published essay, notably in following more explicitly the steps of Saussure’s attempts to work out the units of the linguistic (...)
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  40. Criticism and Institutions: the American university.Jonathan Culler - 1987 - In Derek Attridge, Geoffrey Bennington & Robert Young (eds.), Post-Structuralism and the Question of History. Cambridge University Press. pp. 82--100.
     
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  41.  11
    "Paul de Man's War" and the Aesthetic Ideology.Jonathan Culler - 1989 - Critical Inquiry 15 (4):777-783.
    While debates about the relations to fascism exhibited in de Man’s newspaper articles will no doubt continue , the important question is what value his critical and theoretical writings have for us, the productivity of his critical and theoretical work for our thinking. The wartime writings give a new dimension to much of de Man’s work in America, helping one to understand more plainly what is implied by his critique of the aesthetic ideology, as in late essays on Kleist and (...)
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