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Jonathan Gilmore
CUNY Graduate Center
  1. Aptness of Emotions for Fictions and Imaginings.Jonathan Gilmore - 2011 - Pacific Philosophical Quarterly 92 (4):468-489.
    Many philosophical accounts of the emotions conceive of them as susceptible to assessments of rationality, fittingness, or some other notion of aptness. Analogous assumptions apply in cases of emotions directed at what are taken to be only fictional or only imagined. My question is whether the criteria governing the aptness of emotions we have toward what we take to be real things apply invariantly to those emotions we have toward what we take to be only fictional or imagined. I argue (...)
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  2. Between Philosophy and Art.Jonathan Gilmore - 2004 - In Taylor Carman (ed.), Cambridge Companion to Merleau Ponty. Cambridge University Press.
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  3.  84
    A Functional View of Artistic Evaluation.Jonathan Gilmore - 2011 - Philosophical Studies 155 (2):289-305.
    I develop and defend the following functional view of art: a work of art typically possesses as an essential feature one or more points, purposes, or ends with reference to the satisfaction of which that work can be appropriately evaluated. This way of seeing a work’s artistic value as dependent on its particular artistic ends (whatever they may be) suggests an answer to a longstanding question of what sort of internal relation, if any, exists between the wide variety of values (...)
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  4.  23
    Symposium: Arthur Danto, The Abuse of Beauty*: Internal Beauty.Jonathan Gilmore - 2005 - Inquiry: An Interdisciplinary Journal of Philosophy 48 (2):145-154.
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  5. Expression as Realization: Speakers' Interests in Freedom of Speech.Jonathan Gilmore - 2011 - Law and Philosophy 30 (5):517-539.
  6. The Epistemology of Fiction and the Question of Invariant Norms.Jonathan Gilmore - 2014 - Royal Institute of Philosophy Supplement 75:105-126.
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  7. Grief and Belief.Jonathan Gilmore - 2013 - British Journal of Aesthetics 53 (1):103-107.
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  8. That Obscure Object of Desire: Pleasure in Painful Art.Jonathan Gilmore - 2013 - In Jerrold Levinson (ed.), Suffering Art Gladly: The Paradox of Negative Emotions in Art. Palgrave/Macmillan.
  9. Lamarque, Peter. The Opacity of Narrative. Lanham, Maryland: Rowman & Littlefield, 2014, Xv + 213 Pp., £19.95 Paper. [REVIEW]Jonathan Gilmore - 2015 - Journal of Aesthetics and Art Criticism 73 (3):349-351.
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  10. The Life of a Style: Beginnings and Endings in the Narrative History of Art.Jonathan Gilmore - 2002 - Journal of Aesthetics and Art Criticism 60 (4):360-361.
     
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  11. The Life of a Style: Beginnings and Endings in the Narrative History of Art.Jonathan Gilmore - 2000 - Cornell University Press.
    In The Life of a Style, Jonathan Gilmore claims that such narrative developments inhere in the history of art itself.By exploring such topics as the discovery ...
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  12. Reply to Carrier.Jonathan Gilmore - 1995 - Journal of Aesthetics and Art Criticism 53 (4):429.
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  13. Internal Beauty.Jonathan Gilmore - unknown
    In the title essay of The Philosophical Disenfranchisement of Art Arthur Danto describes two dominant strains of the philosophy of art in its Platonic beginnings: one that art is dangerous, and thus subject to political censorship or control, and the other that art exists at several removes from the ordinary reality, impotent to effect any meaningful change in the human world.1 These two ways of understanding art, really two charges laid at art’s door, seem contradictory, he writes, until one realizes (...)
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  14.  32
    The Aesthete in the City: The Philosophy and Practice of American Abstract Painting in the 1980s. [REVIEW]Jonathan Gilmore - 1998 - International Studies in Philosophy 30 (2):122-123.
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  15. The Philosophical Disenfranchisement of Art.Arthur C. Danto & Jonathan Gilmore - 2004 - Cambridge University Press.
    In this acclaimed work, first published in 1986, world-renowned scholar Arthur C. Danto explored the inextricably linked but often misunderstood relationship between art and philosophy. In light of the book's impact -- especially the essay "The End of Art," which dramatically announced that art ended in the 1960s -- this enhanced edition includes a foreword by Jonathan Gilmore that discusses how scholarship has changed in response to it. Complete with a new bibliography of work on and influenced by Danto's ideas, (...)
     
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  16.  50
    Criticism.Jonathan Gilmore - 2013 - In Gaut and Lopes (ed.), Routledge Companion to Aesthetics. Routledge.
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  17.  34
    Normative and Scientific Approaches to the Understanding and Evaluation of Art.Jonathan Gilmore - 2013 - Behavioral and Brain Sciences 36 (2):144-145.
    The psycho-historical framework proposes that appreciators' responses to art vary as a function of their sensitivity to its historical dimensions. However, the explanatory power of that framework is limited insofar as it assimilates relevantly different kinds of appreciation and insofar as it eschews a normative account of when a response succeeds in qualifying as an appreciation of art qua art.
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  18.  52
    Ethics, Aesthetics, and Artistic Ends.Jonathan Gilmore - 2011 - Journal of Value Inquiry 45 (2):203-214.
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  19.  24
    Philosophy of Literature.Jonathan Gilmore - 2013 - Oxford Bibliographies Online.
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  20.  18
    David Carrier's Art History.Jonathan Gilmore - 1995 - Journal of Aesthetics and Art Criticism 53 (1):39-47.
    It is a commonplace now among art historians that to say, with Ruskin, that an artist had an "innocent eye" was to give the artist an empty compliment. It would have been to say that the artist possessed something no one could possess, and that, if we follow E. H. Gombrich, the artist was not part of the history of art. Gombrich's goal was to show that the history of art was constituted by artists "making and matching" as they saw (...)
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  21. Opinion.Jonathan Gilmore & Judith Surkis - unknown
    The recent arrest of Roman Polanski, the film director who fled to France from the United States in 1978 on the eve of sentencing for having unlawful sex with a 13-year-old girl, has caused an international ruckus. The French culture minister, Frédéric Mitterrand, and the French foreign minister, Bernard Kouchner, both issued statements of support for Mr. Polanski. But many others in France have expressed outrage at that support and said he should face justice for the crime.
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  22. Pictorial Realism.Jonathan Gilmore - 1998 - In Michael Kelly (ed.), Encyclopedia of Aesthetics. Oxford University Press. pp. 4--109.
     
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