12 found
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Joseph D. Lewandowski [13]Joseph Durward Lewandowski [1]
  1.  10
    Between Rounds: The Aesthetics and Ethics of Sixty Seconds.Joseph D. Lewandowski - 2020 - Journal of the Philosophy of Sport 47 (3):438-450.
  2.  10
    Between Rounds: The Aesthetics and Ethics of Sixty Seconds.Joseph D. Lewandowski - forthcoming - Tandf: Journal of the Philosophy of Sport:1-13.
  3.  44
    Thematizing Embeddedness: Reflexive Sociology as Interpretation.Joseph D. Lewandowski - 2000 - Philosophy of the Social Sciences 30 (1):49-66.
    This article examines the interpretive dimensions of human action. Although it takes the reflexive sociology of Pierre Bourdieu as its starting point, the article attempts to develop a more robust hermeneutical account of the reflexivity of social actors and those who study them than Bourdieu himself has considered. It is argued that interpretation is best understood not as the homologous expression of inculcated structures but rather as context-sensitive and reflexively context-transforming action—or what the author wishes to characterize, respectively, as first- (...)
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  4.  26
    Teamwork as Reflexive Social Cooperation.Joseph D. Lewandowski - 2015 - Journal of the Philosophy of Sport 42 (1):43-49.
    In this response to Paul Gaffney’s “The Nature and Meaning of Teamwork,” I draw on recent work in analytic social philosophy to provide a more robust vocabulary for understanding teamwork as a distinctly social fact. I argue that teamwork entails complex reflexive social cooperation aimed at achieving shared excellence within constraints of various kinds.
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  5.  21
    Enlightenment and Constraints.Joseph D. Lewandowski - 2009 - Public Reason 1 (2).
  6. Culture, Texuality and Truth.Joseph D. Lewandowski - 1993 - Philosophy and Social Criticism 19 (1):43-58.
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  7.  99
    Adorno on Jazz and Society.Joseph D. Lewandowski - 1996 - Philosophy and Social Criticism 22 (5):103-121.
    In this essay I offer a philosophical-political reconstruction of Theodor Adorno's engagements with jazz. Rather than consider whether or not Adorno got jazz 'right', I give an account of how and why Adorno develops the criticisms that he does. I argue that in Adorno's analysis of jazz three interpenetrating claims emerge: (1) a rejection of jazz's sense of improvisation and spontaneity; (2) a demonstration of jazz's entwinement with the modern technologiza tion of everyday life; and (3) a critique of jazz's (...)
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  8. Disembedded Democracy?: Globalization and the `Third Way'.Joseph D. Lewandowski - 2003 - European Journal of Social Theory 6 (1):115-131.
    This article is an analysis of Anthony Giddens' attempt to articulate a globalization-friendly alternative to traditional social democracy and neo-liberal market fundamentalism. Specifically, I focus on Giddens' insistence that globalization is not merely an economic phenomenon but also, and more profoundly, a political and cultural force of `time-space distanciation'. Whereas Giddens conceives of a direct causal connection between the disembedding forces of globalization and outcomes of democratization, I argue that such a conception is deeply flawed. Indeed, rather than develop a (...)
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  9.  4
    Rescuing Critique.Joseph D. Lewandowski - 2008 - Theory, Culture and Society 25 (7-8):285-308.
    This article explores the work of the contemporary sociologist and urban photographer, Camilo Vergara. The piece draws on early work in critical theory to characterize Vergara's work as `rescuing critique'. Specifically, the article maintains that it is only in the theoretical vocabulary of Walter Benjamin that the methodological uniqueness, historical sensitivity and critical thrust of Vergara's project can be adequately understood. Indeed, it is argued that what is truly distinct about Vergara's work is the decidedly Benjaminian way in which, in (...)
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  10.  77
    Review Essay: Heidegger, Literary Theory and Social Criticism.Joseph D. Lewandowski - 1994 - Philosophy and Social Criticism 20 (3):109-122.
  11.  38
    Street Culture: The Dialectic of Urbanism in Walter Benjamin’s Passagen-Werk.Joseph D. Lewandowski - 2005 - Philosophy and Social Criticism 31 (3):293-308.
    This article develops a sociological reading of Walter Benjamin’s ‘Arcades Project’, or Passagen-werk . Specifically, the essay seeks to make explicit Benjamin’s non-dualistic account of structure and agency in the urban milieu. I characterize this account as the ‘dialectic of urbanism’, and argue that one of the central insights of Benjamin’s Passagen-werk is that it locates an emergent and innovative cultural form - a distinctive ‘street culture’ or jointly shared way of modern urban life - within haussmannizing techniques of architectural (...)
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  12.  19
    The Transparent Society. By Gianni Vattimo.Joseph D. Lewandowski - 1993 - Modern Schoolman 70 (3):231-234.
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