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Joseph D. Lewandowski [12]Joseph Durward Lewandowski [1]
  1.  4
    Between Rounds: The Aesthetics and Ethics of Sixty Seconds.Joseph D. Lewandowski - forthcoming - Journal of the Philosophy of Sport:1-13.
    This paper seeks to develop a philosophical framework for what I argue are the Nietzschean and Kantian aspects of professional boxing matches: narrative dissimulation and moral obligation. The over...
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  2.  7
    Between Rounds: The Aesthetics and Ethics of Sixty Seconds.Joseph D. Lewandowski - forthcoming - Tandf: Journal of the Philosophy of Sport:1-13.
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  3.  24
    Teamwork as Reflexive Social Cooperation.Joseph D. Lewandowski - 2015 - Journal of the Philosophy of Sport 42 (1):43-49.
    In this response to Paul Gaffney’s “The Nature and Meaning of Teamwork,” I draw on recent work in analytic social philosophy to provide a more robust vocabulary for understanding teamwork as a distinctly social fact. I argue that teamwork entails complex reflexive social cooperation aimed at achieving shared excellence within constraints of various kinds.
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  4.  43
    Thematizing Embeddedness: Reflexive Sociology as Interpretation.Joseph D. Lewandowski - 2000 - Philosophy of the Social Sciences 30 (1):49-66.
    This article examines the interpretive dimensions of human action. Although it takes the reflexive sociology of Pierre Bourdieu as its starting point, the article attempts to develop a more robust hermeneutical account of the reflexivity of social actors and those who study them than Bourdieu himself has considered. It is argued that interpretation is best understood not as the homologous expression of inculcated structures but rather as context-sensitive and reflexively context-transforming action—or what the author wishes to characterize, respectively, as first- (...)
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  5.  21
    Enlightenment and Constraints.Joseph D. Lewandowski - 2009 - Public Reason 1 (2).
  6.  96
    Adorno on Jazz and Society.Joseph D. Lewandowski - 1996 - Philosophy and Social Criticism 22 (5):103-121.
    In this essay I offer a philosophical-political reconstruction of Theodor Adorno's engagements with jazz. Rather than consider whether or not Adorno got jazz 'right', I give an account of how and why Adorno develops the criticisms that he does. I argue that in Adorno's analysis of jazz three interpenetrating claims emerge: (1) a rejection of jazz's sense of improvisation and spontaneity; (2) a demonstration of jazz's entwinement with the modern technologiza tion of everyday life; and (3) a critique of jazz's (...)
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  7.  77
    Review Essay: Heidegger, Literary Theory and Social Criticism.Joseph D. Lewandowski - 1994 - Philosophy and Social Criticism 20 (3):109-122.
  8.  37
    Street Culture: The Dialectic of Urbanism in Walter Benjamin’s Passagen-Werk.Joseph D. Lewandowski - 2005 - Philosophy and Social Criticism 31 (3):293-308.
    This article develops a sociological reading of Walter Benjamin’s ‘Arcades Project’, or Passagen-werk . Specifically, the essay seeks to make explicit Benjamin’s non-dualistic account of structure and agency in the urban milieu. I characterize this account as the ‘dialectic of urbanism’, and argue that one of the central insights of Benjamin’s Passagen-werk is that it locates an emergent and innovative cultural form - a distinctive ‘street culture’ or jointly shared way of modern urban life - within haussmannizing techniques of architectural (...)
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  9.  19
    The Transparent Society. By Gianni Vattimo.Joseph D. Lewandowski - 1993 - Modern Schoolman 70 (3):231-234.
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  10.  4
    Rescuing Critique.Joseph D. Lewandowski - 2008 - Theory, Culture and Society 25 (7-8):285-308.
    This article explores the work of the contemporary sociologist and urban photographer, Camilo Vergara. The piece draws on early work in critical theory to characterize Vergara's work as `rescuing critique'. Specifically, the article maintains that it is only in the theoretical vocabulary of Walter Benjamin that the methodological uniqueness, historical sensitivity and critical thrust of Vergara's project can be adequately understood. Indeed, it is argued that what is truly distinct about Vergara's work is the decidedly Benjaminian way in which, in (...)
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