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Joshua M. Hall [19]Joshua Maloy Hall [1]
  1.  8
    Nerve/Nurses of the Cosmic Doctor: Wang Yang-Ming on Self-Awareness as World-Awareness.Joshua M. Hall - 2016 - Asian Philosophy 26 (2):149-165.
    ABSTRACTIn Philip J. Ivanhoe’s introduction to his Readings from the Lu-Wang School of Neo-Confucianism, he argues convincingly that the Ming-era Neo-Confucian philosopher Wang Yang-ming was much more influenced by Buddhism than has generally been recognized. In light of this influence, and the centrality of questions of selfhood in Buddhism, in this article I will explore the theme of selfhood in Wang’s Neo-Confucianism. Put as a mantra, for Wang “self-awareness is world-awareness.” My central image for this mantra is the entire cosmos (...)
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  2.  9
    Questions of Race in J. S. Mill’s Contributions to Logic.Joshua M. Hall - 2014 - Philosophia Africana 16 (2):73-93.
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  3.  14
    Rearticulating Languages of Art: Dancing with Goodman.Joshua M. Hall - 2015 - Evental Aesthetics 3 (3):28-53.
    In this article, I explore the relationship between dance and the work of Nelson Goodman, which is found primarily in his early book, Languages of Art. Drawing upon the book’s first main thread, I examine Goodman’s example of a dance gesture as a symbol that exemplifies itself. I argue that self-exemplifying dance gestures are unique in that they are often independent and internally motivated, or “meta-self-exemplifying.” Drawing upon the book’s second main thread, I retrace Goodman’s analysis of dance’s relationship to (...)
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  4.  18
    Prevailing Winds: Marx as Romantic Poet.Joshua M. Hall - 2013 - Philosophy and Literature 37 (2):343-359.
    Expressivism is Charles Taylor’s term for an anthropological theory originating in Herder and Rousseau and most evident in the Romantics and Hegel. Taylor also sees expressivism at work in Marx, in what he calls Marx’s “Liberation Theory.”1 According to this theory, each human being has the nature of an artist, with the capacity for creative self-expression in acting on the world. Before turning to Marx’s own writings, I will first examine more carefully Taylor’s understanding of expressivism as presented in his (...)
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  5.  3
    Alfarabi's Imaginative Critique: Overflowing Materialism inVirtuous Community.Joshua M. Hall - 2015 - South African Journal of Philosophy 34 (2):175-192.
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  6.  5
    A Divinely Tolerant Political Ethics.Joshua M. Hall - 2016 - Epoché: A Journal for the History of Philosophy 20 (2):327-348.
    Marcus Aurelius’s Meditations constitutes an important source and subject for Michel Foucault’s 1981 lectures at the Collège de France, translated into English as Hermeneutics of the Subject. One recurring theme in these lectures is the deployment by Hellenistic/Roman philosophers such as Aurelius of the practice and figure of dance. Inspired by this discussion, the present essay offers a close reading of dance in the Meditations, followed by a survey of the secondary literature on this subject. Overall, I will attempt to (...)
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  7.  14
    Absolute-Brahma: Royce and the Upanishads.Joshua M. Hall - 2014 - Asian Philosophy 24 (2):121-132.
    While acknowledging a certain affinity between his own thought and the Vedanta concept of a world-soul or universal spirit, Josiah Royce nevertheless locates this concept primarily in what he terms the Second Conception of Being?Mysticism. In his early magnum opus, The World and the Individual (1990. New York, NY: Macmillan), Royce utilizes aspects of the Upanishads in order to flesh out his picture of the mystical understanding of and relationship to being. My primary concern in the present investigation is to (...)
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  8.  11
    Kandinsky's Composition VI: Heideggerian Poetry in Noah's Ark.Joshua M. Hall - 2012 - Journal of Aesthetic Education 46 (2):74-88.
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  9.  4
    Apposite Bodies.Joshua M. Hall - 2015 - Philosophy in the Contemporary World 22 (1):19-36.
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  10.  8
    Redrawing Kant's Philosophy of Mathematics.Joshua M. Hall - 2013 - South African Journal of Philosophy 32 (3):235-247.
    This essay offers a strategic reinterpretation of Kant’s philosophy of mathematics in Critique of Pure Reason via a broad, empirically based reconception of Kant’s conception of drawing. It begins with a general overview of Kant’s philosophy of mathematics, observing how he differentiates mathematics in the Critique from both the dynamical and the philosophical. Second, it examines how a recent wave of critical analyses of Kant’s constructivism takes up these issues, largely inspired by Hintikka’s unorthodox conception of Kantian intuition. Third, it (...)
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  11.  6
    Choreographing the Borderline.Joshua M. Hall - 2012 - Philosophy Today 56 (1):49-58.
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  12.  5
    Hyperion as Daoist Masterpiece: Keats and the Daodejing.Joshua M. Hall - 2012 - Asian Philosophy 22 (3):225-237.
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  13.  1
    Double Characters: James and Stevens on Poetry-Philosophy.Joshua M. Hall - 2014 - Research in Phenomenology 44 (3):405-420.
  14.  1
    Self-Mimetic Curved Silvering: Dancing with Irigaray.Joshua Maloy Hall - 2014 - Journal of French and Francophone Philosophy 22 (1):76-101.
    In lieu of an abstract, here is the opening paragraph of the essay: One of Luce Irigaray’s many important contributions to philosophy consists in invoking dance more frequently than any other canonical Western philosopher. Unfortunately, however, her treatment of dance has rarely been treated substantively in the secondary literature, especially in regard to her most influential commentators, including Judith Butler, Elizabeth Grosz, and Margaret Whitford. Accordingly, I will begin my first section by situating the theme of dance in Irigaray’s work (...)
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  15.  1
    Poetic Intuition.Joshua M. Hall - 2013 - Philosophy Today 57 (4):401-407.
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  16. Choreographing the Borderline: Dancing with Kristeva.Joshua M. Hall - 2012 - Philosophy Today 56 (1):49-58.
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  17. Poetic Intuition: Spinoza and Gerard Manley Hopkins.Joshua M. Hall - 2013 - Philosophy Today 57 (4):401-407.
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  18. Time-Traveling Image: Gilles Deleuze on Science-Fiction Film.Joshua M. Hall - 2016 - Journal of Aesthetic Education 50 (4):31-44.
    Gilles Deleuze claims in the preface to Difference and Repetition, “A book of philosophy ought to be in part... a kind of science fiction.”1 And in regard to Deleuze’s relationship to film, Jean-Luc Nancy observes that “Deleuze’s interest in the cinema is not just appended to his work: it is at the centre, in the projective principle of his thought. It is a cinema-thought.”2 Within the larger domain of science-fiction cinema in general, the present article focuses primarily on the subgenre (...)
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  19. Philosophy Imprisoned: The Love of Wisdom in the Age of Mass Incarceration.Sarah Tyson & Joshua M. Hall (eds.) - 2014 - Lexington Books.
    Editors Sarah Tyson and Joshua M. Hall convene an international group of philosophical thinkers—from both inside and outside prison walls—who draw on a variety of historical figures and critical perspectives to think about prisons in our new historical era.
     
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