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  1. Sophocles' Antigone and the Democratic Voice.Judith Fletcher - 2010 - In S. E. Wilmer & Audrone Zukauskaite (eds.), Interrogating Antigone in Postmodern Philosophy and Criticism. Oxford University Press. pp. 168.
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  2.  65
    A Trickster'S Oaths in the Homeric Hymn to Hermes.Judith Fletcher - 2008 - American Journal of Philology 129 (1):19-46.
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  3.  41
    The Legal Imagination of Ancient Athens (E.M.) Harris, (D.F.) Leão, (P.J.) Rhodes (edd.) Law and Drama in Ancient Greece. Pp. viii + 200. London: Duckworth, 2010. Cased, £45. ISBN: 978-0-7156-3892-7. [REVIEW]Judith Fletcher - 2011 - The Classical Review 61 (2):372-374.
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  4.  26
    Euripides' Electra- (H.M.) Roisman, (C.A.E.) Luschnig (ed.) Euripides' Electra. A Commentary. (Oklahoma Series in Classical Culture 38.) Pp. xviii + 366, ills. Norman: University of Oklahoma Press, 2011. Paper, US$32.95. ISBN: 978-0-8061-4119-0. [REVIEW]Judith Fletcher - 2012 - The Classical Review 62 (2):372-374.
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  5.  18
    Signifying Circe in Toni Morrison's Song of Solomon.Judith Fletcher - 2006 - Classical World: A Quarterly Journal on Antiquity 99 (4):405-418.
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    The Catabasis of Mattie Ross in the Coens’ True Grit.Judith Fletcher - 2013 - Classical World: A Quarterly Journal on Antiquity 107 (2):237-254.
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