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  1.  44
    On Naturalism in Hegel's Philosophy of Spirit.Julia Peters - 2016 - British Journal for the History of Philosophy 24 (1):111-131.
    In recent years, philosophers have become increasingly interested in a Hegelian approach to Aristotelian non-reductive naturalism. This paper points out a challenge faced by naturalist readings of Hegel's conception of spirit. For Hegel, spirit and nature are essentially distinct and even related in an antagonistic way. It is difficult to do full justice to this thought while at the same time reading Hegel as a naturalist. The paper also seeks to suggest a response to this challenge. Drawing on Hegel's account (...)
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  2. A Theory of Tragic Experience According to Hegel.Julia Peters - 2011 - European Journal of Philosophy 19 (1):85-106.
    Abstract: Hegel's theory of tragedy is often considered to be primarily a theory of the objective powers involved in tragic conflicts—for Hegel, these are paradigmatically competing ethical notions—and of the rationality which underlies and drives such conflicts. Such a view follows naturally from a close reading of Hegel's discussion of classical Greek tragedy in his Lectures on Aesthetics. However, this view gives rise to the question of whether Hegel's theory of tragedy can account for the significance of tragic experience, in (...)
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  3.  11
    Evaluative Standards In Art Criticism: A Defence.Julia Peters - 2005 - Postgraduate Journal of Aesthetics 2 (1):32-44.
    To a superficial consideration, art criticism might appear as a profession of a parasitic nature, nourishing itself on what is produced by others: by artists. In fact, however, the relation between artistic practice and its criticism is more adequately conceived of as a sort of symbiosis. For, while it is true that criticism depends on and presupposes the existence of its objects - that is, works of art - on the other hand nothing would prevent good art from being equated (...)
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  4. Hegel on Beauty.Julia Peters - 2014 - Routledge.
    While the current philosophical debate surrounding Hegel’s aesthetics focuses heavily on the philosopher’s controversial ‘end of art’ thesis, its participants rarely give attention to Hegel’s ideas on the nature of beauty and its relation to art. This study seeks to remedy this oversight by placing Hegel’s views on beauty front and center. Peters asks us to rethink the common assumption that Hegelian beauty is exclusive to art and argues that for Hegel beauty, like art, is subject to historical development. Her (...)
     
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  5.  20
    Kant's Gesinnung.Julia Peters - 2018 - Journal of the History of Philosophy 56 (3):497-518.
    One of the most important developments in the past decades of scholarship on Kant's practical philosophy is a growing interest in his conception of moral character, especially in his conception of virtue. Focusing especially on his later works in moral philosophy, such as the Doctrine of Virtue in his Metaphysics of Morals, commentators have shown that Kant possesses a rich, elaborate account of moral virtue. This has brought partly unexpected aspects of Kantian moral philosophy to new light. We can no (...)
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  6.  27
    Aristotelian Ethics in Contemporary Perspective.Julia Peters (ed.) - 2012 - Routledge.
    By bringing together influential critics of neo-Aristotelian virtue ethics and some of the strongest defenders of an Aristotelian approach, this collection provides a fresh assessment of the strengths and weaknesses of Aristotelian virtue ethics and its contemporary interpretations. Contributors critically discuss and re-assess the neo-Aristotelian paradigm which has been predominant in the philosophical discourse on virtue for the past 30 years.
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  7.  46
    Denken Und Selbstsein: Vorlesungen Über Subjektivität by Dieter Henrich.Julia Peters - 2009 - European Journal of Philosophy 17 (3):461-464.
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  8.  8
    Virtue, Personal Good, and the Silencing of Reasons.Julia Peters - 2013 - In Aristotelian Ethics in Contemporary Perspective. Routledge. pp. 69.
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  9.  52
    Beauty in Hegel's Anthropology and Philosophy of Art.Julia Peters - 2013 - Idealistic Studies 43 (1-2):87-110.
    According to a widespread view, Hegel holds that beauty cannot be found in the creatures and objects of the natural world, but is strictly limited to works of art. I argue in this paper that Hegel’s restriction of beauty to works of art is not as straightforward as it is often taken to be, by showing that the phenomenon of beauty has anthropological roots in Hegel. Juxtaposing the Lectures on Aesthetics with sections from Hegel’s Anthropology in the Encyclopedia of Philosophical (...)
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  10.  6
    Robert B. Pippin After the Beautiful: Hegel and the Philosophy of Pictorial Modernism. Chicago: University of Chicago Press, 2014. ISBN 978-0-226-07949-3 . ISBN 978-0-226-32558-3 . Pp. 159. £21. [REVIEW]Julia Peters - 2018 - Hegel Bulletin 39 (1):169-173.
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  11.  33
    On Automaticity as a Constituent of Virtue.Julia Peters - 2015 - Ethical Theory and Moral Practice 18 (1):165-175.
    A large part of the current debate among virtue ethicists focuses on the role played by phronesis, or wise practical reasoning, in virtuous action. The paradigmatic case of an action expressing phronesis is one where an agent explicitly reflects and deliberates on all practical options in a given situation and eventually makes a wise choice. Habitual actions, by contrast, are typically performed automatically, that is, in the absence of preceding deliberation. Thus they would seem to fall outside of the primary (...)
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  12. Beauty, Aesthetic Experience and Immanent Critique.Julia Peters - 2009 - Bulletin of the Hegel Society of Great Britain 59:67-81.
     
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  13.  5
    Hegels Begriff der Gewohnheit: Zwischen Philosophie des Geistes Und Ästhetik.Julia Peters - 2018 - Deutsche Zeitschrift für Philosophie 66 (3):325-338.
    In his Encyclopedia of Philosophical Sciences, Hegel states that the essential characteristic of spirit is to exhibit the structure of manifestation. This paper argues that for Hegel the structure of manifestation is actualized in habituated bodily actions, which sheds light on Hegel’s understanding of the relation between body and soul. Furthermore, the paper shows that there is an intrinsic relation between Hegel’s theory of habit and his aesthetics. Insofar as it exemplifies the structure of manifestation, habit has an expressive dimension (...)
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  14.  6
    Beauty, Aesthetic Experience and Immanent Critique.Julia Peters - 2009 - Hegel Bulletin 30 (1-2):67-81.
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  15.  29
    Proust's Recherche and Hegelian Teleology.Julia Peters - 2010 - Inquiry: An Interdisciplinary Journal of Philosophy 53 (2):146 – 161.
    The final volume of Marcel Proust's novel _Agrave la Recherche du Temps perdu (Recherche)_ presents a striking puzzle. In this volume, the narrator Marcel proposes a literary theory which is supposed to provide the theoretical basis for the whole book, such that the _Recherche_ can be considered a novel which contains its own theory. However, the _Recherche_ as a whole does not seem to comply with this literary theory. I suggest in this paper that this puzzle (...)
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  16.  3
    David James. Art, Myth and Society in Hegel's Aesthetics. London: Continuum, 2009. ISBN 10- 08264-2560-7. ISBN 13- 978-0-8264-2560-7. Pp. 148. Price: £65 /£19,99. [REVIEW]Julia Peters - 2012 - Hegel Bulletin 33 (2):101-106.
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  17.  3
    Tugenden Als,Angemessene' Einstellungen.Julia Peters - 2016 - Zeitschrift für Philosophische Forschung 70 (1):108-113.
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  18.  2
    Understanding Hegel’s Mature Critique of Kant.Julia Peters - 2016 - In Sally Sedgwick & Dina Emundts (eds.), Bewusstsein/Consciousness. De Gruyter. pp. 291-295.
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