15 found
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  1. What is the relationship between synaesthesia and visuo-spatial number forms?Noam Sagiv, Julia Simner, James Collins, Brian Butterworth & Jamie Ward - 2006 - Cognition 101 (1):114-28.
  2.  46
    Lexical-gustatory synaesthesia: linguistic and conceptual factors.Jamie Ward & Julia Simner - 2003 - Cognition 89 (3):237-261.
  3.  24
    Aphantasia within the framework of neurodivergence: Some preliminary data and the curse of the confidence gap.Merlin Monzel, Carla Dance, Elena Azañón & Julia Simner - 2023 - Consciousness and Cognition 115 (C):103567.
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  4.  34
    The prevalence and cognitive profile of sequence-space synaesthesia.Jamie Ward, Alberta Ipser, Eva Phanvanova, Paris Brown, Iris Bunte & Julia Simner - 2018 - Consciousness and Cognition 61:79-93.
  5.  55
    What is the link between synaesthesia and sound symbolism?Kaitlyn Bankieris & Julia Simner - 2015 - Cognition 136 (C):186-195.
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  6.  51
    Beyond visual imagery: How modality-specific is enhanced mental imagery in synesthesia?Mary Jane Spiller, Clare N. Jonas, Julia Simner & Ashok Jansari - 2015 - Consciousness and Cognition 31:73-85.
  7.  71
    Synaesthesia in a logographic language: The colouring of Chinese characters and Pinyin/Bopomo spellings.Julia Simner, Wan-Yu Hung & Richard Shillcock - 2011 - Consciousness and Cognition 20 (4):1376-1392.
    Studies of linguistic synaesthesias in English have shown a range of fine-grained language mechanisms governing the associations between colours on the one hand, and graphemes, phonemes and words on the other. However, virtually nothing is known about how synaesthetic colouring might operate in non-alphabetic systems. The current study shows how synaesthetic speakers of Mandarin Chinese come to colour the logographic units of their language. Both native and non-native Chinese speakers experienced synaesthetic colours for characters, and for words spelled in the (...)
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  8.  62
    The “rules” of synesthesia.Julia Simner - 2013 - In Julia Simner & Edward M. Hubbard (eds.), Oxford Handbook of Synesthesia. Oxford University Press. pp. 149.
    Until relatively recently, researchers believed that synaesthetic sensations and their triggers were arbitrarily paired, and entirely idiosyncratic from one synaesthete to the next. Put differently, they believed that no two synaesthetes would have similar experiences from the same set of triggers, unless this had occurred by chance. This position likely arose because, prior to the internet, it was extremely difficult to recruit more than a small handful of synaesthete participants, and on the surface, synaesthetes do tend to disagree on their (...)
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  9.  34
    Tasty non-words and neighbours: The cognitive roots of lexical-gustatory synaesthesia.Julia Simner & Sarah L. Haywood - 2009 - Cognition 110 (2):171-181.
  10.  57
    (1 other version)Oxford Handbook of Synesthesia.Julia Simner & Edward M. Hubbard (eds.) - 2013 - Oxford University Press.
    Synesthesia is a fascinating phenomenon which has captured the imagination of scientists and artists alike. This inherited condition gives rise to a kind of 'merging of the senses. The Oxford Handbook of Synesthesia brings together a broad body of knowledge about this conditions into one definitive state-of-the-art handbook.
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  11.  72
    Synaesthesia in Chinese characters: The role of radical function and position.Wan-Yu Hung, Julia Simner, Richard Shillcock & David M. Eagleman - 2014 - Consciousness and Cognition 24:38-48.
    Grapheme-colour synaesthetes experience unusual colour percepts when they encounter letters and/or digits. Studies of English-speaking grapheme-colour synaesthetes have shown that synaesthetic colours are sometimes triggered by rule-based linguistic mechanisms . In contrast, little is known about synaesthesia in logographic languages such as Chinese. The current study shows the mechanisms by which synaesthetic speakers of Chinese colour their language. One hypothesis is that Chinese characters might be coloured by their constituent morphological units, known as radicals, and we tested this by eliciting (...)
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  12.  45
    Processing compound words: Evidence from synaesthesia.Jennifer L. Mankin, Christopher Thompson, Holly P. Branigan & Julia Simner - 2016 - Cognition 150 (C):1-9.
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  13.  21
    Synesthesia and release phenomena in sensory and motor grounding. Cases of disinhibited embodiment?Brian F. Gray & Julia Simner - 2015 - Frontiers in Psychology 6.
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  14.  22
    Poorer Well-Being in Children With Misophonia: Evidence From the Sussex Misophonia Scale for Adolescents.Louisa J. Rinaldi, Rebecca Smees, Jamie Ward & Julia Simner - 2022 - Frontiers in Psychology 13.
    ObjectiveMisophonia is an unusually strong aversion to a specific class of sounds – most often human bodily sounds such as chewing, crunching, or breathing. A number of studies have emerged in the last 10 years examining misophonia in adults, but little is known about the impact of the condition in children. Here we set out to investigate the well-being profile of children with misophonia, while also presenting the first validated misophonia questionnaire for children.Materials and MethodsWe screened 142 children using our (...)
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  15.  46
    Synesthesia in school-aged children.Julia Simner & Edward M. Hubbard - 2013 - In Julia Simner & Edward M. Hubbard (eds.), Oxford Handbook of Synesthesia. Oxford University Press. pp. 64.
    This chapter looks at synaesthesia in school aged children from approximately 5-6 years onwards. We examine how synaesthesia develops from its earliest roots both behaviourally and neurologically, and describe how this development can be affected by literacy and learning. We present evidence showing that synaesthesia emerges over time undergoing stages of 'growth' from an immature to more mature form. We also discuss the prevalence of childhood synaesthesia and the methodologies available for testing this. Next we consider how the condition can (...)
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