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Kevin Kopelson [5]K. Kopelson [2]
  1.  28
    Homos.Kevin Kopelson & Leo Bersani - 1996 - Substance 25 (1):120.
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  2.  20
    Quasi una Fantasia: Essays on Modern Music.Kevin Kopelson, Downing Thomas, Theodor Adorno & Rodney Livingstone - 1995 - Substance 24 (3):121.
  3.  13
    Defining Russia Musically: Historical and Hermeneutical Essays.Kevin Kopelson & Richard Taruskin - 1998 - Substance 27 (3):148.
  4. Decadence and Catholicism.Kevin Kopelson & Ellis Hanson - 2002 - Substance 31 (1):129.
  5.  18
    Sedgwick, Eve Kosofsky. The Weather in Proust. Ed. Jonathan Goldberg. Durham: Duke University Press, 2011.N. Rachlin, R. Scullion & K. Kopelson - 2014 - Substance 43 (1):191-197.
  6.  19
    Love's Litany: The Writing of Modern Homoerotics.Lawrence R. Schehr & Kevin Kopelson - 1995 - Substance 24 (3):135.
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  7.  33
    Muhlstein, Anka. Monsieur Proust's Library. New York: Other Press, 2012., Causeries, or Critical Chit-Chat, or A Gift for Slighting the Gifted. [REVIEW]J. Holland, E. Landgraf & K. Kopelson - 2014 - Substance 43 (3):156-164.
    Marcel Proust, as a writer, was even more, shall we say , “steeped” in literary work by others than were so steeped such equally “classic,” as they are by now called, or “canonical” twentieth-century novelists as James Joyce, who, like Proust, seems to have had but in fact did not have a photographic memory, and Vladimir Nabokov, who did have one, or than are such literary critics as ..
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