Results for 'Kalliopi Stratigi'

28 found
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  1.  3
    Nucleotide Excision Repair and Transcription‐Associated Genome Instability.Zivkos Apostolou, Georgia Chatzinikolaou, Kalliopi Stratigi & George A. Garinis - 2019 - Bioessays 41 (4):1800201.
    Transcription is a potential threat to genome integrity, and transcription‐associated DNA damage must be repaired for proper messenger RNA (mRNA) synthesis and for cells to transmit their genome intact into progeny. For a wide range of structurally diverse DNA lesions, cells employ the highly conserved nucleotide excision repair (NER) pathway to restore their genome back to its native form. Recent evidence suggests that NER factors function, in addition to the canonical DNA repair mechanism, in processes that facilitate mRNA synthesis or (...)
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  2.  2
    Why Them and Not I? An Account of Kalliopi Lemos’s Art Projects About Human Dignity.Artemis Manolopoulou - 2015 - In David Kim & Susanne Kaul (eds.), Imagining Human Rights. De Gruyter. pp. 201-216.
  3.  54
    Homo Sacer: Sovereign Power and Bare Life.Kalliopi Nikolopoulou, Giorgio Agamben & Daniel Heller-Roazen - 2000 - Substance 29 (3):124.
  4.  79
    Images of Women in Online Advertisements of Global Products: Does Sexism Exist?Emmanuella Plakoyiannaki, Kalliopi Mathioudaki, Pavlos Dimitratos & Yorgos Zotos - 2008 - Journal of Business Ethics 83 (1):101-112.
    Research on female stereotypes in online advertisements is particularly scant, and thus, we lack evidence on whether women are depicted in derogatory (stereotypical) terms on the Internet or not. This theme has significant ethical implications. Hence, the objectives of this study are: (1) to provide evidence on female role portrayals in online advertisements of global products, and (2) to explore female role portrayals across web pages for different audience types. The results indicate that women are generally portrayed in a stereotypical (...)
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  5.  20
    The Use of Drama in Science Education: The Case of “Blegdamsvej Faust”.Panagiotis Pantidos, Kalliopi Spathi & Evagelos Vitoratos - 2001 - Science & Education 10 (1-2):107-117.
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  6.  8
    Finitude's Score: Essays for the End of the Millennium.Kalliopi Nikolopoulou & Avital Ronell - 1997 - Substance 26 (2):145.
  7.  9
    The Recruitment of Shifting and Inhibition in On‐Line Science and Mathematics Tasks.Stella Vosniadou, Dimitrios Pnevmatikos, Nikos Makris, Despina Lepenioti, Kalliopi Eikospentaki, Anna Chountala & Giorgos Kyrianakis - 2018 - Cognitive Science 42 (6):1860-1886.
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  8.  8
    Alterity and Transcendence (Review).Kalliopi Nikolopoulou - 2000 - Symploke 8 (1):230-231.
  9.  34
    Authoritarian States and Internet Social Media: Instruments of Democratisation or Instruments of Control?Kalliopi Kyriakopoulou - 2011 - Human Affairs 21 (1):18-26.
    Internet-enabled technologies are said to allow individuals to consume, create and distribute their own content without governmental control. They also provide opportunities for new forms of activism and mobilisation that can challenge repressive governments. Recent reports on citizens’ mobilisation in authoritarian states suggest that the Internet can generate new forms of opposition against totalitarian rules. The aim of this paper is to examine whether these new technologies can be regarded as vehicles of democracy or instruments of authoritarianism. Can Internet-enabled technologies (...)
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  10.  19
    Chronique archéologique de la religion grecque.Alain Duplouy, François Quantin, Kalliopi Chatzinikolaou, Emmanuel Voutiras, Patrick Constancio, Alexis D’Hautcourt, Natacha Massar, Zozie Papadopoulou, Thierry Petit & Isabelle Tassignon - 2003 - Kernos 16:307-349.
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  11.  33
    Of a Sense Beyond Words.Kalliopi Nikolopoulou - 2010 - Research in Phenomenology 40 (2):283-291.
  12.  27
    Plato and Hegel on an Old Quarrel.Kalliopi Nikolopoulou - 2009 - Epoché: A Journal for the History of Philosophy 13 (2):249-266.
    This paper addresses the relationship of ancients to moderns by focusing on the “quarrel” between art and philosophy that has led to two articulations of the endof art—one in antiquity, another in modernity: Plato, who expelled the poets from his city on account of art’s irrationality, and Hegel, for whom art was no more the necessary vehicle for truth. Following Giorgio Agamben’s cue in The Man Without Content, I opt for a symptomatic reading of Plato’s condemnation of art, by foregrounding (...)
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  13.  27
    Portus (S.) Keay, (M.) Millett, (L.) Paroli, (K.) Strutt (Edd.) Portus. An Archaeological Survey of the Port of Imperial Rome.. (Archaeological Monographs of the British School at Rome 15.) Pp. Xviii + 360, Figs. Ills. Maps. London: British School at Rome, 2005. Paper £49.50. ISBN: 978-0-904152-47-0. [REVIEW]Kalliopi Baika & Giulia Boetto - 2011 - The Classical Review 61 (2):614-616.
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  14.  12
    Orthology Prediction Methods: A Quality Assessment Using Curated Protein Families.Kalliopi Trachana, Tomas A. Larsson, Sean Powell, Wei-Hua Chen, Tobias Doerks, Jean Muller & Peer Bork - 2011 - Bioessays 33 (10):769-780.
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  15.  7
    Deleuzism: A Metacommentary (Review).Kalliopi Nikolopoulou - 2001 - Symploke 9 (1):213-214.
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  16.  6
    Chronique archéologique de la religion grecque (ChronARG).François Quantin, Emmanuel Voutiras, Kalliopi Chatzinikolaou, Alexis D'Hautcourt, Natacha Massar, Christina Mitsopoulou, Isabelle Tassignon, Massimo Osanna, Ilaria Battiloro & Nicola Cucuzza - 2009 - Kernos 22:245-301.
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  17.  4
    Angeliki Katsioti, Life Scenes and the Iconographical Cycle of St John the Baptist in Byzantine Art.Kalliopi-Phaidra Kalafatis - 2000 - Byzantinische Zeitschrift 93 (2).
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  18.  5
    Chronique archéologique.Athéna Tsingarida, Alain Duplouy, François Quantin, Kalliopi Chatzinikolaou, Emmanuel Voutiras, Alexis D’Hautcourt, Natacha Massar, Zozie Papadopoulou, Thierry Petit & Patrick Constancio - 2002 - Kernos 15:415-481.
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  19.  3
    A Policy-Based B2C E-Contract Management Workflow Methodology Using Semantic Web Agents.Kalliopi Kravari, Nick Bassiliades & Guido Governatori - 2016 - Artificial Intelligence and Law 24 (2):93-131.
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  20.  3
    Chronique archéologique.Athena Tsingarida, Alain Duplouy, Emmanuel Voutiras, Kalliopi Chatzinikolaou, Didier Viviers, Patrick Constancio, Isabelle Tassignon, Massimo Osanna, Ilaria Battiloro & Nicola Cucuzza - 2004 - Kernos 17:251-300.
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  21.  2
    Locating Sanctuaries in Upper Macedonia According to Archaeological Data.Kalliopi Chatzinikolaou - 2010 - Kernos 23:193-222.
    La région de la Haute Macédoine , la zone extrême de la Macédoine du Nord, souvent évoquée par les sources anciennes, en raison de sa position géographique particulière et de ses populations d’origines différentes, a constitué un terrain d’affrontements, de fusions et de manifestations de syncrétisme des courants et croyances religieux au cours de sa marche dans le temps. Il s’agit d’une région à population surtout rurale, malgré la présence de certains centres urbains, laquelle a conservé ses traits de culture (...)
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  22.  2
    Chronique Archéologique de la Religion Grecque.Joannis Mylonopoulos, Alexis D’Hautcourt, Emmanuel Voutiras, Nicola Cucuzza, Ilaria Battiloro, Massimo Osanna, Isabelle Algrain, Alain Duplouy & Kalliopi Chatzinikolaou - 2008 - Kernos 21:245-301.
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  23.  2
    Nouvelle Mosaïque de Sicyone.Kalliopi Krystalli-Votsi - 1976 - Bulletin de Correspondance Hellénique 100 (2):575-588.
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  24.  1
    Les Français En Crète. De la Huitième Question de l'Académie À la Consession de Zouroképhalo.Kalliopi Christofi - 1996 - Bulletin de Correspondance Hellénique 120 (1):357-371.
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  25. Book Review: Homo Sacer: Sovereign Power and Bare Life. [REVIEW]Kalliopi Nikolopoulou - 2000 - Substance 93 (1):124-31.
     
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  26. Elements of Experience : Bataille's Drama.Kalliopi Nikolopoulou - 2009 - In Andrew J. Mitchell & Jason Kemp Winfree (eds.), The Obsessions of Georges Bataille: Community and Communication. State University of New York Press.
     
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  27.  36
    Between Art and the Polis: Between Agamben and Plato.Kalliopi Nikolopoulou - 2011 - Epoché: A Journal for the History of Philosophy 16 (1):17-36.
    In The Man Without Content, Giorgio Agamben makes a few but poignant references to Plato’s understanding of art. Because art’s impact was powerful, Plato deemed art dangerous and subordinated it to politics. In contrast, Agamben argues, modern art enjoys the privilege of formal autonomy at the cost of losing political significance. This essay develops the Platonic dimension in Agamben’s thought: whereas Platonic censorship recognizes art’s power by way of prohibition, the modern culturalist tolerance of art is symptomatic of art’s reduction (...)
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  28.  35
    Parrhesia as Tragic Structure in Euripides’ Bacchae.Kalliopi Nikolopoulou - 2011 - Epoché: A Journal for the History of Philosophy 15 (2):249-261.
    This paper considers Foucault’s remarks on Euripides and parrhesia in order to reflect on the deeper relation between tragic speech and truth-telling. It argues that: a) tragedy is a privileged mode of truth-telling, since the tragic fall always involves the hero’s passion for truth; and b) parrhesia is inherently tragic, insofar as it endangers its agent. By focusing on the Bacchae, which Foucault sidesteps, I maintain that this play exemplifies the tragic structure of parrhesiastic conduct, while staging the passage of (...)
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