89 found
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  1.  40
    On the Way to Language.Karsten Harries, Martin Heidegger & Peter D. Hertz - 1972 - Philosophical Review 81 (3):387.
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  2.  2
    The Ethical Function of Architecture.Karsten Harries - 1996 - MIT Press.
    Winner of the 8th Annual AIA International Architecture Book Award for CriticismCanarchitecture help us find our place and way in today's complex world? Can it return individuals to awhole, to a world, to a community? Developing Giedion¹s claim that contemporary architecture's maintask is to interpret a way of life valid for our time, philosopher Karsten Harries answers thatarchitecture should serve a common ethos. But if architecture is to meet that task, it first has tofree itself from the dominant formalist approach, (...)
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  3.  45
    The Self-Assertion of the German University: Address, Delivered on the Solemn Assumption of the Rectorate of the University Freiburg the Rectorate 1933/34: Facts and Thoughts. [REVIEW]Martin Heidegger, Karsten Harries & Hermann Heidegger - 1985 - Review of Metaphysics 38 (3):467 - 502.
    TRANSLATED WITH AN INTRODUCTION BY KARSTEN HARRIES THE following is a translation of Martin Heidegger, Die Selbstbehauptung der deutschen Universität. Rede, gehalten bei der feierlichen Übernahme des Rektorats der Universität Freiburg i. Br. am 27. 5. 1933 and Das Rektorat 1933/34. Tatsachen und Gedanken. The former was first published by Korn Verlag, Breslau, in 1933. It was republished in 1983, together with Heidegger's later remarks on his rectorate, by Vittorio Klostermann in Frankfurt am Main.
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  4. Suspensions of Perception. Attention, Spectacle and Modern Culture.Jonathan Crary & Karsten Harries - 2003 - Tijdschrift Voor Filosofie 65 (1):169-171.
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  5.  1
    Infinity and Perspective.Howard H. Newman Professor of Philosophy Karsten Harries & Karsten Harries - 2001 - MIT Press.
    A philosophical exploration of the origin and limits of the modern world.
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  6.  94
    Hegel on the Future of Art.Karsten Harries - 1974 - Review of Metaphysics 27 (4):677 - 696.
    MANY, PERHAPS MOST OF US, tend to connect art with the past. Faced with the art of our own time we become unsure: everything important seems to have been done, the vocabulary of art exhausted, and attempts to develop new vocabularies more interesting than convincing. Ours tends to be an autumnal view of art. The association of art and museum has come to replace such older associations as art and church, or art and palace. As we know it, the museum (...)
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  7.  34
    Heidegger as a Political Thinker.Karsten Harries - 1976 - Review of Metaphysics 29 (4):642 - 669.
    ASKED WHETHER, in the light of recent attempts to use philosophy to change our goals and to help transform society, he saw a social mission for his philosophy, Heidegger gave a negative reply: "If one wants to answer this question, one has to ask first: what is society? and consider that society today is only the absolutization of modern subjectivity and that from this perspective a philosophy which has overcome the stand-point of subjectivity is not even permitted to participate in (...)
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  8.  83
    Questioning the Question of the Worth of Life.Karsten Harries - 1991 - Journal of Philosophy 88 (11):684-690.
  9.  97
    The infinite sphere: Comments on the history of a metaphor.Karsten Harries - 1975 - Journal of the History of Philosophy 13 (1):5-15.
  10.  41
    Metaphor and Transcendence.Karsten Harries - 1978 - Critical Inquiry 5 (1):73-90.
    Ever since Aristotle, metaphor has been placed in the context of a mimetic theory of language and of art. Metaphors are in some sense about reality. The poet uses metaphor to help reveal what is. He, too, serves the truth, even if his service is essentially lacking in that "Metaphor consists in giving the thing a name that belongs to something else."1 Thus it is an improper naming. This impropriety invites a movement of interpretation that can come to rest only (...)
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  11.  4
    Between Nihilism and Faith: A Commentary on Either/Or.Karsten Harries - 2010 - De Gruyter.
    If the Enlightenment turned to reason to reoccupy the place left vacant by the death of God, the last two centuries have undermined such faith in reason. We cannot escape this history. The specter of nihilism haunts Either/Or. To exorcize it is Kierkegaard s most fundamental concern. But where are we to turn? To an aesthetic transfiguration of, or escape from reality? Does ethics promise an answer? Or is all that is left an irrational leap to religion? All such questions (...)
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  12.  9
    2. Philosophy in Search of Itself.Karsten Harries - 2017 - In Anne Applebaum (ed.), What is Philosophy? Yale University Press. pp. 47-73.
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  13.  54
    Problems of the Infinite: Cusanus and Descartes.Karsten Harries - 1990 - American Catholic Philosophical Quarterly 64 (1):89-110.
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  14.  4
    Martin Heidegger: Politics, Art, and Technology.Karsten Harries & Christoph Jamme - 1994 - Holmes & Meier.
    This volume has its origins in the colloquium 'Art, Politics, Technology -- Martin Heidegger 1889-1989' held at Yale University in 1989. The centenary provided the obvious occasion: regardless of whether deplored or welcomed, the far-reaching influence of Heidegger today is beyond question, an influence underscored in that centenary year by the literally scores of conferences that took place all over the world.
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  15.  1
    Politics of Practical Reasoning: Integrating Action, Discourse and Argument.Keith Breen, Frank Canavan, Gerard Casey, Heike Felzmann, Thomas Gil, Karsten Harries, Richard Hull, Sebastian Lalla, Elizabeth Langhorne, Thomas Nisters, Felix O'Murchadha & Fran O'Rourke (eds.) - 2012 - Lexington Books.
    This book treats practical and political reasoning as an active engagement with the world and other people; it cannot be understood as exclusively cognitive and this is seen as a virtue rather than a deficiency. Informal, emotional, characterological, aesthetic and interactional aspects of thought can be constituents of reasonable arguing. The work examines key capacities connected with argumentation, in a variety of fields from professional and medical ethics to work organization and the practice of art.
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  16. The absence of the real.Karsten Harries - 1980 - Journal of Philosophy 77 (10):644-646.
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  17.  82
    What Need is There for an Environmental Aesthetics?Karsten Harries - 2011 - Nordic Journal of Aesthetics 22 (40-41).
    What need is there for an environmental aesthetics? The answer to that question is by no means obvious. To be sure, that we need to protect our environment has become a cliché that I am just a bit wary about repeating it here – the statement hardly bears much discussion any longer. Is it not obvious that we need to make sure that all those natural resources on which we depend for our survival will continue to be available, not just (...)
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  18.  64
    Bryan McGee, "The Philosophy of Schopenhauer". [REVIEW]Karsten Harries - 1985 - Journal of the History of Philosophy 23 (3):441.
  19. Karsten Harries and Roger Scruton on Architecture and Philosophy.Karsten Harries, Roger Scruton & Christian Illies - 2018 - Architecture Philosophy 3 (1).
     
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  20.  69
    David Kolb, Postmodern Sophistications: Philosophy, Architecture, and Tradition.Karsten Harries - 1991 - Bulletin de la Société Américaine de Philosophie de Langue Française 3 (3):261-263.
  21.  25
    Copernican Reflections and the Tasks of Metaphysics.Karsten Harries - 1983 - International Philosophical Quarterly 23 (3):235-250.
  22.  51
    The Architecture of Deconstruction: Derrida’s Haunt. [REVIEW]Karsten Harries - 1997 - International Studies in Philosophy 29 (4):149-150.
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  23.  14
    The Bavarian Rococo Church; Between Faith and Aestheticism.Karsten Harries - 1983 - Journal of Aesthetics and Art Criticism 42 (4):455-457.
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  24.  94
    ‘Let No One Ignorant of Geometry Enter Here’: Ontology and Mathematics in the Thought of Martin Heidegger.Karsten Harries - 2010 - International Journal of Philosophical Studies 18 (2):269-279.
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  25.  61
    Transformations of the Subjunctive.Karsten Harries - 1980 - Thought: Fordham University Quarterly 55 (3):283-294.
  26.  12
    Martin Heidegger and National Socialism: Questions and Answers.Fergus Kerr, Gunther Neske, Emil Kettering, Lisa Harries, Joachim Neugroschel & Karsten Harries - 1992 - Philosophical Quarterly 42 (167):257.
  27.  77
    Fantastic Architecture: Lessons of Laputa and the Unbearable Lightness of Our Architecture.Karsten Harries - 2011 - Journal of Aesthetics and Art Criticism 69 (1):51-60.
  28. Ut Architectura Philosophia? Questioning the Relationship of Architecture and Philosophy.Karsten Harries - 2018 - Architecture Philosophy 3 (2).
     
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  29. Alfred Schutz, The Phenomenology of the Social World.Karsten Harries - 1970 - Journal of Value Inquiry 4 (1):65.
     
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  30. Europa tussen droom en werkelijkheid.Karsten Harries - 2005 - Nexus 42.
    Ten aanzien van Europa is de vraag aan de orde of de doelstellingen louter materieel en economisch zouden moeten zijn of ook ideëel. De auteur ervaart een geestelijke dimensie aan zijn plaats als Duitser in Europa en wil aan het verleden van Europa een plaats geven in zijn leven. Het is problematisch dat cultureel erfgoed grotendeels in musea wordt geplaatst, buiten het dagelijks leven. Het belang van een robuuste gemeenschapszin en van geestelijke waarden. Ethiek veronderstelt een beeld van de mensen (...)
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  31. Henri Arvon, Marxist Esthetics, transl. by Helen Lane, int. Fredric Jameson, Cornell, Ithaca and London, 1973, xxiv + 125 pp., $3.45, Paper. Translation of L’Esthétique Marxiste, Presses Universitaires de France, Paris, 1970. [REVIEW]Karsten Harries - 1975 - Journal of Chinese Philosophy 2 (2):203-215.
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  32. Heidegger's Conception of the Holy.Karsten Harries - 1966 - Pacific Philosophical Quarterly 47 (2):169.
     
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  33. In a Strange Land: An Exploration of Nihilism.Karsten Harries - 1962 - Dissertation, Yale University
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  34. Joseph P. Fell: "Heidegger and Sartre: an essay on being and place". [REVIEW]Karsten Harries - 1981 - Man and World 14 (1):65.
     
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  35. Laurence Lampert, "Nietzsche and Modern Times". [REVIEW]Karsten Harries - 1995 - International Journal of Philosophical Studies 3 (1):197.
     
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  36.  2
    Martin Heidegger: Kunst, Politik, Technik.Christoph Jamme & Karsten Harries - 1992
  37.  21
    Meaning of Modern Art.Karsten Harries - 1979 - Northwestern University Press.
    Originally published in 1968, Karsten Harries's classic work provides a philosophical understanding of how modern art differs fundamentally from the art of earlier periods.
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  38. Postmodern Sophistications: Philosophy, Architecture, and Tradition. [REVIEW]Karsten Harries - 1991 - Review of Metaphysics 44 (3):641-643.
    "Do we stand sufficiently above traditions that we can manipulate them and make them from some detached point of view as if they were tools for other purposes", as modernists have claimed? Or are postmodernists right to criticize "the attempt to institutionalize an individual or social subject free from traditional restrictions"? But neither the modernist refusal of the authority of tradition nor postmodern play with historical contents takes history seriously enough. Kolb insists that we are more essentially placed in history, (...)
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  39. Strepen aan repen.Karsten Harries - 1998 - Nexus 20.
    Naar aanleiding van het vernielen van Barnett Newman's "Who is Afraid of Red, Yellow and Blue" in het Stedelijk Museum van Amsterdam in 1986 volgt een onderzoek naar soortgelijke destructieve agressie tegen kunstwerken in Europa en de Verenigde Staten. De vernielers van bepaalde kunstwerken beroepen zich vaak op filosofische kunstbeschouwingen, al zijn er ook vandalistische ego-trippers aan het werk, die publieke aandacht willen trekken.
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  40. Stanley Rosen, "The Question of Being". [REVIEW]Karsten Harries - 1994 - International Journal of Philosophical Studies 2 (2):368.
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  41. The Antinomy of Being.Karsten Harries - 2019 - De Gruyter.
    One thing this book attempts to show is that Kant's antinomies open a way towards an overcoming of that nihilism that is a corollary of the understanding of reality that presides over our science and technology. But when Harries is speaking of the antinomy of Being he is not so much thinking of Kant, as of Heidegger. Not that Heidegger speaks of an antinomy of Being. But his thinking of Being leads him and will lead those who follow him on (...)
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  42. Walter Biemel, "Modern Art and the Essence of the Modern". [REVIEW]Karsten Harries - 1971 - Man and World 4 (2):202.
     
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  43. Waarom moeten we bang zijn voor kitsch?Karsten Harries - 2007 - Nexus 47.
    In deze beschouwing ordent Karsten Harries zijn gedachten over het fenomeen ‘kitsch’. Hij gaat daarbij uit van de vraag of kitsch eigenlijk wel zo afkeurenswaardig is. Of hoort ze bij de menselijke natuur en haar hang naar romantiek en nostalgie? We kwalificeren iets als kitsch als we denken dat het voortkomt uit onoprechtheid en getuigt van slechte smaak. Maar is de nostalgie, het dromerige of stichtelijke van kitsch niet beter dan postmoderne ironie of moedeloosheid? Daar staat tegenover dat kitsch onder (...)
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  44. Martin Heidegger: Kunst — Politik — Technik.Christoph Jamme & Karsten Harries - 1995 - Tijdschrift Voor Filosofie 57 (1):153-153.
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  45.  7
    Cultural Thematics the Formation of the Faustian Ethos.Karsten Harries - 1976
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  46.  31
    Language and the World. A Methodological Synthesis within the Writings of Martin Heidegger and Ludwig Wittgenstein.Karsten Harries - 1974 - Philosophical Review 85 (3):422-426.
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  47.  36
    David Kolb, Postmodern Sophistications: Philosophy, Architecture, and Tradition.Karsten Harries - 1993 - Bulletin de la Société Américaine de Philosophie de Langue Française 5 (1):123-125.
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  48.  45
    Heidegger and the Problem of Style in Interpretation.Karsten Harries - 1989 - Irish Philosophical Journal 6 (2):250-274.
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  49.  43
    Heidegger on Art and Art Works.Karsten Harries - 1989 - International Studies in Philosophy 21 (3):126-127.
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  50.  39
    On Mach's Theories.Karsten Harries - 1985 - Review of Metaphysics 38 (3):668-670.
    Since his death in 1942, Robert Musil has come to be recognized as one of the most significant novelists of this century. His masterpiece, the monumental and unfinished Der Mann ohne Eigenschaften, presents in its merciless mirror not only the decaying culture of the Austro-Hungarian Empire before the outbreak of the First World War, but also our own spiritual culture, perilously close to a far more complete destruction. One can only be grateful for this translation of the dissertation which the (...)
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