Results for 'Kath Bicknell'

172 found
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  1. The Sense of Agency and its Role in Strategic Control for Expert Mountain Bikers.Wayne Christensen, Kath Bicknell, Doris McIlwain & John Sutton - 2015 - Psychology of Consciousness: Theory, Research, and Practice 2 (3):340-353.
    Much work on the sense of agency has focused either on abnormal cases, such as delusions of control, or on simple action tasks in the laboratory. Few studies address the nature of the sense of agency in complex natural settings, or the effect of skill on the sense of agency. Working from 2 case studies of mountain bike riding, we argue that the sense of agency in high-skill individuals incorporates awareness of multiple causal influences on action outcomes. This allows fine-grained (...)
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  2.  15
    Memory Systems and the Control of Skilled Action.Wayne Christensen, John Sutton & Kath Bicknell - 2019 - Philosophical Psychology 32 (5):692-718.
    ABSTRACTIn keeping with the dominant view that skills are largely automatic, the standard view of memory systems distinguishes between a representational declarative system associated with cognitive processes and a performance-based procedural system. The procedural system is thought to be largely responsible for the performance of well-learned skilled actions. Here we argue that most skills do not fully automate, which entails that the declarative system should make a substantial contribution to skilled performance. To support this view, we review evidence showing that (...)
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  3.  78
    Reconciliation and the Technics of Healing.Paul A. Komesaroff, Elizabeth Kath & Paul James - 2011 - Journal of Bioethical Inquiry 8 (3):235-237.
    Reconciliation and the Technics of Healing Content Type Journal Article Pages 235-237 DOI 10.1007/s11673-011-9318-y Authors Paul A. Komesaroff, Monash Centre for Ethics in Medicine and Society, Monash University, Melbourne, Vic., Australia Elizabeth Kath, Global Cities Institute, RMIT University, Melbourne, Vic., Australia Paul James, Global Cities Institute, RMIT University, Melbourne, Vic., Australia Journal Journal of Bioethical Inquiry Online ISSN 1872-4353 Print ISSN 1176-7529 Journal Volume Volume 8 Journal Issue Volume 8, Number 3.
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  4. A Philosophy of Song and Singing: An Introduction.Jeanette Bicknell - 2015 - Routledge.
    In Philosophy of Song and Singing: An Introduction , Jeanette Bicknell explores key aesthetic, ethical, and other philosophical questions that have not yet been thoroughly researched by philosophers, musicologists, or scientists. Issues addressed include: The relationship between the meaning of a song’s words and its music The performer’s role and the ensuing gender complications, social ontology, and personal identity The performer’s ethical obligations to audiences, composers, lyricists, and those for whom the material holds particular significance The metaphysical status of (...)
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  5. Philosophy of Song and Singing: An Introduction.Jeanette Bicknell - 2015 - Routledge.
    In _Philosophy of Song and Singing: An Introduction_, Jeanette Bicknell explores key aesthetic, ethical, and other philosophical questions that have not yet been thoroughly researched by philosophers, musicologists, or scientists. Issues addressed include: The relationship between the meaning of a song’s words and its music The performer’s role and the ensuing gender complications, social ontology, and personal identity The performer’s ethical obligations to audiences, composers, lyricists, and those for whom the material holds particular significance The metaphysical status of isolated (...)
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  6.  24
    Excess in Art: The Case of Oversinging.Jeanette Bicknell - 2018 - Journal of Aesthetics and Art Criticism 76 (1):83-92.
    “Oversinging” is singing that is excessive in one or more dimensions: too loud, too ornamented, too melismatic, too expressive, or employing too much vibrato. I begin with a characterization of oversinging and establish a context for discussion. Next I consider performances by Christina Aguilera and Michael Bolton as examples. In light of these examples, I consider how oversinging might be both aesthetically and morally problematic. Along the way I raise concerns about authenticity and sincerity. Finally, I consider a “paradox” of (...)
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  7. Love, Beauty, and Yeats's "Anne Gregory".Jeanette Bicknell - 2010 - Philosophy and Literature 34 (2):348-358.
    So begins "For Anne Gregory," published by W. B. Yeats in 1933. It is surely one of his most charming poems.1 The poem's lilting rhythm and affectionate tone effectively soften—even disguise—what is arguably a dark and dismaying message. Anne is destined to be loved not for herself alone, but for an accidental physical attribute—her blond hair. Why do I claim that the poem's message is dark? Why should it dismay Anne if she is loved for the beauty of her hair? (...)
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  8.  30
    A Consequentialist Account of Narveson’s Dictum.John Cusbert & Robyn Kath - 2019 - Philosophical Studies 176 (7):1693-1709.
    In population ethics, Narveson’s dictum states: morality favours making people happy, but is neutral about making happy people. The thought is intuitively appealing; for example, it prohibits creating new people at the expense of those who already exist. However, there are well-known obstacles to accommodating Narveson’s dictum within a standard framework of overall betterness: any attempt to do so violates very plausible formal features of betterness. Therefore, the prevailing view is that the dictum is off-limits to consequentialists, who are thereby (...)
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  9.  9
    Now or … Later: Perceptual Data Are Not Immediately Forgotten During Language Processing.Klinton Bicknell, T. Florian Jaeger & Michael K. Tanenhaus - 2016 - Behavioral and Brain Sciences 39.
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  10.  20
    Reading is Fundamentally Similar Across Disparate Writing Systems: A Systematic Characterization of How Words and Characters Influence Eye Movements in Chinese Reading.Xingshan Li, Klinton Bicknell, Pingping Liu, Wei Wei & Keith Rayner - 2014 - Journal of Experimental Psychology: General 143 (2):895-913.
  11.  23
    Online Expectations for Verbal Arguments Conditional on Event Knowledge.Klinton Bicknell, Jeffrey L. Elman, Mary Hare, Ken McRae & Marta Kutas - 2008 - In B. C. Love, K. McRae & V. M. Sloutsky (eds.), Proceedings of the 30th Annual Conference of the Cognitive Science Society. Cognitive Science Society.
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  12.  3
    A Rational Model of Word Skipping in Reading: Ideal Integration of Visual and Linguistic Information.Yunyan Duan & Klinton Bicknell - forthcoming - Topics in Cognitive Science.
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  13.  8
    Task Effects Reveal Cognitive Flexibility Responding to Frequency and Predictability: Evidence From Eye Movements in Reading and Proofreading.Elizabeth R. Schotter, Klinton Bicknell, Ian Howard, Roger Levy & Keith Rayner - 2014 - Cognition 131 (1):1-27.
  14. Rational Eye Movements in Reading Combining Uncertainty About Previous Words with Contextual Probability.Klinton Bicknell & Roger Levy - 2010 - In S. Ohlsson & R. Catrambone (eds.), Proceedings of the 32nd Annual Conference of the Cognitive Science Society. Cognitive Science Society.
     
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  15.  22
    Self-Righteousness as a Moral Problem.Jeanette Bicknell - 2010 - Journal of Value Inquiry 44 (4):477-487.
  16.  32
    Introns in UTRs: Why We Should Stop Ignoring Them.Alicia A. Bicknell, Can Cenik, Hon N. Chua, Frederick P. Roth & Melissa J. Moore - 2012 - Bioessays 34 (12):1025-1034.
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  17.  75
    Why Music Moves Us.Jeanette Bicknell - 2009 - Palgrave-Macmillan.
    The tears of Odysseus -- History : music gives voice to the ineffable -- Tears, chills, and broken bones -- The music itself -- Explaining strong emotional responses to music I -- Explaining strong emotional responses to music II -- The sublime, revisited -- Conclusion : values.
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  18.  93
    What Is Offensive About Offensive Jokes?Jeanette Bicknell - 2007 - Philosophy Today 51 (4):458-465.
  19.  26
    Architectural Ghosts.Jeanette Bicknell - 2014 - Journal of Aesthetics and Art Criticism 72 (4):435-441.
  20.  58
    Just a Song? Exploring the Aesthetics of Popular Song Performance.Jeanette Bicknell - 2005 - Journal of Aesthetics and Art Criticism 63 (3):261–270.
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  21. Explaining Strong Emotional Responses to Music:.Jeanette Bicknell - 2007 - Journal of Consciousness Studies 14 (12):5-23.
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  22. Self-Knowledge and the Limitations of Narrative.Jeanette Bicknell - 2004 - Philosophy and Literature 28 (2):406-416.
  23.  18
    Aetius 2.14.3 and Asclepiades of Myrlea.Peter J. Bicknell - 1967 - Apeiron 2 (1):14-15.
    Seekes to explain the 'star-studded heavens' implausibly attributed to Anaximenes by Aetius as a confusion between Anaximenes and Asclepiades of Myrlea.
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  24.  11
    Growth Mechanism and Defect Structures in Epitaxial Silicon.J. M. Charig, B. A. Joyce, D. J. Stirland & R. W. Bicknell - 1962 - Philosophical Magazine 7 (83):1847-1860.
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  25.  98
    What Do Artists Know?Jeanette Bicknell - 2014 - British Journal of Aesthetics 54 (1):102-104.
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  26.  10
    The Individuality in the Deed: Hegel on Forgiveness and Reconciliation.Jeanette Bicknell - 1998 - Hegel Bulletin 19 (1-2):73-84.
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  27.  19
    Historical Emissions and the Carbon Budget.Jeremy Moss & Robyn Kath - 2019 - Journal of Applied Philosophy 36 (2):268-289.
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  28.  31
    Soul Music: Tracking the Spiritual Roots of Pop From Plato to Motown: Book Reviews. [REVIEW]Jeanette Bicknell - 2011 - British Journal of Aesthetics 51 (3):338-340.
  29.  65
    Not Moderately Moral: Why Hume Is Not a "Moderate Moralist".E. M. Dadlez & Jeanette Bicknell - 2013 - Philosophy and Literature 37 (2):330-342.
    If philosophers held popularity contests, David Hume would be a perennial winner. Witty, a bon vivant, and champion of reason over bigotry and superstition, it is not surprising that many contemporary thinkers want to recruit him as an ally or claim his views as precursors to their own. In the debate over the moral content of artworks and its possible relevance for artistic and aesthetic value, the group whose views are known variously as “ethicism,” “moralism,” or “moderate moralism” has claimed (...)
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  30.  22
    Music, Listeners, and Moral Awareness.Jeanette Bicknell - 2001 - Philosophy Today 45 (3):266-274.
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  31.  26
    Groove: A Phenomenology of Rhythmic Nuance.Jeanette Bicknell - 2016 - British Journal of Aesthetics 56 (4):429-431.
    Groove: A Phenomenology of Rhythmic NuanceRoholtTiger C.bloomsbury. 2014. pp. 192. £17.99.
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  32.  30
    The Problem of Reference in Musical Quotation: A Phenomenological Approach.Jeanette Bicknell - 2001 - Journal of Aesthetics and Art Criticism 59 (2):185–191.
  33.  10
    Matter and Infinity in the Presocratic Schools and Plato. [REVIEW]P. J. Bicknell & T. G. Sinnige - 1968 - Journal of Hellenic Studies 90:240-241.
  34.  34
    Parmenides' Refutation of Motion and an Implication.P. J. Bicknell - 1967 - Phronesis 12 (1):1-5.
  35.  23
    Can Music Convey Semantic Content? A Kantian Approach.Jeanette Bicknell - 2002 - Journal of Aesthetics and Art Criticism 60 (3):253–261.
  36.  45
    Explaining Strong Emotional Responses to Music.Jeanette Bicknell - 2007 - Journal of Consciousness Studies 14 (12):5-23.
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  37.  32
    "Kosmos"-Sized Atoms in Demokritos.Peter Bicknell - 1981 - Apeiron 15 (2):138-139.
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  38.  26
    Melissus' Way of Seeming?Peter Bicknell - 1982 - Phronesis 27 (1):194-201.
  39.  12
    Current Arrangements for Teaching Medical Ethics to Undergraduate Medical Students.D. J. Bicknell - 1985 - Journal of Medical Ethics 11 (1):25-26.
    Those teachers in contact with medical students from pre-clinical days onwards will impart their ethical views by example and by precept, but such learning by 'osmosis' is insufficient. There is a knowledge base to be imparted which will enrich the understanding of ethical judgements on clinical problems seen during the undergraduate years. However, the learning process continues after qualification and in particular the doctor's capacity to make ethical clinical judgements will evolve with maturity and experience. It is essential therefore that (...)
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  40. GUTHRIE, W. K. C.: "History of Greek Philosophy", Vol. 2. [REVIEW]P. Bicknell - 1966 - Australasian Journal of Philosophy 44:115.
     
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  41. Orientalism as Aesthetic Failure: The Sheltering Sky.J. Bicknell - 2007 - Film and Philosophy 11:159.
     
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  42.  20
    Parmenides, DK 28 B5.P. J. Bicknell - 1979 - Apeiron 13 (1):9.
  43.  16
    Coins and the Presocratics III; Abders.P. J. Bicknell - 1970 - Apeiron 4 (1):1-3.
  44.  20
    Coins and the Presocratics III; Abdera.P. J. Bicknell - 1970 - Apeiron 4 (1):1 - 3.
  45.  15
    From Solon to Socrates: Greek History and Civilization During the Sixth and Fifth Centuries B. C. [REVIEW]P. J. Bicknell & V. Ehrenberg - 1969 - Journal of Hellenic Studies 89:175-175.
  46.  3
    Imagination and Belief: The Microtheories Model of Hypotheical Thinking.J. Davies & J. Bicknell - 2016 - Journal of Consciousness Studies 23 (3-4):31-49.
    Beliefs about hypothetical situations need to be 'quarantined' from factual representations, so that our inference processes do not make false conclusions about the real world. Nichols argued for the existence of a place where these special beliefs are kept: the pretence box. We show that this theory has a number of drawbacks, including its inability to account for simultaneously keeping track of multiple imagined worlds. We offer an explanation that remedies these problems: beliefs of content imagination each belong to some (...)
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  47.  20
    Parmendides, DK 28 B4.P. J. Bicknell - 1979 - Apeiron 13 (2):115 -.
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  48.  22
    Dynamic Integration of Pragmatic Expectations and Real-World Event Knowledge in Syntactic Ambiguity Resolution.Klinton Bicknell & Hannah Rohde - 2009 - In N. A. Taatgen & H. van Rijn (eds.), Proceedings of the 31st Annual Conference of the Cognitive Science Society. pp. 1216--1221.
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  49.  26
    Scruton on Understanding Music.Jeanette Bicknell - 2002 - Nordic Journal of Aesthetics 14 (25-26).
  50.  9
    The Epitaxial Deposition of Silicon on Quartz.R. W. Bicknell, J. M. Charig, B. A. Joyce & D. J. Stirland - 1964 - Philosophical Magazine 9 (102):965-978.
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