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Kathleen Marie Higgins [49]Kathleen Higgins [28]Kathleen M. Higgins [17]Kathleen J. Higgins [2]
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Kathleen J. Higgins
University of Texas at Austin
  1. .Kathleen Higgins (ed.) - 1995 - Harcourt Brace.
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  2.  31
    Biology and Culture in Musical Emotions.Kathleen M. Higgins - 2012 - Emotion Review 4 (3):273-282.
    In this article I show that although biological and neuropsychological factors enable and constrain the construction of music, culture is implicated on every level at which we can indicate an emotion-music connection. Nevertheless, music encourages an affective sense of human affiliation and security, facilitating feelings of transcultural solidarity.
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  3.  15
    Nietzsche and the Origin of Virtue.Kathleen Marie Higgins & Lester Hunt - 1993 - Philosophical Review 102 (1):103.
  4. What Nietzsche Really Said.Robert C. Solomon & Kathleen M. Higgins - 2000
     
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  5. Introducing Philosophy.Robert C. Solomon, Kathleen M. Higgins & Clancy Martin - 2011 - Oxford University Press USA.
    Introducing Philosophy: A Text with Integrated Readings, Tenth Edition, is an exciting, accessible, and thorough introduction to the core problems of philosophy and the many ways in which they are, and have been, answered. The authors combine substantial selections from significant works in the history of philosophy with excerpts from current philosophy, clarifying the readings and providing context with their own detailed commentary and explanation. Spanning 2,500 years, the selections range from the oldest known fragments to cutting-edge contemporary essays. Organized (...)
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  6. The Cambridge Companion to Nietzsche.Bernd Magnus & Kathleen Higgins (eds.) - 1996 - Cambridge University Press.
    The significance of Friedrich Nietzsche for twentieth century culture is now no longer a matter of dispute. He was quite simply one of the most influential of modern thinkers. The opening essay of this 1996 Companion provides a chronologically organised introduction to and summary of Nietzsche's published works, while also providing an overview of their basic themes and concerns. It is followed by three essays on the appropriation and misappropriation of his writings, and a group of essays exploring the nature (...)
     
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  7.  59
    Zarathustra IV and Apuleius: Who is Zarathustra’s Ass?Kathleen Higgins - 1988 - International Studies in Philosophy 20 (3):29-53.
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  8. The Music Between Us: Is Music a Universal Language?Kathleen Marie Higgins - 2012 - University of Chicago Press.
    Other people's music -- Musical animals -- What's involved in sounding human? -- Cross-cultural understanding -- The music of language -- Musical synesthesia -- A song in your heart -- Comfort and joy -- Beyond ethnocentrism.
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  9.  29
    The Music of Our Lives.Kathleen Marie Higgins - 1991 - Temple University Press.
    Kathleen Higgins argues that the arguments that Plato used to defend the ethical value of music are still applicable today. Music encourages ethically valuable attitudes and behavior, provides practice in skills that are valuable in ethical life, and symbolizes ethical ideals.
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  10.  56
    Transformations of Myth Through Time: An Anthology of Readings. [REVIEW]Kathleen Marie Higgins - 1991 - Teaching Philosophy 14 (2):199-202.
  11.  5
    Living and Feeling at Home: Shusterman's "Performing Live".Kathleen Marie Higgins - 2002 - Journal of Aesthetic Education 36 (4):84.
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  12.  52
    Nietzsche’s View of Philosophical Style.Kathleen Higgins - 1986 - International Studies in Philosophy 18 (2):67-81.
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  13.  32
    Negative Virtues: Zhuangzi's Wuwei.Kathleen Marie Higgins - 2005 - In Stephen Mark Gardiner (ed.), Virtue Ethics, Old and New. Cornell University Press.
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  14.  30
    Global Aesthetics—What Can We Do?Kathleen Marie Higgins - 2017 - Journal of Aesthetics and Art Criticism 75 (4):339-349.
    I argue that the default interpretation of “aesthetics” should be global aesthetics, and that aestheticians should take as standard preparation for work in the field some basic knowledge of aesthetics in various cultural traditions. I consider some of the obstacles that interfere with a move in this direction and some of the steps that might encourage a more inclusive self-conception of the field.
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  15.  47
    Zarathustra’s Stammer as a Way of Life.Kathleen Higgins - 1988 - International Studies in Philosophy 20 (2):117-122.
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  16.  12
    The Music of Our Lives.Kathleen Marie Higgins - 1992 - Journal of Aesthetics and Art Criticism 50 (2):162-164.
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  17.  23
    Nietzsche's Zarathustra.Kathleen Marie Higgins - 1987 - Temple University Press.
    "The publication of the revised edition of Kathleen Marie Higgins's Nicizscbe's Zarathustra is a great boon to Nietzsche scholars and Zarathustra specialists alike, for Higgins's consistently subtle analysis of Nietzsche's bold experiment ...
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  18. Whatever Happened to Beauty? A Response to Danto.Kathleen Marie Higgins - 1996 - Journal of Aesthetics and Art Criticism 54 (3):281-284.
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  19.  25
    The Cambridge Companion to Nietzsche.Peter Berkowitz, Bernd Magnus & Kathleen Higgins - 1998 - Philosophical Review 107 (2):340.
    This collection of essays fairly exhibits the diversity of opinions about and approaches to the study of Nietzsche within the contemporary academy’s influential and far flung Nietzsche establishment. Notwithstanding the absence of feminist interpretations of Nietzsche and despite the omission of chapters that take seriously Nietzsche’s debt to the ancients, critique of the spirit of democracy, defense of a rank order of desires and souls, recurring articulations of an aristocratic politics, attack on the morally and politically debilitating effects of professional (...)
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  20.  70
    The Age of German Idealism.Robert C. Solomon & Kathleen Marie Higgins (eds.) - 1993 - Routledge.
    The turn of the nineteenth century marked a rich and exciting explosion of philosophical energy and talent. The enormity of the revolution set off in philosophy by Immanuel Kant was comparable, in Kant's own estimation, with the Copernican Revolution that ended the Middle Ages. The movement he set in motion, the fast-moving and often cantankerous dialectic of "German Idealism," inspired some of the most creative philosophers in modern times: including G. W. F. Hegel and Arthur Schopenhauer as well as those (...)
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  21. "Double Consciousness and Second Sight,".Kathleen Higgins - 2006 - In Jacqueline Scott and A. Todd Franklin (ed.), Critical Affinities: Nietzsche and African American Thought. SUNY Albany.
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  22.  2
    The Night Song’s Answer.Kathleen Higgins - 1985 - International Studies in Philosophy 17 (2):33-50.
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  23.  24
    The Cognitive and Appreciative Import of Musical Universals.Kathleen Marie Higgins - 2006 - Revue Internationale de Philosophie 4:487-503.
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  24.  20
    The Classification of Sundials.Kathleen Higgins - 1953 - Annals of Science 9 (4):342-358.
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  25.  24
    Leslie Paul Thiele, "Friedrich Nietzsche and the Politics of the Soul: A Study of Heroic Individualism". [REVIEW]Kathleen Marie Higgins - 1992 - Journal of the History of Philosophy 30 (3):469.
  26. Schopenhauer and Nietzsche: Temperament and Temporality.Kathleen Marie Higgins - 1998 - In Christopher Janaway (ed.), Willing and Nothingness: Schopenhauer as Nietzsche's Educator. Clarendon Press.
     
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  27.  52
    Music in Confucian and Neo-Confucian Philosophy.Kathleen Higgins - 1980 - International Philosophical Quarterly 20 (4):433-451.
    This article proposes to discuss the role of music within confucian philosophy as a whole and within neo-Confucian philosophy in particular. The discussion includes a consideration of the construction of chinese music; philosophical correlations drawn between musical elements and features of both macrocosm and microcosm; musical aesthetics in the confucian and neo-Confucian philosophical systems; and affinities between the nature of music and the broader outlook of confucian and neo-Confucian philosophy. The suggestion is made that these affinities help to explain the (...)
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  28. Musical Idiosyncrasy and Perspectival Listening.Kathleen Marie Higgins - 1997 - In Jenefer Robinson (ed.), Music & Meaning. Cornell University Press.
     
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  29.  91
    An Alchemy of Emotion: Rasa and Aesthetic Breakthroughs.Kathleen Marie Higgins - 2007 - Journal of Aesthetics and Art Criticism 65 (1):43–54.
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  30.  31
    The Functionality of the Aesthetic in the Context of Mourning.Kathleen Higgins - unknown
    In the context of mourning, human beings often turn to aesthetic activity. Kathleen Higgins, professor of philosophy at the University of Texas at Austin, argues that the aesthetic sphere has certain characteristic capabilities that make it especially well suited for helping one deal with some of the challenges occasioned by bereavement. Among these are the achievement of coherence among seemingly incongruent elements, the use of indirect means of communication and deferred routes to gratification, the celebration of the particular as opposed (...)
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  31.  31
    Introduction.Kathleen M. Higgins - 1994 - International Studies in Philosophy 26 (3):1-2.
  32.  15
    Confucius’ Opposition to the “New Music”.Kathleen Higgins - 2017 - Dao: A Journal of Comparative Philosophy 16 (3):309-323.
    Confucius condemned Zheng 鄭 and Wei 衛 music, which had widespread popular appeal. He may have expected music to display fundamental patterns in the natural world and thriving human relationships, tasks that could be compromised by irregular and relatively complicated music like that of Zheng and Wei. He was also convinced that Zheng and Wei music would motivate undisciplined behavior in listeners. A third consideration may have been that even if some benefits of participation would derive from music that included (...)
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  33.  18
    Nietzsche on Music.Kathleen Higgins - 1986 - Journal of the History of Ideas 47 (4):663.
  34.  27
    Introduction.Kathleen M. Higgins - 1995 - International Studies in Philosophy 27 (3):1-1.
  35.  32
    Aesthetic Legacies.Kathleen Marie Higgins - 1994 - Review of Metaphysics 47 (4):827-829.
    Krukowski sets out to examine the contemporary aesthetic scene by considering its roots. He begins by considering the shift in the last two centuries from the view that art has an epistemological mission to the quintessentially modernist view that art is autonomous. Krukowski seeks the origins of this shift in the aesthetic theories of Kant, Schopenhauer, and Hegel. Each proposed a grand ambition for philosophy and a prominent philosophical role for art. Kant saw the aesthetic stance of the cultivated taste (...)
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  36. From Africa to Zen an Invitation to World Philosophy.Robert C. Solomon & Kathleen M. Higgins (eds.) - 1993 - Rowman & Littlefield Publishers.
    In the second edition of this groundbreaking text in non-Western philosophy, sixteen experts introduce some of the great philosophical traditions in the world. The essays unveil exciting, sophisticated philosophical traditions that are too often neglected in the western world. The contributors include the leading scholars in their fields, but they write for students coming to these concepts for the first time. Building on revisions and updates to the original, this new edition also considers three philosophical traditions for the first time—Jewish, (...)
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  37.  50
    Introduction: Robert C. Solomon and the Spiritual Passions.Kathleen Marie Higgins - 2011 - Sophia 50 (2):239-245.
    Robert C. Solomon saw spirituality and emotion as interpenetrating themes. I will summarize his views on spirituality and then introduce the articles in the special issue in his honor. Relating emotional integrity to spirituality, Bob argues that it is precisely through engagement - throwing ourselves into relationships and endeavors - that we come to recognize ourselves as part of something much larger than ourselves. Spirituality is an on-going adventure according to Bob, and it recommends itself in the way that all (...)
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  38.  53
    Nietzsche and the Politics of Aristocratic Radicalism Bruce Detwiler Chicago: University of Chicago Press, 1990, 242 Pp. [REVIEW]Kathleen Marie Higgins - 1993 - Dialogue 32 (1):192-.
  39.  45
    Music or the Mistaken Life.Kathleen Marie Higgins - 2003 - International Studies in Philosophy 35 (3):117-130.
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  40.  29
    Beyond Irony.Kathleen Marie Higgins - 2001 - International Studies in Philosophy 33 (3):37-51.
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  41.  27
    Leaving the Elevator Behind.Kathleen Marie Higgins - 2000 - Philosophy and Literature 24 (1):204-209.
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  42.  38
    Nietzsche’s Teaching.Kathleen Higgins - 1990 - International Studies in Philosophy 22 (3):124-125.
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  43.  26
    Nietzsche's Task: An Interpretation of "Beyond Good and Evil" (Review).Kathleen Marie Higgins - 2002 - Journal of the History of Philosophy 40 (2):270-271.
    Kathleen Marie Higgins - Nietzsche's Task: An Interpretation of "Beyond Good and Evil" - Journal of the History of Philosophy 40:2 Journal of the History of Philosophy 40.2 270-271 Book Review Laurence Lampert. Nietzsche's Task: An Interpretation of "Beyond Good and Evil." New Haven: Yale University Press, 2001. Pp. x + 320. Cloth, $40.00. Laurence Lampert's new book Nietzsche's Task offers a section-by-section commentary on one of Nietzsche's most influential works, Beyond Good and Evil. The challenge of such a project (...)
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  44. Nietzsche's Zarathustra.Kathleen Marie Higgins - 1987 - Lexington Books.
    Nietzsche's Zarathustra is a guide through the convoluted territory of Nietzsche's Thus Spoke Zarathustra. It shows the philosophical significance of the fictional format as a means to simultaneously propose alternatives to traditional dogmas within the Western tradition and reveal the danger of mistaking doctrinal formulations for living philosophical insight.
     
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  45.  19
    Life and Death in Rock: Meditations on Tomb Stones.Kathleen Higgins - unknown
    Stone has many symbolic resonances that suit it for use in commemorations of the dead, and many cultures make use of it for this purpose. In an effort to make sense of this phenomenon, Kathleen Higgins, professor of philosophy at the University of Texas at Austin, considers some of the roles stones play in other aspects of human experience and the associations that arise from them. These associations give stone a certain aptness in connection with four projects that are involved (...)
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  46.  9
    Positioning and Discernment: A Comment on Monique Roelofs', The Cultural Promise of the Aesthetic.Kathleen M. Higgins - 2016 - Contemporary Aesthetics 14.
    Monique Roelofs’s The Cultural Promise of the Aesthetic is groundbreaking in its nuanced account of the potential and limitations of the aesthetic for creating a more just, humane world. Particularly timely are Roelofs’s analyses of the ways in which racial and gender stereotypes are reinforced and the operations of what she calls “racialized aesthetic nationalism,” the tendencies of aesthetic values to shore up schisms along racial, ethnic, and national lines. I raise questions, however, about the appropriateness of aesthetic criticism that (...)
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  47.  20
    Introduction.Kathleen M. Higgins - 1993 - International Studies in Philosophy 25 (2):1-1.
  48.  34
    Language, Music, and Mind.Kathleen Marie Higgins - 1995 - Philosophy and Phenomenological Research 55 (3):734-737.
    On first inspection, Diana Raffman’s Language, Music, and Mind appears to be focused quite narrowly on a rather obscure problem in the aesthetics of music, the problem of accounting for the alleged ineffability of musical experience. The case that Raffman builds in this clear, well-structured book, however, has far-reaching philosophical implications for philosophy of mind, epistemology, general aesthetics, philosophy of the emotions, ontology, and phenomenology.
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  49. Friedrich Nietzsche, Unmodern Observations Reviewed By.Kathleen Marie Higgins - 1991 - Philosophy in Review 11 (5):348-350.
     
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  50.  32
    The Night Song’s Answer.Kathleen Higgins - 1985 - International Studies in Philosophy 17 (2):33-50.
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