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Kathleen Marie Higgins [57]Kathleen Higgins [31]Kathleen M. Higgins [18]Kathleen J. Higgins [2]
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Kathleen J. Higgins
University of Texas at Austin
  1.  45
    Global Aesthetics—What Can We Do?Kathleen Marie Higgins - 2017 - Journal of Aesthetics and Art Criticism 75 (4):339-349.
    I argue that the default interpretation of “aesthetics” should be global aesthetics, and that aestheticians should take as standard preparation for work in the field some basic knowledge of aesthetics in various cultural traditions. I consider some of the obstacles that interfere with a move in this direction and some of the steps that might encourage a more inclusive self-conception of the field.
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  2.  26
    Nietzsche: Life as Literature.Kathleen Marie Higgins - 1985 - Journal of Aesthetics and Art Criticism 45 (2):199-200.
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  3.  18
    Nietzsche and the Origin of Virtue.Kathleen Marie Higgins & Lester Hunt - 1993 - Philosophical Review 102 (1):103.
  4. The Music Between Us: Is Music a Universal Language?Kathleen Marie Higgins - 2012 - University of Chicago Press.
    Other people's music -- Musical animals -- What's involved in sounding human? -- Cross-cultural understanding -- The music of language -- Musical synesthesia -- A song in your heart -- Comfort and joy -- Beyond ethnocentrism.
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  5.  34
    Biology and Culture in Musical Emotions.Kathleen M. Higgins - 2012 - Emotion Review 4 (3):273-282.
    In this article I show that although biological and neuropsychological factors enable and constrain the construction of music, culture is implicated on every level at which we can indicate an emotion-music connection. Nevertheless, music encourages an affective sense of human affiliation and security, facilitating feelings of transcultural solidarity.
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  6. The Music Between Us: Is Music a Universal Language?Kathleen Marie Higgins - 2014 - University of Chicago Press.
    From our first social bonding as infants to the funeral rites that mark our passing, music plays an important role in our lives, bringing us closer to one another. In _The Music between Us_, philosopher Kathleen Marie Higgins investigates this role, examining the features of human perception that enable music’s uncanny ability to provoke, despite its myriad forms across continents and throughout centuries, the sense of a shared human experience. Drawing on disciplines such as philosophy, psychology, musicology, linguistics, and anthropology, (...)
     
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  7.  14
    Language, Music and Mind.Kathleen Marie Higgins - 1995 - Philosophy and Phenomenological Research 55 (3):734-737.
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  8.  31
    Nietzsche's Zarathustra.Kathleen Marie Higgins - 1987 - Temple University Press.
    "The publication of the revised edition of Kathleen Marie Higgins's Nicizscbe's Zarathustra is a great boon to Nietzsche scholars and Zarathustra specialists alike, for Higgins's consistently subtle analysis of Nietzsche's bold experiment ...
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  9.  41
    The Music of Our Lives.Kathleen Marie Higgins - 1991 - Temple University Press.
    Kathleen Higgins argues that the arguments that Plato used to defend the ethical value of music are still applicable today. Music encourages ethically valuable attitudes and behavior, provides practice in skills that are valuable in ethical life, and symbolizes ethical ideals.
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  10. The Music of Our Lives.Kathleen Marie Higgins - 2011 - Lexington Books.
    Kathleen Higgins argues that the arguments that Plato used to defend the ethical value of music are still applicable today. Music encourages ethically valuable attitudes and behavior, provides practice in skills that are valuable in ethical life, and symbolizes ethical ideals.
     
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  11. Introducing Philosophy.Robert C. Solomon, Kathleen M. Higgins & Clancy Martin - 2011 - Oxford University Press USA.
    Introducing Philosophy: A Text with Integrated Readings, Tenth Edition, is an exciting, accessible, and thorough introduction to the core problems of philosophy and the many ways in which they are, and have been, answered. The authors combine substantial selections from significant works in the history of philosophy with excerpts from current philosophy, clarifying the readings and providing context with their own detailed commentary and explanation. Spanning 2,500 years, the selections range from the oldest known fragments to cutting-edge contemporary essays. Organized (...)
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  12.  11
    The Fine Art of Repetition: Essays in the Philosophy of Music.Kathleen Marie Higgins - 1994 - Journal of Aesthetics and Art Criticism 52 (4):472-473.
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  13.  21
    The Classification of Sundials.Kathleen Higgins - 1953 - Annals of Science 9 (4):342-358.
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  14.  11
    Nietzsche and Asian Thought.Kathleen Marie Higgins - 1993 - Philosophy East and West 43 (1):141-144.
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  15.  4
    Nietzschean Narratives.Kathleen Marie Higgins - 1989 - Journal of Aesthetics and Art Criticism 48 (3):241-242.
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  16.  93
    An Alchemy of Emotion: Rasa and Aesthetic Breakthroughs.Kathleen Marie Higgins - 2007 - Journal of Aesthetics and Art Criticism 65 (1):43–54.
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  17.  40
    Negative Virtues: Zhuangzi's Wuwei.Kathleen Marie Higgins - 2005 - In Stephen Mark Gardiner (ed.), Virtue Ethics, Old and New. Cornell University Press.
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  18.  6
    Living and Feeling at Home: Shusterman's "Performing Live".Kathleen Marie Higgins - 2002 - Journal of Aesthetic Education 36 (4):84.
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  19. Whatever Happened to Beauty? A Response to Danto.Kathleen Marie Higgins - 1996 - Journal of Aesthetics and Art Criticism 54 (3):281-284.
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  20.  98
    The Age of German Idealism.Robert C. Solomon & Kathleen Marie Higgins (eds.) - 1993 - Routledge.
    The turn of the nineteenth century marked a rich and exciting explosion of philosophical energy and talent. The enormity of the revolution set off in philosophy by Immanuel Kant was comparable, in Kant's own estimation, with the Copernican Revolution that ended the Middle Ages. The movement he set in motion, the fast-moving and often cantankerous dialectic of "German Idealism," inspired some of the most creative philosophers in modern times: including G. W. F. Hegel and Arthur Schopenhauer as well as those (...)
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  21.  29
    Nietzsche, Empty Names, and Individuality.Kathleen Marie Higgins - 2006 - International Studies in Philosophy 38 (3):117-130.
  22.  24
    The Cognitive and Appreciative Import of Musical Universals.Kathleen Marie Higgins - 2006 - Revue Internationale de Philosophie 4:487-503.
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  23.  30
    The Cambridge Companion to Nietzsche.Peter Berkowitz, Bernd Magnus & Kathleen Higgins - 1998 - Philosophical Review 107 (2):340.
    This collection of essays fairly exhibits the diversity of opinions about and approaches to the study of Nietzsche within the contemporary academy’s influential and far flung Nietzsche establishment. Notwithstanding the absence of feminist interpretations of Nietzsche and despite the omission of chapters that take seriously Nietzsche’s debt to the ancients, critique of the spirit of democracy, defense of a rank order of desires and souls, recurring articulations of an aristocratic politics, attack on the morally and politically debilitating effects of professional (...)
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  24.  30
    Nietzsche on Music.Kathleen Higgins - 1986 - Journal of the History of Ideas 47 (4):663.
  25.  14
    Kitsch and Art.Kathleen Higgins - 1998 - Journal of Aesthetics and Art Criticism 56 (4):410-412.
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  26. A Nietzschean Bestiary: Becoming Animal Beyond Docile and Brutal.Babette Babbich, Debra Bergoffen, Thomas H. Brobjer, Daniel Conway, Brian Crowley, Brian Domino, Peter Groff, Jennifer Ham, Lawrence Hatab, Kathleen Marie Higgins, Vanessa Lemm, Paul S. Loeb, Nickolas Pappas, Richard Perkins, Gerd Schank, Alan D. Schrift, Gary Shapiro, Tracey Stark, Charles S. Taylor, Jami Weinstein & Martha Kendal Woodruff - 2003 - Rowman & Littlefield Publishers.
    Nietzsche's use of metaphor has been widely noted but rarely focused to explore specific images in great detail. A Nietzschean Bestiary gathers essays devoted to the most notorious and celebrated beasts in Nietzsche's work. The essays illustrate Nietzsche's ample use of animal imagery, and link it to the dual philosophical purposes of recovering and revivifying human animality, which plays a significant role in his call for de-deifying nature.
     
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  27. A Companion to Aesthetics.Stephen Davies, Kathleen Marie Higgins, Robert Hopkins, Robert Stecker & David E. Cooper (eds.) - 1995 - Wiley-Blackwell.
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  28. Blackwell Companion to Aesthetics.Stephen Davies, Kathleen J. Higgins, Robert Hopkins, Robert Stecker & David Cooper (eds.) - 2009 - Blackwell.
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  29. .Kathleen Higgins (ed.) - 1995 - Harcourt Brace.
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  30.  6
    Aesthetics and the Containment of Grief.Kathleen Marie Higgins - forthcoming - Wiley: The Journal of Aesthetics and Art Criticism 78 (1).
    The Journal of Aesthetics and Art Criticism, Volume 78, Issue 1, Page 9-20, Winter 2020.
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  31.  2
    Aesthetics and the Containment of GriefHiggins Aesthetics and the Containment of Grief.Kathleen Marie Higgins - 2020 - Journal of Aesthetics and Art Criticism 78 (1):9-20.
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  32.  32
    Aesthetic Legacies.Kathleen Marie Higgins - 1994 - Review of Metaphysics 47 (4):827-829.
    Krukowski sets out to examine the contemporary aesthetic scene by considering its roots. He begins by considering the shift in the last two centuries from the view that art has an epistemological mission to the quintessentially modernist view that art is autonomous. Krukowski seeks the origins of this shift in the aesthetic theories of Kant, Schopenhauer, and Hegel. Each proposed a grand ambition for philosophy and a prominent philosophical role for art. Kant saw the aesthetic stance of the cultivated taste (...)
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  33.  43
    Apollo, Music, and Cross-Cultural Rationality.Kathleen Marie Higgins - 1992 - Philosophy East and West 42 (4):623-641.
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  34. Artistic Visions and the Promise of Beauty,.Kathleen J. Higgins, Shakirsaeed Shakirsaeed & Sonia Sonia (eds.) - 2017 - Springer.
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  35.  29
    Beyond Irony.Kathleen Marie Higgins - 2001 - International Studies in Philosophy 33 (3):37-51.
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  36.  7
    Beyond Irony: Nietzsehe in the Twenty-First Century.Kathleen Marie Higgins - 2001 - International Studies in Philosophy 33 (3):37-51.
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  37. Comparative Aesthetics.Kathleen Higgins - 2003 - In Jerrold Levinson (ed.), The Oxford Handbook of Aesthetics. Oxford University Press.
     
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  38.  21
    Confucius’ Opposition to the “New Music”.Kathleen Higgins - 2017 - Dao: A Journal of Comparative Philosophy 16 (3):309-323.
    Confucius condemned Zheng 鄭 and Wei 衛 music, which had widespread popular appeal. He may have expected music to display fundamental patterns in the natural world and thriving human relationships, tasks that could be compromised by irregular and relatively complicated music like that of Zheng and Wei. He was also convinced that Zheng and Wei music would motivate undisciplined behavior in listeners. A third consideration may have been that even if some benefits of participation would derive from music that included (...)
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  39.  39
    Comic Relief: Nietzsche’s Gay Science.Kathleen Marie Higgins - 2000 - Oxford University Press.
    This book offers a lively and unorthodox analysis of Nietzsche by examining a neglected aspect of his scholarly personality--his sense of humor. While often thought of as ponderous and melancholy, the Nietzsche of Higgins's study is a surprisingly subtle and light-hearted writer. She presents a close reading of The Gay Science to show how the numerous literary risks that Nietzsche takes reveal humor to be central to his project. Higgins argues that his use of humor is intended to dislodge readers (...)
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  40. Comic Relief: Nietzsche’s Gay Science.Kathleen Marie Higgins - 2002 - Philosophical Quarterly 52 (207):261-262.
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  41. David Farrell Krell and Donald L. Bates, The Good European: Nietzsche's Work Sites in Word and Image. [REVIEW]Kathleen Higgins - 1999 - Philosophy in Review 19:32-35.
     
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  42. Friedrich Nietzsche, Unmodern Observations Reviewed By.Kathleen Marie Higgins - 1991 - Philosophy in Review 11 (5):348-350.
     
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  43. Friedrich Nietzsche, Unmodern Observations. [REVIEW]Kathleen Higgins - 1991 - Philosophy in Review 11:348-350.
     
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  44.  35
    Gender in the Gay Science.Kathleen Marie Higgins - 1995 - Philosophy and Literature 19 (2):227-247.
  45.  13
    Introduction.Kathleen Higgins & Joel Rudinow - 1999 - Journal of Aesthetics and Art Criticism 57 (2):109-118.
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  46.  20
    Introduction.Kathleen M. Higgins - 1993 - International Studies in Philosophy 25 (2):1-1.
  47.  31
    Introduction.Kathleen M. Higgins - 1994 - International Studies in Philosophy 26 (3):1-2.
  48.  27
    Introduction.Kathleen M. Higgins - 1995 - International Studies in Philosophy 27 (3):1-1.
  49.  14
    Introduction.Kathleen M. Higgins - 1996 - International Studies in Philosophy 28 (3):1-2.
  50.  16
    Introduction.Kathleen M. Higgins - 1997 - International Studies in Philosophy 29 (3):1-2.
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