57 found
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  1.  38
    Global Aesthetics—What Can We Do?Kathleen Marie Higgins - 2017 - Journal of Aesthetics and Art Criticism 75 (4):339-349.
    I argue that the default interpretation of “aesthetics” should be global aesthetics, and that aestheticians should take as standard preparation for work in the field some basic knowledge of aesthetics in various cultural traditions. I consider some of the obstacles that interfere with a move in this direction and some of the steps that might encourage a more inclusive self-conception of the field.
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  2.  22
    Nietzsche: Life as Literature.Kathleen Marie Higgins - 1985 - Journal of Aesthetics and Art Criticism 45 (2):199-200.
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  3.  17
    Nietzsche and the Origin of Virtue.Kathleen Marie Higgins & Lester Hunt - 1993 - Philosophical Review 102 (1):103.
  4. The Music Between Us: Is Music a Universal Language?Kathleen Marie Higgins - 2012 - University of Chicago Press.
    Other people's music -- Musical animals -- What's involved in sounding human? -- Cross-cultural understanding -- The music of language -- Musical synesthesia -- A song in your heart -- Comfort and joy -- Beyond ethnocentrism.
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  5. The Music of Our Lives.Kathleen Marie Higgins - 2011 - Lexington Books.
    Kathleen Higgins argues that the arguments that Plato used to defend the ethical value of music are still applicable today. Music encourages ethically valuable attitudes and behavior, provides practice in skills that are valuable in ethical life, and symbolizes ethical ideals.
     
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  6.  13
    Language, Music and Mind.Kathleen Marie Higgins - 1995 - Philosophy and Phenomenological Research 55 (3):734-737.
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  7.  8
    The Fine Art of Repetition: Essays in the Philosophy of Music.Kathleen Marie Higgins - 1994 - Journal of Aesthetics and Art Criticism 52 (4):472-473.
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  8.  35
    The Music of Our Lives.Kathleen Marie Higgins - 1991 - Temple University Press.
    Kathleen Higgins argues that the arguments that Plato used to defend the ethical value of music are still applicable today. Music encourages ethically valuable attitudes and behavior, provides practice in skills that are valuable in ethical life, and symbolizes ethical ideals.
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  9.  40
    Negative Virtues: Zhuangzi's Wuwei.Kathleen Marie Higgins - 2005 - In Stephen Mark Gardiner (ed.), Virtue Ethics, Old and New. Cornell University Press.
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  10.  29
    Nietzsche's Zarathustra.Kathleen Marie Higgins - 1987 - Temple University Press.
    "The publication of the revised edition of Kathleen Marie Higgins's Nicizscbe's Zarathustra is a great boon to Nietzsche scholars and Zarathustra specialists alike, for Higgins's consistently subtle analysis of Nietzsche's bold experiment ...
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  11.  6
    Living and Feeling at Home: Shusterman's "Performing Live".Kathleen Marie Higgins - 2002 - Journal of Aesthetic Education 36 (4):84.
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  12.  59
    Transformations of Myth Through Time: An Anthology of Readings. [REVIEW]Kathleen Marie Higgins - 1991 - Teaching Philosophy 14 (2):199-202.
  13.  10
    Nietzsche and Asian Thought.Kathleen Marie Higgins - 1993 - Philosophy East and West 43 (1):141-144.
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  14.  93
    An Alchemy of Emotion: Rasa and Aesthetic Breakthroughs.Kathleen Marie Higgins - 2007 - Journal of Aesthetics and Art Criticism 65 (1):43–54.
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  15.  4
    Nietzschean Narratives.Kathleen Marie Higgins - 1989 - Journal of Aesthetics and Art Criticism 48 (3):241-242.
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  16. Whatever Happened to Beauty? A Response to Danto.Kathleen Marie Higgins - 1996 - Journal of Aesthetics and Art Criticism 54 (3):281-284.
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  17.  6
    Aesthetics and the Containment of Grief.Kathleen Marie Higgins - 2020 - Journal of Aesthetics and Art Criticism 78 (1):9-20.
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  18. Nietzsche's Zarathustra.Kathleen Marie Higgins - 1987 - Lexington Books.
    Nietzsche's Zarathustra is a guide through the convoluted territory of Nietzsche's Thus Spoke Zarathustra. It shows the philosophical significance of the fictional format as a means to simultaneously propose alternatives to traditional dogmas within the Western tradition and reveal the danger of mistaking doctrinal formulations for living philosophical insight.
     
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  19.  89
    The Age of German Idealism.Robert C. Solomon & Kathleen Marie Higgins (eds.) - 1993 - Routledge.
    The turn of the nineteenth century marked a rich and exciting explosion of philosophical energy and talent. The enormity of the revolution set off in philosophy by Immanuel Kant was comparable, in Kant's own estimation, with the Copernican Revolution that ended the Middle Ages. The movement he set in motion, the fast-moving and often cantankerous dialectic of "German Idealism," inspired some of the most creative philosophers in modern times: including G. W. F. Hegel and Arthur Schopenhauer as well as those (...)
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  20.  24
    The Cognitive and Appreciative Import of Musical Universals.Kathleen Marie Higgins - 2006 - Revue Internationale de Philosophie 4:487-503.
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  21.  28
    Nietzsche, Empty Names, and Individuality.Kathleen Marie Higgins - 2006 - International Studies in Philosophy 38 (3):117-130.
  22. Comic Relief: Nietzsche’s Gay Science.Kathleen Marie Higgins - 2002 - Philosophical Quarterly 52 (207):261-262.
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  23. Nietzsche's Philosophy of Art.Kathleen Marie Higgins - 1993 - Philosophical Quarterly 43 (173):543-545.
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  24. Schopenhauer and Nietzsche: Temperament and Temporality.Kathleen Marie Higgins - 1998 - In Christopher Janaway (ed.), Willing and Nothingness: Schopenhauer as Nietzsche's Educator. Clarendon Press.
     
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  25. Musical Idiosyncrasy and Perspectival Listening.Kathleen Marie Higgins - 1997 - In Jenefer Robinson (ed.), Music & Meaning. Cornell University Press.
     
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  26.  25
    Leslie Paul Thiele, "Friedrich Nietzsche and the Politics of the Soul: A Study of Heroic Individualism". [REVIEW]Kathleen Marie Higgins - 1992 - Journal of the History of Philosophy 30 (3):469.
  27.  8
    Kitsch and Art.Kathleen Marie Higgins - 1998 - Journal of Aesthetics and Art Criticism 56 (4):410-412.
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  28.  53
    Introduction: Robert C. Solomon and the Spiritual Passions.Kathleen Marie Higgins - 2011 - Sophia 50 (2):239-245.
    Robert C. Solomon saw spirituality and emotion as interpenetrating themes. I will summarize his views on spirituality and then introduce the articles in the special issue in his honor. Relating emotional integrity to spirituality, Bob argues that it is precisely through engagement - throwing ourselves into relationships and endeavors - that we come to recognize ourselves as part of something much larger than ourselves. Spirituality is an on-going adventure according to Bob, and it recommends itself in the way that all (...)
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  29.  53
    Nietzsche and the Politics of Aristocratic Radicalism Bruce Detwiler Chicago: University of Chicago Press, 1990, 242 Pp. [REVIEW]Kathleen Marie Higgins - 1993 - Dialogue 32 (1):192-.
  30.  46
    Music or the Mistaken Life.Kathleen Marie Higgins - 2003 - International Studies in Philosophy 35 (3):117-130.
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  31.  32
    Aesthetic Legacies.Kathleen Marie Higgins - 1994 - Review of Metaphysics 47 (4):827-829.
    Krukowski sets out to examine the contemporary aesthetic scene by considering its roots. He begins by considering the shift in the last two centuries from the view that art has an epistemological mission to the quintessentially modernist view that art is autonomous. Krukowski seeks the origins of this shift in the aesthetic theories of Kant, Schopenhauer, and Hegel. Each proposed a grand ambition for philosophy and a prominent philosophical role for art. Kant saw the aesthetic stance of the cultivated taste (...)
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  32.  30
    Nietzsche's Task: An Interpretation of "Beyond Good and Evil" (Review).Kathleen Marie Higgins - 2002 - Journal of the History of Philosophy 40 (2):270-271.
    Kathleen Marie Higgins - Nietzsche's Task: An Interpretation of "Beyond Good and Evil" - Journal of the History of Philosophy 40:2 Journal of the History of Philosophy 40.2 270-271 Book Review Laurence Lampert. Nietzsche's Task: An Interpretation of "Beyond Good and Evil." New Haven: Yale University Press, 2001. Pp. x + 320. Cloth, $40.00. Laurence Lampert's new book Nietzsche's Task offers a section-by-section commentary on one of Nietzsche's most influential works, Beyond Good and Evil. The challenge of such a project (...)
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  33. Friedrich Nietzsche, Unmodern Observations Reviewed By.Kathleen Marie Higgins - 1991 - Philosophy in Review 11 (5):348-350.
     
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  34.  29
    Beyond Irony.Kathleen Marie Higgins - 2001 - International Studies in Philosophy 33 (3):37-51.
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  35.  37
    Language, Music, and Mind.Kathleen Marie Higgins - 1995 - Philosophy and Phenomenological Research 55 (3):734-737.
    On first inspection, Diana Raffman’s Language, Music, and Mind appears to be focused quite narrowly on a rather obscure problem in the aesthetics of music, the problem of accounting for the alleged ineffability of musical experience. The case that Raffman builds in this clear, well-structured book, however, has far-reaching philosophical implications for philosophy of mind, epistemology, general aesthetics, philosophy of the emotions, ontology, and phenomenology.
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  36.  27
    Leaving the Elevator Behind.Kathleen Marie Higgins - 2000 - Philosophy and Literature 24 (1):204-209.
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  37.  24
    Deconstruction.Stuart Sim, Kathleen Marie Higgins, Robert Hopkins, Robert Stecker & David E. Cooper - 2009 - In .
  38.  42
    Apollo, Music, and Cross-Cultural Rationality.Kathleen Marie Higgins - 1992 - Philosophy East and West 42 (4):623-641.
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  39.  31
    Zarathustra's Midlife Crisis: A Response to Gooding-Williams.Kathleen Marie Higgins - 2007 - Journal of Nietzsche Studies 34 (1):47-60.
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  40.  32
    Gender in the Gay Science.Kathleen Marie Higgins - 1995 - Philosophy and Literature 19 (2):227-247.
  41.  15
    M & M: Emblematic Activities. [REVIEW]Kathleen Marie Higgins - 2008 - Metascience 17 (3):495-497.
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  42.  13
    Sexual Personae: Art and Decadence From Nefertiti to Emily Dickinson (Review).Kathleen Marie Higgins - 1991 - Philosophy and Literature 15 (2):369-370.
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  43.  7
    Beyond Irony: Nietzsehe in the Twenty-First Century.Kathleen Marie Higgins - 2001 - International Studies in Philosophy 33 (3):37-51.
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  44.  16
    How Do I Love Thee? Let's Redefine a Term (a Response to Predrag Cicovacki).Kathleen Marie Higgins - 1993 - Journal of Social Philosophy 24 (3):105-111.
  45.  15
    Book Review: The Mask of Enlightenment: Nietzsche's Zarathustra. [REVIEW]Kathleen Marie Higgins - 1997 - Philosophy and Literature 21 (1):193-196.
  46.  16
    Mass Appeal.Kathleen Marie Higgins - 1999 - Philosophy and Literature 23 (1):197-205.
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  47.  4
    Zarathustra Is a Comic Book.Kathleen Marie Higgins - 1992 - Philosophy and Literature 16 (1):1-14.
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  48. A Nietzschean Bestiary: Becoming Animal Beyond Docile and Brutal.Babette Babbich, Debra Bergoffen, Thomas H. Brobjer, Daniel Conway, Brian Crowley, Brian Domino, Peter Groff, Jennifer Ham, Lawrence Hatab, Kathleen Marie Higgins, Vanessa Lemm, Paul S. Loeb, Nickolas Pappas, Richard Perkins, Gerd Schank, Alan D. Schrift, Gary Shapiro, Tracey Stark, Charles S. Taylor, Jami Weinstein & Martha Kendal Woodruff - 2003 - Rowman & Littlefield Publishers.
    Nietzsche's use of metaphor has been widely noted but rarely focused to explore specific images in great detail. A Nietzschean Bestiary gathers essays devoted to the most notorious and celebrated beasts in Nietzsche's work. The essays illustrate Nietzsche's ample use of animal imagery, and link it to the dual philosophical purposes of recovering and revivifying human animality, which plays a significant role in his call for de-deifying nature.
     
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  49. A Companion to Aesthetics.Stephen Davies, Kathleen Marie Higgins, Robert Hopkins, Robert Stecker & David E. Cooper (eds.) - 1995 - Wiley-Blackwell.
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  50.  39
    Comic Relief: Nietzsche’s Gay Science.Kathleen Marie Higgins - 2000 - Oxford University Press.
    This book offers a lively and unorthodox analysis of Nietzsche by examining a neglected aspect of his scholarly personality--his sense of humor. While often thought of as ponderous and melancholy, the Nietzsche of Higgins's study is a surprisingly subtle and light-hearted writer. She presents a close reading of The Gay Science to show how the numerous literary risks that Nietzsche takes reveal humor to be central to his project. Higgins argues that his use of humor is intended to dislodge readers (...)
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